Let's be realistic.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Great movie. Not sure what people expected but I found it highly entertaining.

Lianna (Rachel Griffiths) is unhappily married to a cheating husband (John De Vries) and has two children. She falls for a female teacher (Jane Hallaren) and realizes she's a lesbian. She starts an affair with her and realizes she can't stay with her husband...she must find her own identity as a lesbian.It's hard to believe this was made in 1983. Definitely a ground breaker. I remember it played forever in a small art house cinema in Cambridge MA. I didn't see it back then but I'm glad I got the chance. BTW, it was beautifully restored in 2003 and that's the print I saw. John Sayles wrote and directed the film and, like all his films, it has incredible dialogue and a believable script. This is probably the first realistic film to show a woman coming to grips with her sexual orientation--and embracing it completely. It does show the hardships she goes through adjusting to a life on her own and the relationship problems--but that's very true to life. The trip to a lesbian bar was surprising in a film this old. The acting by the leads is superb--Griffiths is perfect and Hallaren matches her. De Vries is good also but he's stuck with a 1 dimensional villain role. The supporting roles are somewhat amateurish--but they don't lessen the film. In fact it makes it seem even more realistic! The sex scenes are explicit but tasteful.It's hard to believe a man wrote and directed such a sensitive portrayal of a woman. My only complaint is that it's a bit overlong--but this still should be seen. A groundbreaking and very honest film. An 8 all the way.

John Sayles, portrays a realistic story of lesbian love. Though the film is 23 years old, it has all the trappings of a classic film, as the subject matter and the characters could easily take place at any time, in any place in history or currently. Intimate and delicate, the story of a young married woman (Lianna) who's restrictive world of stuffy husband, kids and homemaking is slowly coming undone. For enrichment, she takes a class at a local college where her teacher, Ruth, makes a great impact on Lianna who sees Ruth as a strong, decisive, smart woman. These qualities are the initial attraction for Lianna and as her friendship with her grows, Lianne feels long forgotten feelings she had as a young girl before she settled into the more traditional role of marriage, children and the occupation of housewife. At the end of the film, Lianna is free in many aspects of her life and as the credits role, the viewer can't help but take that feeling of relief and freedom with her . A lovely film.

Sayles' second feature as director, and his first great film. It's not perfect, has its share of clichés and is certainly dated, but it's wonderful. Linda Griffiths stars as Lianna, a young mother of two who is constantly suffering under her smarter, controlling husband, a film professor (Jon DeVries). Lianna doesn't have much of a life, but she manages to sneak in a night class twice a week. She develops what seems to be a non-romantic crush on her professor (Jane Hallaren). When her husband cheats on her, the relationship with her professor changes to a sexual one. It would be easy to hold the fact that Sayles is a man against the movie. However, Sayles does here what he does best: create strong, identifiable characters for whom we care. Lianna is really one of the best developed characters I can remember. I absolutely love the way Sayles makes her intellectually inferior to both her husband and lover. It gives her struggle a lot of weight. And I love the line she says to her husband: "Just because you can argue better doesn't mean you are right." She breaks my heart. The power structure between her and her husband is brilliantly written. I also liked that Sayles creates a new power structure, and not one wholly different from the marriage, between Lianna and her lesbian lover. My only complaint is that Sayles does sometimes treat Hallaren's character too kindly. She's clearly taking advantage of Lianna, and at times she's clearly treating her badly. In fact, the relationship starts exactly the same way as the relationship between Lianna and her husband. She was once his student, as well. The parallel isn't underlined as well as it should have been. I think Linda Griffith's performance here is one of the best ever. It's a tragedy that she didn't become famous after this. I know that Sayles isn't the greatest director (specifically referring to the direction) in the world, but this is some of his best work on that front (his very best is certainly Matewan). Of course his greatest talent is his writing; he is such a remarkable writer of human interrelationships. Sayles also gives his best performance as an actor in this film. Lianna is such a subtle work of human emotion. It really doesn't have any big moments, and it doesn't end with any clear resolution. The film's power only hit me about 20 minutes after it was over. It's a small masterpiece.

The previous review did a great job in outlining the movie.One additional comment: This movie joints "Desert Hearts" and "If these walls could talk 2" in the pantheon of movies with the best romantic scenes between women.