This film is so real. It treats its characters with so much care and sensitivity.

This movie feels like it was made purely to piss off people who want good shows

This is a dark and sometimes deeply uncomfortable drama

Worth seeing just to witness how winsome it is.

Having heard so much about this film...i have to say that the outcome was quite disappointing, considering that the actors were child soldiers themselves. How I wished they could have done more to give viewers more intrinsic detail on a subject rarely explored by films. There is nothing wrong with the acting, as the 'actors' were basically playing themselves with ease. The problem in the movie is that visibility is restricted - we see the same scenario over and over again, only difference is they were in difference locations. Further investigation in other aspects of child soldiering could have easily been filmed (given the child soldiers' participation in this movie) but nothing was being done.

If you're looking for a political view point on child soldiers and ongoing conflicts in Africa this isn't the film you're looking for.This is a human film with human nuances. For some it will appear as a senseless violent romp.I saw children losing their innocence through situations they had no control over. Forced to shoot family members to save their lives initiated them into the unit. With persistent brain washing and promises of magic charms to protect them and a financial future they did their duty as they were taught. They were the true believers of the cause and embarked upon a barbaric journey wrestling with guilt and childish thoughts.Mad Dog betrayed by his superiors and his naive of the view future shattered tried to deny and justify his past actions in the refugee camp. His clumsy attempt at trying to woo the girl failed, essentially causing the caring angel to violence and the final loss of her innocence.

Covering the same territory as BLOOD DIAMOND this couldn't be further away from Hollywood's treatment of child soldiers. However, although sentimental and following the classical Hollywood patterns, BLOOD DIAMOND does have its merits. I'd also compare this with SAVING PRIVATE RYAN because there's a similar visceral realism, on a budget which was probably one percent of Spielberg's film.This is difficult to watch from the opening scene onwards as the protagonists, boys from their early to late teens, commit the most appalling acts of depravity - such as forcing another child to shoot his father dead, raping a young woman. One of these acts is witnessed by a young girl, who Johnny Mad Dog is to face at the films denouement. The director overcomes his budget limitations with effective use of hand-held camera, close in, jerky, tightly edited, frequently with the look of actual documentary footage. Things are often obscured, you can't quite see whats going on, which further disorientates and unsettles making an effective portrayal of the chaos of war. Another film I'd compare this to is the Russian COME AND SEE, which follows a teenage boy whose village has been massacred by the Germans. It also works in terms of disorienting the viewer, building into a climax, with a character who is not goal directed but functions more as a figure through which we bear witness. Johnny Mad Dog works in the same way - most impact as the credits roll, accompanied by a series of photographs taken during the Liberian civil war of 1990 - 2003. The film has drawn on those images, recreating them on the screen and enabling us to bear witness.Sound...very little music and impressive use of sound. The opening scenes made all the more effective with the horror of events conveyed through screams. Dialogue is in pidgeon English, subtitled and has a raw authenticity to it, with English words put into African grammatical constructs, mixed with local dialects, or words put together to form new ones.Performances from the young cast are superb, with an utterly convincing blankness. The violence has a randomness and purposelesness to it. Shouting at their victims, randomly barking out irreverent questions such as 'what is the area of a triangle?' These kids can't be written off as 'evil' because they seem to lack any motivation. Dressed in bizarre clothes such as wedding dresses, sporting headgear, fairy wings, in a strange way they've adapted to a set of circumstances and through the violence have formed their own surrogate family. I think the best sense to make of this is through mental health and the idea of a collective psychopathy which maintains it own awful momentum.Violence is all the more shocking in the way the director avoids cinematic conventions. There isn't a build up to someone being shot: one moment the boys are 'patrolling' a street, the next moment one drops to the ground, hit by a sniper. The treatment is very matter of fact, shocking for the banality, the casual nature of the violence.Challenging, chilling, disturbing, harrowing and difficult to watch. Time will tell but I think this may well, eventually, be seen as one of the 'great' war films. I can't think of another which deals in the same way so effectively with child soldiersThere are no heroes here, no resolution, ultimately it points up the complete futility and waste of all wars.

Johnny Mad Dog hits you like a punch in the jaw straight from the opening shot, and doesn't let up the entire way. The film directed by Jean-Stéphane Sauvaire was for me the stand out film of the Melbourne International Film Festival in 2008. The raw, splendidly gritty film making technique displayed to the full house at the forum has left an image in my head that wont leave me for a long time. The film depicts a group of soldiers in their early teens and the lives they lead as a gang of freedom fighters in an unnamed African country. Their country has been plagued by war for many years to the point there its all the young boys have ever known. It highlights the loss of innocence amongst the young boys and extreme dramatic realities of the civil situation in the country. The film for me had some likenesses to Fernando Murielle's and Kátia Lund's 'City of God', as both deal with the corruption of young peoples lives in poverty stricken landscapes. While 'Johnny Mad Dog' doesn't quite hits the incredible heights of 'City of God', its by no means any less of a film. 'Johnny Mad Dog' hits you with more of a documentary feel, lots of hand-held camera, yet shot compositions are still carefully considered and beautifully realized. 'Johnny Mad Dog' does away with a lot of overly stylistic editing, which presents the events of the characters as a very truthful experience.The performances are incredible. Jean-Stéphane Sauvaire, has shaped some amazing moments from a cast of non-actors. In the Q and A afterwards he explained his pre- production techniques and his unyielding intent on casting boys who had had actually been soldiers in their past. For this, the utmost respect is disserved for him.Sauvaire's vision of this bleak situation doesn't hold back for a moment. It grabs the audience by the neck, and puts in the middle of the disorderly gang. I'm very glad I had the opportunity to experience it. 85/100Harry High Pants.