Knife in the Head
Knife in the Head
R | 23 April 1980 (USA)
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One night when seeking his estranged wife, Hoffmann goes to the youth center where she works. The police are there rounding up radicals who frequent the center - Hoffmann runs into the building and ends up being shot in the head. He awakens with brain trauma, partially paralyzed and unable to speak. The police accuse him of stabbing an officer; the radicals herald him as an innocent victim of police brutality. During his slow recovery at the hospital, Hoffmann must piece together his life and struggle to remember the events of that night.

Reviews
Laikals

The greatest movie ever made..!

Tockinit

not horrible nor great

Beystiman

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

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Dynamixor

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

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Horst in Translation (filmreviews@web.de)

"Messer im Kopf" or "Knife in the Head" (there's actually much more than a knife in the head here) is a West German 105-minute film from 1978, so two more years and this one will have its 40th anniversary. The director and one of the writers is Reinhard Hauff and it is one of his most known works. The cast includes a handful somewhat famous names, such as lead actor Bruno Ganz. His character's wife is played by Angela Winkler who probably was a lot more known back then than she is today. Same can be said about Udo Samel and Hans Christian Blech. And this was a breakthrough film for the young Heinz Hoenig, who scored a German Film Award nomination for his work here, just like Blech. I am not sure I would agree with these nominations though. In my opinion, the heart and soul of the film is Ganz' performance and he elevates the material here by a lot. Strangely enough, he was not nominated, but the film itself was awarded as one of the best German Films of the year. The grand prize went to the Oscar-winning "Tin Drum" though, another very overrated film that is actually similar to this one telling individual fates and stories in the context of politics playing a major role. But back to this one here. I did enjoy the first half and it was tense and nicely done in terms of suspense. But the way, things unfolded after the 50-minute mark was not to my liking at all and I cannot say I was satisfied by the solution and how it all turns out towards the end'. That's why the writing, which is the most important aspect of a film, did not satisfy me here. I have to give it a thumbs-down. Quite a shame after it started so well. Not recommended.

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escalation746

In many ways one might think this an ordinary film. There are no special effects, no beautiful stars, no special flourishes. But every shot is perfect. Every frame is necessary. Every nuance is in place. And Bruno Ganz is absolutely superb at every moment.I first saw this film by chance in the early eighties and have searched and searched ever since -- for 25 years -- in order to see it again. Now it's 2012 and I almost expected to be disappointed. But I am just as impressed as ever, with the superb script and under-stated direction. "Knife In The Head" will hold you in its grip until the very last frame, and only gets better in the last few minutes.It seems odd to say, because in many ways this film seems so darned ordinary, like so many others. But, but, there is some difference. Rather than ordinary, I think it might be one of the best films ever made.

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oyen

I found this to be a very powerful film when I first saw it almost 25 years ago. My opinion of it remains the same to-day as it was then. I regret that more people have not had the opportunity to see this remarkable film.

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Agnes Tomorrow

Bruno Ganz is astonishing as a man recovering from traumatic brain injury. His performance is more realistic than most cinematic depictions of brain injury (aside from the idea that brain surgery could have been performed without shaving his head!), which is in itself remarkable; the many ways in which there is a knife in his head, literally and figuratively and symbolically, add layers to an already brilliant performance.Angela Winkler also shines in her complex and troubled relationship to the injured man.It's been years since I saw this film, and yet it stays with me. I really want to see it again. I have to say I think it's a real shame that it was not more widely seen initially, and that it never seems to make it back to the revival houses...

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