What makes it different from others?

The greatest movie ever!

not horrible nor great

Good concept, poorly executed.

James White follows a twenty-something year old man who lives with his mother and, after the passing of his father, begins to struggle with the loss. During this time his mother's cancer returns and he tries to take care of her while balancing his own personal relationships and emotions. To start off all the actors are great. Everyone was pretty genuine in their line delivery and even in the way they moved. They were all perfect, and their characters were great too. The main character and his girlfriend have great chemistry almost immediately, and everyone else is interesting and realistic, making it all the more shocking when something horrible happens. And that happens a lot. This movie can be very hard to watch at times, and not in a bad way. It's hard to watch because you can't stand to see such great characters go through such bad things, and when a movie can make you feel for the characters then it's definitely done something rightSurprisingly, this movie features a handful of lengthy shots. While some of them contain lots of dialogue, some of them also contain little to no dialogue and barely any movement. While it may not seem difficult or impressive, these actors had to stay in character sometimes for a full five minutes and just sit with each other and exchange a few words, maybe move around a little. And all of it was very natural. It's subtle things like this that make this movie stand out from other depressing family dramas.At points, however, this movie could be a little slow. There isn't a lot of music, and while that isn't necessarily a bad thing it can make it difficult to keep your attention focused when the only thing emitting from the television is a soundless scene of someone barely moving. It generally didn't take away from the movie, it actually added to it a little, but it was still there. Also, the outcome of the movie was a little on the predictable side, but it didn't distract too much from how incredibly well-made the movie is. Overall James White is just fantastic. It's filled with great characters, great actors, and some horribly good realism. While it can be a little slow and a little predictable, it doesn't take away from the movie enough to make it even remotely close to being a displeasure to watch. In the end I'd certainly recommend this movie.

James White is presented as a twenty something young man with leanings towards hedonism and is currently living on his mothers couch whilst 'looking after her' – this is along with the news that his father has died. The film tracks his life over a number of months and it soon becomes clear that his mother is seriously unwell and needs him to step up to the plate.What this is though is a reflection of his journey and how he deals with it. His hedonism is shown as someone who wants to go out and have a good time – sometimes too much of a good thing turns bad and that is also the case here. It is all parts of life's rich tapestry. Christopher Abbot as White ('A Most Violent Year') carries the role perfectly; he has smouldering good looks that are underplayed by his apparent lack of panache. This leads to an enigmatic and at times powerfully realistic performance.Anyone who has had to deal with great personal loss will find it easy to empathise here and also the understanding that it affects us all differently and at different times. That raw essence of feeling and emotion is captured extremely well here. Having said all of the above this is still a hard film to watch in places – and that is a good thing in many respects. If you like your films to be more honest and deal with things too often 'glossed over' then you may very well find something to like here.

Christopher Abbott and Cynthia Nixon have found fine homes on HBO screens. Abbott is perhaps mostly known for his role on Girls while Nixon will forever be a Sex in the City girl. Here in James White, they deliver perhaps their finest performances of their careers thus far. The film thrives off the compassion in their relationship and the way it tests James' love for his mother Gail, but unfortunately to the expense of what lies on the sidelines. There's an endearing affection between James and his best friend Nick, but it offers little backstory or arc, simply the type of wishful thinking support considering the situations. The film also lends an entire chapter to James growing close with a girl who becomes his girlfriend, but as soon as the film retreats back home to tend to Gail she's completely tossed aside as another periphery character. That is part of the point though, taking care of her is all consuming and it contrasts the conditions of romantic love with the unconditional family love. Despite little dips into history, the film grew on me as it went on with Abbott impressing at every turn, subverting the brutish James to an empathetic son. Nixon does feel like she's trying too hard at first, but once the film submits to her and she succumbs to the worst of her cancer, she's as good as Abbott. Shot by the same cinematography as Son of Saul, New York is no less of a compelling setting than Auschwitz, focusing on intimacy with the characters, but again it's heart by choppy editing. The jump cuts give it a difficult rhythm to crack. It's limited and intense, and I certainly would've like a little more bittersweet hints at a future to really send the film home, but as an acting showcase James White is a powerhouse.8/10

James White (Christopher Abbott) is caught in an endless cycle of self-destruction. He has just lost his father and fears losing his ailing mother (Cynthia Nixon) who he has been taking care of for years. He spends his days drinking, sleeping around and lashing out at others, doing anything to avoid confronting his grief and emotions, which he keeps under the surface, bubbling and waiting to burst. Life has been unfair to him, and this behaviour that manifested sabotages any chance of career or personal growth. He might be using his mother's condition as an excuse not to step out of his comfort zone and try harder in life, which is reasonable to some extent, but he can't seem to change. In his prime, he is jobless and taking his mother's couch as a bed.This narratively loose drama doesn't offer anything particularly new in giving us a glimpse into the struggles, both internal and external, faced by James. There is not much closure or emotional reward to be given. This is summed up perfectly in one of the very few scenes in which we see James surrendering to his emotions, crying while repeatedly yelling "I don't know what to do".The best aspect of the film is the acting. Nixon gives an authentic, heartbreaking performance that's understated. Abbott, on the other hand, is given a character that requires patience and sensitivity to sympathize with. James internalizes many complex emotions throughout the film and what goes on in his mind is not always clear to the audience. It's a tricky act to balance but Abbott pulls it off. Their mother-son relationship is the only thing that's certain in their lives and is the core of the film.The film could have very well ended during its most powerful and stirring scene with James and his mother in the toilet. She can't get up, so they sit and talk about what their ideal life would be like and the future they had hope for. They feel at peace as both of them stay in this moment, still and smiling. This is when the bleak reality of the film truly sets in, as we see these people, both kind and full of dreams and desires, trapped in an unfortunate life.