Let's be realistic.

After playing with our expectations, this turns out to be a very different sort of film.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Amazing worth wacthing. So good. Biased but well made with many good points.

This movie features some amazing Actors. All three of the principle Actors are about ten to fifteen years past their "glory days".They are mired in a terrible plot that no amount of technical skills, or personal charisma can overcome.This is basically a second rate B movie with an A level cast.Hedy Lamarr plays a female Doctor. In order for a woman to become a Doctor in the 1940s, she had to be far more that just intelligent. She had to have an incredible focus and a commitment to her career. The horribly patronizing script expects us to believe that Larmarr's character would be willing to throw it all away because a moment with Robert Cummings could turn her into a quivering pile of jelly.Robert Cumming's character is written as one of the strangest "Leading Man" types I have ever seen in any classic movie. He is fussy, prissy, highly emotional, and totally lacking in testosterone. The script calls for Cummings to act like a "confirmed bachelor" type of character. He is asked to pull off the type of performance Franklin Pangborn did so much more successfully.Worst of all is how the script treats Anna Sten. This is one of the last movies Sten ever made. Sten was one of the most beautiful women to ever appear in a Classic Movie. The lighting and camera angles are deliberately unsympathetic to an older woman. Despite what you might read, this is not a comedy. There is a lot of fussing and a lot of busy work, but don't confuse this with humor.

Two of Hollywood's most beautiful women get to pursue Robert Cummings in Let's Live A Little. Cummings who plays a harried advertising man is involved with one client already and it would dearly like to get out of it. Cosmetics queen Anna Sten is still in love with Cummings, but he made the big mistake getting involved with her as she is rather possessive. Wouldn't you know it he gets involved with another women. Psychiatrist Hedy Lamarr has written one of those Dr. Phil type books and Cummings is assigned to publicize the book and her. Before long he's both in love and in need of Lamarr's professional services.That is one thing I don't get. How could that woman practice that profession with drooling men lying on the coach confessing all their issues. She would be a distraction no doubt.And here's Cummings caught between the two of them. Got to Love That Bob.Robert Shayne is on hand as a surgeon in the same medical group as Lamarr. I guess they had those back in the day as well. His part is similar to one he did the before in Welcome Stranger.Let's Live A Little is kind of cute more than funny. The players have to work hard and get very little in return due to a deficient script.

It's very disappointing to find super-lovely Hedy Lamarr so atrociously miscast in this tired and tiresome farce produced by her garrulously witless co-star, Robert Cummings (in association with Eugene Frenke) and released through J. Arthur Rank's Eagle-Lion Pictures. Director Richard Wallace found himself in an unenviable position. Not only was he forced to march to Cummings' beat, but the actor would not take direction. His gaudily over-acted performance makes the trite script seem even more witless and heavy-handed. Even splendid efforts by Hedy Lamarr and Anna Sten cannot compensate for witless writing and turgid direction. Admittedly, the movie is well produced and boasts a fine line-up of some of our favorite character actors including Byron Foulger, Paul Maxey, Frank Sully, Robert Shayne, Mary Treen, John Dehner, Billy Bevan, Hal K. Dawson, Oliver Blake...

The situation has potential. A stressed-out ad man meets a beautiful shrink. Object: psychiatric humour. And maybe a little romance.Unfortunately, the result could best be described as innocuous, like some sort of benign medical condition.Bob Cummings plays his usual amiable self. But the real reason anyone would watch this film is, of course, Hedy Lamarr. She looks the way one would expect Hedy Lamarr to look in 1948. Fantastic. She is forced to wear an off-the-shoulder gown at one point to better show off her ... scintillating jewellery. The real conundrum is how Hedy avoided being the top pin-up of World War II. Maybe it was the saltpetre they put in the army chow.Hedy's real-life role as a torpedo guidance system designer -- apparently that story about her is absolutely on the level -- is easier to accept now after seeing her as a no-nonsense, supercilious psychiatrist, sort of an early prototype for Dr. Lilith Sternin Crane.The two Roberts -- Cummings and Shayne -- compete for the attention of Hedy. This gets a little childish with Shayne trying to pump himself up physically at one point. Also, characters often gaze at one another, then see the other person transformed inside a shimmering aura into the object of their true desire. Funny, but both these plot elements -- childish male competitiveness, and idealized shimmering figures -- appeared in a far superior film, "The Bachelor and the Bobby-Soxer", the previous year, 1947. I'm sure it's just a coincidence.The film has some silly "psychological" dream sequences which are played for laughs, and which for contemporary audiences may have been a mild spoof on Hitchcock's "Spellbound" from 1945.Anyway, it's too bad that all this seems to add up to so little in the end. Bob Cummings co-produced this film. It's a pity he couldn't have hired a script doctor.