Liza with a Z
Liza with a Z
G | 10 September 1972 (USA)
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Liza Minnelli stars in a television concert directed and choreographed by Bob Fosse. She performs such songs as the title number and "Son of a Preacher Man." The concert concludes with a medley of songs from the film Cabaret (1972). The special, Minnelli and Fosse all won Emmy Awards. Bob Fosse also won the Oscar and Tony that year, in the only instance of any person ever winning all three in a one-month period.

Reviews
Laikals

The greatest movie ever made..!

AniInterview

Sorry, this movie sucks

PiraBit

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

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FirstWitch

A movie that not only functions as a solid scarefest but a razor-sharp satire.

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Isaac5855

Right after her Oscar-winning performance in CABARET, Liza Minnelli took her act on the road and it was brought to television in the form of LIZA WITH A Z. Directed and choreographed by Bob Fosse, who won an Emmy for his efforts, this breathtaking evening of musical theater showcased Liza Minnelli doing what she does best...singing, dancing, clowning, completely commanding a stage and captivating an audience. From the opening number "Yes" from 70 GIRLS 70 to the title tune, written especially for her by John Kander and Fred Ebb to a striking production number called "Ring Them Bells", Liza doesn't just prove to be a superb songstress, but a great actress who makes every number a show within itself. She brings an intensity to an old Tin Pan Alley classic "It was a Good Time" and rocks the house with "I Gotcha" and wraps the evening with a medley of songs from CABARET...a once in a lifetime concert event and a must for Minnelli fans.

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Harold_Robbins

Phenomenal is the only word for LIZA WITH A Z - did you notice that there were no spectacular sets or special effects, just an incredibly versatile artist accompanied by a dancing ensemble and an orchestra. Who of today's "artists" could do that? With all the negative news about LIza in the past decade or so, some people tend to forget that in the two decades after CABARET Liza was indeed a superstar of the first magnitude - if her movie career never really took off (remember duds like LUCKY LADY and A MATTER OF TIME?), she was still the Queen of the Concert Stage in the US and Europe.Liza was absolutely in her prime here - incredibly, she was only 26 in this year of CABARET and LIZA WITH A Z, and her voice was in great shape: rich, resonant and powerful - all the notes were there, big-time! (Check out some 1960s Minnelli recordings like "Come Saturday Morning" - her voice was much higher and sweeter then than we're used to.) And yes, there were certain brief moments when she looked (rather than sounded) like her mother, but she's all LIZA. I saw her on Broadway in CHICAGO in 1975, and caught her first "Post-Betty Ford Center" tour in 1985, and she was still brilliant (That's when she starting singing "When I gooooooooooooo - I'm NOT - going - like - El - sie!") and at an outdoor theater in 1992. What a performer! Barbra Streisand had MY NAME IS BARBRA - LIZA WITH A Z is Liza Minnelli's MY NAME IS BARBRA! Truly legendary performances by truly legendary performers.

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carlos_valerio

i was lucky enough to have seen the show when it was originally broadcast. I have been looking for a copy of this show either on VHS or Video Disc. But have not been able to achieve my goal. Anyway, I remember that I was impacted, I fell in love with Liza that very first time, what a woman, Energy, Charisma, strength, voice. I remember watching her sing every song, I used to know all the lyrics of all her songs, and even remember some of the steps. It was the best show I ever saw, and actually have not been able to see another show like that. I've seen Madonna or Cher live, but they can't compare with Liza and her voice. I saw her live years later here on my hometown, she is still great, but I think that this is her best concert ever.

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SonOfABu

When I first viewed this TV concert in 1972 I thought it the best TV concert ever. Nothing in the intervening 28 years has done anything to change my mind. Liza and director-choreographer Bob Fosse are at the peak of their respective careers and it shows in this luminous performance. I still hope for its return to video in some format.

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