Who payed the critics

This movie was so-so. It had it's moments, but wasn't the greatest.

The movie really just wants to entertain people.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Little Odessa, also release under the title "Contract killer" is a very effectively and realistically told mobster movie, from the Russian community. It's a take on the prodigal son, here as a cold contract killer. A great watch for connoisseurs of films, and mobster film in particular.The movie stands out for great acting, directing and photography, being James Gray directorial debut. Music is excellent as well. The actors are making this a great watch. The whole film is stuffed with fabulous acting. Tim Roth and Edward Furlong is both fabulous as the brothers, as Vanessa Redgrave and Maximillian Schell is as the mother and the abusive father. I think this is some of the best I've seen from them all.The film starts up with the contract killer, being the older brother Joshua Shapira coming back to his hometown of Brooklyn after being away for years, to do a contract job. He fled town after committing a killing, which obviously is not forgotten. He meets his younger brother, Reuben, which tells him that their mother is terminally ill with brain tumor. Joshua wants to see the mother, but are not welcomed by the father, being a danger to the whole family since wanted by the mobsters.It's bleak, cold, gritty, effective and what I believe very realistic told. I was immediately sucked into the story, which is following the younger brother more than the older hit-man. it's no action movie, but a mobster movie told in the way we've seen many times. This does not stand back from these. The film builds slowly up to great scenes.It's powerful on emotions, far more than on the action. However the persons are quite cold, and so is the violence. And there isn't much hope to see in the dreary days of this family.The quote "We'll wait 10 seconds and see if God saves you" is said by Tim Roth's character before he does a killing. I would regard this is a must-see for mob film lovers, and a classic in the genre. I would likewise recommend the brilliant and effective "Eastern promises" by David Cronenberg, telling a story from the Russian mafia in Great Britain.

Billed as another Goodfellas, Little Odessa is the story of a mafia hit-man returning home to do a job, as well as seeing the poor immigrant family he left behind. The story is great, the movie is not. Tim Roth is fantastic as the disowned, disgraced, murderous son. Roth always gives a very strong performance and does so again here. Edward Furlong, one of my favorites, unfortunately does not do as well. I've seen him in enough things to know, it's not his fault, it's the writing. This film is so dark and painfully slow that I barely made it through. Very little is explained and the dialog is laughable, even at times non-existent. There are huge plot holes to go along with an ending that makes little sense. The writer was trying to tell his story more through imagery and symbolism in a genre that is based on action. You can't pull off something like this without explaining more of the story and using it to move things along. It's not the worst film I've ever seen, but to be honest, I was bored from start to finish.

Writer/director James Gray's (We Own the Night) first film was critically acclaimed for it's cinematography and for performances by Vanessa Redgrave and Maximilian Schell. It is not an action film, even though the main character is a hit-man. It is a drama about family and shame.Mr. Orange, Tim Roth (Reservoir Dogs, Pulp Fiction, The Incredible Hulk) plays a son who has been disowned for bringing shame on the family by his behavior. He returns to Brighton Beach to do a job, and reunites with his family as his mother lays dying. He also reunited with Moira Kelly, much to the delight of movie viewers.About the only one happy to see him was his younger brother Rueban, played by Edward Furlong (Terminator 2: Judgment Day, Pecker). Well, mom was happy, but moms are always happy no matter how bad their children are - trust me on that.Violence was at a minimum for a Russian Mafia/hit-man picture, and the focus was on the family. Maximilian Schell was excellent as the father that made piece just for a moment to allow Redgrave to see her son.Gray's first film has nuance and subtlety not often seen in a film featuring the mafia.

It's the camera-work which first impresses in this one. The shots are so well taken.Roth is excellent, bordering on superb, and should win the Hugh Laurie Award for the best job done portraying (and sounding convincingly like) a 'north a-merican' by a Brit.Are talents like Schell and Redgrave wasted? Hardly. More: their Russian is very good - something you wouldn't expect from a flick like this. Sometimes the language is almost overly simplistic but the accents are very good.This is a taut thriller - a scary one - and there are scenes which may have you gasping because they're so stark. As in 'Casino was a Bugs Bunny movie'. Something like that. Is this good? That's another matter. A lot of this is lent by Roth's performance - he's a cold blooded killer and he plays it with more the poker face than Hopkins in Remains of the Day.Denouement? Watch for it. When the movie's over you might miss the fact it's over. Is this a highly recommendable flick? Hard to say. Some excellent work here. But will you enjoy it? Benefit by it?That's a much more difficult question.PS. Hey IMDb! Stop correcting our spelling and giving us no chance to correct your incorrect corrections. Suggesting corrections is one thing; forcing them upon us is quite another.