Too many fans seem to be blown away

not horrible nor great

hyped garbage

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Have you ever been curious about what defines quintessential horror from the paradigm-shifting motion picture era of the early 1970's. Watch the '71 low budget trip flick "Let's Scare Jessica to Death" and you needn't wonder any longer.Sparse funding does not a feeble film make in this case. The acting is actually okay, with Zohra Lampert as the deeply troubled title character faring the best here. Her embodiment of a fragile former mental patient petrified that she's losing it all over again is both challenging and poignant.There are a lot of paths this super weird story appears to be leading us down at various points in the movie. The way it all ends up may leave you joining me in asking this clarifying question regarding the ominous title, "Are we talkin' corpse or killer?"No, that's NOT a spoiler.

Yes, that pun was too easy.We all have our own tastes. It's what makes sites like this fun and keeps the debates raging. It's what allows us to feel superior to others when we like a movie that we're sure is too smart for most people, or when we hate a movie that the "sheep" will flock to love. Often, with these sort of "cult classic" films, they get the moniker for a very good reason. A minority will treasure the movie and consider it to be a 10-star classic, while most are not going to understand the appeal. I have plenty of my own cult classic loves. This just isn't one of them.I consider myself to be a horror junkie. I love horror dating back to silent classics and up through this year's releases. I love major studio and indie, domestic and foreign. I say this not to feel that my opinion is any more valid than anyone else's but to say that I think my ratings and reviews prove that I'm not narrow minded to one time era or style of horror. I would say, though, that there are few horror movies from the first half of the 70s that really stand out. Romero changed the game, in 69, with NIGHT OF THE LIVING DEAD, introducing an amazing mixture of gut-churning gore and intelligent social messages in horror. It was revolutionary, but it also left horror struggling to figure itself out for a few years. There isn't a straight "style" to horror of this era. Most that I have seen fall into this genre, like LET'S SCARE, of looking low budget, feeling amateurish and trying very hard to inject artistic and social style, while playing for subtle creepiness. It's not an easy mixture to get right.This film is about a hip young woman who leaves the big city with her musician husband and their hippie pal, setting out for the country to get her mind correct after a breakdown. We get a little bit of DELIVERANCE style scare as the townies don't take kindly to new flower children, driving around in their hearse. They settle into an old farmhouse, on an orchard, that happens to be inhabited by a squatter. The bulk of the picture spends its' time trying to spin a web of chilling frights where we're meant to question whether the events are real or in our heroine's mind. She starts unraveling as events get more terrifying around her until the final nefarious plot is revealed (or was it?).The problem with the movie is that it's not half as clever as it thinks it is and spends far too much time boring the audience to death. I'm all for psychological horror. Some of my favorite horror films of all time would fall into that realm, but I need something more than a woman who talks to herself. That's basically the movie in a nutshell. Our heroine talking to herself. The two men in the house spend most of their time trying to get into the pants of our squatter, who is only marginally attractive and a little bit creepy. Shallow criticism, for sure, but if the whole plot is that I'm supposed to believe these men are falling over themselves to do her bidding, I'm not buying.There is no atmosphere built and the movie is begging for it. Use the orchard. Use the creepy attic. Use some fog and the lake that surrounds their island home. Use some dreamlike cinematography. There are so many missed opportunities in this movie, that I just can't recommend it for most people. I see all these 10 star reviews and just can't understand it, at all, but to each his own. I rarely give movies a rating this low. I find that most movies fall into an medium of mediocrity that gets them an average rating, but I was so bored by this one and just waiting for it to end.

Quite a weird horror flick that really has a misleading title, although it could be argued that Jessica at times might get that idea... The story isn't really all that obvious anyway, since there are a few options possible for what's going on. Is there something weird going on in the town? Is it just the house? Why does the hippie girl look like one of the old inhabitants of the house? Questions, questions. In the end, we get our answer, and it's quite scary, indeed. Some people claim it is ultimately a vampire story, but I beg to differ - completely.The original, unnerving soundtrack and the atmospheric surroundings are two major players in the film, but the cast play really well and quite natural also. There are hints of several other scary movies here ('Rosemary's baby' 1968, 'Night of the living dead' 1968), but 'Let's scare Jessica to death' really does its own thing. It does drag on just a little here and there, but why some people find this to be a complete bore and / or failure is beyond me.A small 8 out of 10.

The lurid title could easily side-track you from what is essentially an extremely frightening exploration of a woman's descent into madness. You can read it, of course, in a material sense as the title suggests; but everything in this film has the potential to signify something else entirely, and its this ambiguity that makes this film so macabre and interesting. Everything, from the killing of the 'mole' to the conclusion where Jessica is trapped in the middle of a lake on a barely floating boat, could be signifying or at least implying something else. Classic metaphors for the human consciousness are bodies of water; being trapped in one or drowning metaphors for madness. The films ambivalent set of monsters, from a strange set of undead elderly villagers to sexually promiscuous vampires, threaten Jessica and her sanity. The fact that there is no ultimate explanation for the strange set of phenomena that take place is also demonstrative of the horrific and inexplicable quality of psychotic behaviour for those suffering from schizophrenia (for those of us that have had the misfortune to experience it) or the side-effects of drugs. This film is really worth seeing