The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Blistering performances.

I caught this hidden gem on television last week.It is a wonderfully shot film which is both poignant and life affirming. Dunst is excellent and Stahl also puts in a solid performance.The only disappointment was the fact that the brilliant character of victor was so criminally under used. Connell's performance is outstanding.All in all though a great film for all the family which I would highly recommend. A career highlight for Dunst, Stahl and Connell which should not be overlooked.

In the film based on an Ivan Turgenev ("First Love"), the college bound (Nick Stahl) is spending the last summer before he goes away to school outside Moscow, in the country. He soon becomes smitten with the neighbors' beautiful daughter, Zinaida (Kirsten Dunst). It's not long, though, before Vladimir realizes that he's just one member of a long line of suitors vying for Zinaida's heart---including his own father.At first I thought this movie would be something I would enjoy. I've always been a fool for a costume drama. However, the horrible dialogue makes this movie hard to watch. Generally, I love watching both Dunst and Stahl, but not in this movie. I applaud not forcing bad accents, but why did they bring in crusty British accents? I found this movie completely void of any real plot. I rented this movie in hopes of seeing a romance, and through the slow beginning I continued to watch the film in hopes that it would speed up. I found it irritating that the entire movie was narrated. Although, the narrative did provide most of the plot! The acting was OK, but the character's actions were silly to me. In the end, I would not recommend this movie to anyone,

This film is surprisingly appalling. Another reviewer states that he does not understand why no-one has claimed the screenplay, but I don't understand the lack of understanding; I can't imagine that anyone would willingly admit to writing this script - however, it seems the director has (and apparently based on Chekhov and Turgenev, no less.) Then again, it was also the director's decision to include the exposition filled voice-over. (***Possible spoiler, although not really a major plot development as the film does not really contain any***)We know that the voice-over is an older Vladimir, we can see the younger Vladimir (Nick Stahl) following the object of his attraction (Kirsten Dunst), so why does the voice-over tell us that Vladimir is following her?(***) The director should be banned from making films until he learns the rule; show don't tell - or at the very least do not show *and* tell, because that just insults your audience.There are many unintentionally comic moments and I admit to being so fascinated by the clumsiness of the story telling that I sat and watched the whole thing with morbid fascination.It is a shame as there are some fine actors in this film. Julie Walters is usually fantastic especially in the type of character that is required of her here, James Fox starred in one of my favourite films, and I honestly used to think that I would enjoy Nick Stahl in any role - he usually brings such pathos to his characters.I don't think that any actor could make the dialogue believable but it's sad that actors that I usually find believable and watchable are saddled with such clumsy writing and direction.

The only comment I have read thus far that encapsulated this film was by a Russian woman from Moscow. Everthing in this film evokes Russia in Summer for the period intended. There is a quality of innocence that is captured by the characters and lost in metaphor. The father represents Europe seducing a young capricious Russian female. Her young lover is the true Russian unable to save his love from her fate until in the end he stands as witness to her ruin and death. Turgenev felt very strongly, as do all Russian writers, that Russians must look to themselves for the future and they felt a duty to warn their country of the temptations that would lead to Russia's downfall. Kirsten Dunst does a very good job of portraying Zinaida as a young woman desperate to grow up and at the same time hold onto her past, much like Russia. Her older lover, Valdemar's father (Europe) cannot understand her devotion to him and abandons her to her fate. He doesn't have the endurance her real lover (Valdemar)has - or the patience.