Love Is a Ball
Love Is a Ball
NR | 24 April 1963 (USA)
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Etienne makes a good living out of marrying off poor but titled young men to rich but untitled young ladies. Millicent is now in his sights on the Riviera, and Grand Duke Gaspar is the bait. But what if Millicent starts to fancy planted chauffeur John instead, and Gaspar takes a shine to Etienne's secretary Janine?

Reviews
Nessieldwi

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

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Jenna Walter

The film may be flawed, but its message is not.

Keeley Coleman

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

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Delight

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

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MartinHafer

"Love Is a Ball" is a very strange sort of matchmaker movie. Instead of doing things the NORMAL way, Etienne Pimm (Charles Boyer) is one sneaky guy! He finds poor members of nobility and pairs them up with super-rich spouses. However, he IS sneaky....and doesn't tell the rich folks he's doing this. Instead, he and his crew are actors who ingratiate themselves to the rich family and covertly arrange for the pair to meet and fall in love! It's all very mercenary and Pimm is really good at his job. However, in the care of Millie (Hope Lange) he has an unexpected problem...over time, instead of falling for the poor nobleman (Ricardo Montalban), she starts to fall for her new chauffeur (Glenn Ford)! What's next in this cute little romance? See for yourself...This is a nice and inconsequential romantic comedy--the sort of date film that is fun to watch with someone you love. It won't change your life but will make you smile...unless, of course, you're a nasty jerk-face who doesn't like happy endings and romance.

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lionel-libson-1

Another Sunday evening blunder...when will I learn? Ah, the sins of my old age! This film has everything! Bad lighting,stiff, embarrassing performances--a prancing, mincing Kojak? (Telly Savalas)...Glenn Ford with a crankcase of oil in his hair...obviously, the script had been flung in the air, and the pages re-assembled haphazardly.The 50's diner lettering in the credits should have been a warning to me. But, fatigue,unfavorable sports results, conspired to lower my TQ(Taste Quotient) I realize this is marginally a review and more a cri de la coeur, but I cannot accurately describe a plot so contrived, so smirking, so typical of movies of that period. The Hudson/Day comedies seem like Ingmar Bergman gems in comparison.The only surprise came at the end, when this cinematic disaster "thanked" a handful of locations, institutions who had cause for a lawsuit for injury to their reputations.

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thebaldguy

The real reason to see this movie is the CARS. Shot in the early 60's, I actually remember seeing a promo on the Carson show. It takes place during the Grand Prix, but in addition to the race cars, you can see what are now classics, 3500 GT Spyder Maserati, 300SL cabriolet, Rolls Royce cabriolet, 50's Corvette, Mercedes gullwing, the list just goes on. For any REAL car nut, this movie is a gem!

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etgarrison

I have remembered this movie for many years, and would like to own a copy of it in any media. I wonder why I can never find a VHS tape of it? I enjoyed it immensely because of all the great stars in it. It was a fun movie, set in a beautiful place, with many comical situations. Telly Savalas was quite a surprise and Ricardo Montalban was also excellent in this comedy. Charles Boyer was the master, of course. I wish I could see it again, if only for all the wonderful actors, to be enjoyed having fun. I had fun with them, laughing and loving what they had done.

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