I love this movie so much

Excellent, Without a doubt!!

A Brilliant Conflict

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Sascha Guitry actor and the original lead in CAGE AUX FOLLES, Poiret tries to put together something as quirky as those, in this story of Marriage Registrar L'Hermitte, who wants to keep his relationship with teacher-wife Cellier alive by kinky sex games.The jokes are mainly unfunny and the attempt at a final twist is just weird. The piece plays off the charm of the leads and the glossy production values to little effect.The scene where the masked man has his way of Cellier is quite erotic and out of character with the rest of the film and what do we make of the citation of LE COURBEAU, complete with letter fluttering into the church? A sad footnote to Poiret's acting career.

The divorce rate has risen alarmingly by around 40 per cent in the last decade in France as it is here that more than a third of marriages end in divorce. In such a sorry 'state of affairs' for marriage, it is heartening to note that a film has been made in France which talks about love and marriage and the impact which these concepts have on married people's lives. Le Zèbre/The Oddball is a joy to watch solely due to the presence of actors namely Thierry Lhermitte and Caroline Cellier. About Thierry Lhermitte, it can be said that like Gérard Lanvin before him, he could have been more far more popular as an actor outside of France if more challenging 'thinking man' type of roles had landed on his lap. The same thing can also be said about Caroline Cellier who played an important role in Chabrol's classic "Que La Bête Meure". It is rather unfortunate that not many challenging roles were given to her. It is through these two actors that we get a chance to know more about the status of marriage in French society. French actor/director Jean Poiret and his team of screenwriters ask whether a couple can lead a happy life after 15 years of marriage ? This question is raised as there are times when one gets the feeling that it is difficult to let the same passion of love continue in a marriage. However, despite its noble sense of purpose, this film suffers enormously as its protagonist employs crazy methods to ignite passion in his married life despite having good intentions in his mind.

In what turned out to be his only film - he suffered a fatal heart attack shortly after shooting it at the relatively young age of 66 - the well-established writer and actor Jean Poiret cast his wife, Caroline Cellier opposite Thierry Thermitte in a slightly bittersweet romantic comedy reminiscent of Billy Wilder's The Apartment in the way that Poiret skillfully segues from comedy to drama. The premise is simple: Hippolyte Pecheral (Thermitte) is a successful and slightly eccentric lawyer. He has been happily married to Camille (Cellier) for fifteen years and they have two teenage children. In yet another reference to an earlier film he begins to fear that such perfect love cannot last (see: The Hairdresser's Husband) and so he begins to actively play the Zebra (French slang for oddball)in an effort to keep the love fresh and ideally immortal. Attractive and highly desirable in her own right Camille has several overt would-be lovers, any one of whom could be the author of the billet-doux she keeps finding in strange places but her initial interest turns to annoyance when she is the only one to keep the suggested assignations. If you're in the right mood this is a delightful film that moves effortlessly from elation to despair and takes you right with it. It is a great pity that Poiret did not live to write and direct any more films as charming as this one.

LE ZEBRE (The Oddball). Bittersweet romantic comedy about happily married Hippolyte (Thierry Lhermitte), a likable, clownish-yet-successful lawyer, and beautiful Camille (Caroline Cellier), a philosophy lecturer. Natalie and Lauren are their children. Hippolyte becomes overly obsessed, trying to restore passion into their marriage. He devises zany, secretive, amorous schemes to entice and arouse Camille. At first, she is flattered but confused, since she has many admirers. She then becomes irritated by the demeaning nature of his schemes. Gregoire (Christian Pereira), their close friend, often serves as an intermediary. Because of Hippolyte's capricious and somewhat sadistic nature, the ending seems inconclusive (at least to me). Possible sequel?, "Return of the Oddball"(?).