SERIOUSLY. This is what the crap Hollywood still puts out?

Excellent, smart action film.

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

OK firstly, this isn't an accurate portrayal of the life of Billie Holiday. But despite that, this movie is very worthwhile. The actual story is part factual for many performers in this field. Don't let your personal views of Diana Ross cloud her debut acting performance. A very good effort - up there with some of the best actresses. Diana doesn't try to sound like Billie Holiday, but she's in her element as a torch song singer. This is Billie's life story adapted and dramatized to give the movie the best effect for its intended audience. Don't let that put you off seeing it. It is well worth a watch despite its inaccuracies and shortcomings. If you like music biographies, there's no reason you won't enjoy this unless Diana Ross really annoys you for whatever reason.

Sidney J. Furie directed this biographical film about Billie Holiday, starring Diana Ross (who also sings). Billy Dee Williams costars as her love interest and Richard Pryor has a supporting role as a friendly piano player. They're both good. Oh, and the grandpa from Charles in Charge is good, too. Corny at times but nowhere near as ridiculous as the other '70s Ross/Williams collaboration, Mahogany. The junkie scenes are the worst, due to Ross' limited abilities as an actress. Her singing is nice, though. It's based off of Holiday's autobiography which wasn't entirely truthful, so a lot of this is pure fiction. Despite its faults, it's an entertaining movie. If you're familiar with Diana Ross' other movies, you know she isn't the greatest actress. This is easily her best performance, flawed as it is.

Diana Ross is quite superb as jazz singer Billie Holiday, but even so this clichéd bio-drama of the drug-addicted torch diva from the 1930s is hardly convincing. After an enjoyably overwrought prologue (with Holiday brutally incarcerated like a gangster out of a Jimmy Cagney flick), the movie sputters along familiar territory, and the burnished, brackish look of the picture--probably meant for prestige--is a visual downer. The tone wavers at times (a comedic sequence with Scatman Crothers is either a distraction or a relief), and the film's flashback structure is a cheap gimmick (you know you're in for it when the filmmakers start super-imposing headlines across the screen--it's movie shorthand for "we're running out of time"). Ross is a spectacular drawing card, but this vehicle for her debuting acting talents leaves much to be desired. **1/2 from ****

Diana Ross gives in my opinion one of the top ten performances on screen in the last 50 years, possibly all time. It is that good. Fresh, daring, inventive, and highly influential her acting hasn't aged a bit. You BELIEVE she is Billie Holiday by the end of the film despite the heavy star persona that Diana Ross and Billie Holiday have respectively in real life. She doesn't go for a mimic, copycat performance but channels the essence of Holiday subtly. The acting is not over intellectualized or self conscious and never once hits a false note. The fact that the movie itself isn't very good and is wildly inaccurate in the portrayal of Holiday's life only seems to benefit Miss Ross. She lost the acadamy award to Minneli in Cabaret which was a charming performance but not even in the same league. Sadly, Miss Ross's promise as an actress did not pan out well due largely to poor role choices. Coming out of the Dark, her made for TV movie comeback owes a debt to this film. She basically rips herself off (yes, its true) as a manic schizophrenic channeling all the better breakdown scenes from Lady.