One of my all time favorites.

Let's be realistic.

hyped garbage

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

This short was nominated for the Academy Award, Animated Short category. It's difficult to discuss a five minute cartoon without giving away details, so consider this your spoiler warning: The visuals in this are very good, with the character design particularly-the detail is fascinating. As is to be expected with a five minute short, there is a slender plot here and the timing is key to this working. It's a one-joke premise and the director builds to it magnificently, with the image of a pampered superstar carefully created in a surprisingly short space, with the ending coming as a surprise, at least to me.The trouble is, while most excellent shorts merit repeated viewings (there are animated shorts I've seen dozens of times and they always seem alive and fascinating however often I see them), each time I watch this one, it impresses me a little less than it did before. Knowing the payoff has a lot to do with this (though I've seen Balance at least a dozen times and even knowing the ending makes no difference, as I still get chills every time I watch).The only thing I can figure is that, if you're telling a joke (and that's what Maestro is, ultimately-a visual joke), knowing the ending often reduces the humor.This is on DVD-The 2006 Academy Award Short Films, released by Magnolia and this and the entire disc are well worth watching. Recommended.

We first witness a robot, in the form of a expanding metal arm, mixing a drink for the "maestro" who is sitting in front of a mirror in his dressing room apparently preparing to perform somewhere.The expanding arm also reaches into a top drawer and brings out selected items for the man. It's his makeup, which the mechanical arm puts on him, along with other chores such as dusting his top hat so he is totally ready for his performance. Meanwhile, the man gets his voice ready with some notes, so our guess is that he's an opera singer.Two things stood out for me in this animated short: the direction and the ending. The "camera" roams 360 degrees around the little room so we see what's going on from all angles. The ending I can't give away but it was a stunner and made me smile with appreciation for the cleverness. Rarely have I seen an ending so good.

This is funny, well-crafted, computer-animated short film that'll give you a good laugh if you watch it. You can find it for free online (and legally) by searching for it at the "Portable Film Festival".The fact I'm giving the film a 6 does not at all mean that I disliked it - as another user said, the film moves in a very deliberate way to a funny conclusion that you the viewer will probably not expect. It's definitely worth a look.The thing is, that's all there is to it. The film sets its target low and does a great job of achieving it, but it's still a low target. I'm not sure that it has enough in it to deserve an Oscar nomination (especially when exemplary artistic masterpieces such as Aleksandr Petrov's "My Love" were left out of the list). It's a fine film that's worth watching, but it's still only based around a rather short, simple joke and doesn't aim for anything higher.

This short animated film shows a great performer preparing to take to the stage in the last few minutes before the curtain rises. With the help of a mechanical arm, a feathered "Maestro" is groomed and exercises his voice. "The Maestro" was directed by The Hungarian film maker Géza M. Tóth and it competed in over 40 international animation competitions and gained a nomination for an Academy Award. The Maestro is well-animated slowly builds for its five minute run up to one fantastic joke. The animation is solid and the technique of having the camera circle three-hundred-sixty degrees around the characters helps build the suspense towards its funny finale. The sound is well dubbed and matches the tone of the images being presented. Overall, "The Maestro" is a short of great quality.