Lack of good storyline.

Good idea lost in the noise

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

MARK OF THE WITCH is an independent US horror flick from 1970 that just about gets by despite the entire lack of budget and talent behind the camera. The film follows a bunch of dated college students as they become convinced that one of their peers is the reincarnation of a witch who died some 300 years previously, swearing revenge on her persecutors. It's mainly a static and talky little enterprise, but it does manage to build up a relatively fair head of steam along the way, and the ritualistic moments, although limited, tend to hit home. The spooky storyline brings to mind the likes of CITY OF THE DEAD and the actors certainly work hard to invest in the tale.

I got the opportunity to watch the recently unearthed R-rated version of this movie (the movie was cut for its original theatrical release in order to get a PG rating). So I was expecting the movie to be somewhat explicit in either gore or sexual material. But I was surprised. This original cut shouldn't have got an R rating back in 1970! The only sexual material is one (brief) scene of toplessness, and when it comes to violence there are only a few drops of blood and a couple of scenes of hangings directed in a restrained manner.Still, despite this lack of exploitive material, the movie could still have been a decent supernatural shocker. But it isn't. It's very slow moving, and with a LOT of chitchat to pad things out. So I would say the PG version is the version to seek out if you really want to see this movie - because it's shorter and therefore easier to sit through.

I love old horror movies, especially when I know none of the people in them, and they are from an era before there were cell phones, iPods, and back when clichés were being made, rather than laughed at for their ridiculousness.The story is pretty basic- ancient curse of a doomed witch, jumping forward to the "present" (ha ha), where of course, the witch returns. The pacing is pretty good, with the story at least always moving forward. I didn't find it too predictable, which was good, and despite how dated the fashion and music were, it was interesting.Technically, it was a mixed bag for me. Grainy old film stock and imperfect sound actually make an old horror film better for me in some respects. Like one of the other reviewers, I found the spoken words over the opening titles a bit creepy, but most of the soundtrack is rather annoying.The acting is acceptable from some of the cast ("Alan" was pretty good), and the copy I watched was choppy and the film was scratched. Still, this brings back some fond memories of movie-watching to those of us old enough to have operated a "record player".While not a classic, I'd recommend this for anyone who loves old horror movies. Simple, fun, and not so burdened by huge effects sequences or big stars that you ever feel distracted from the story. Watch and enjoy!

This film, while not a classic, avoids being a schlockfest for several reasons. The script, about a 17th century English witch being summoned back from the dead by a spell and inhabiting the body of a college co-ed, is a cut above. It's all opinion, but the acting is uniformly good, considering the usual stock of talent that populates these films. The filmmakers must have raided the best of the local collegiate theater majors and community theater talent, because the actors all give competent performances. The low budget enhances the film in some ways. The prologue, showing the hanging of the titular witch, is an effective montage of tight shots of the witch's and executioners' feet walking through muddy sludge to the gallows and the aforementioned characters' faces as the execution transpires. The film then cuts to the opening titles, shown over silent footage of windy autumnal Dallas streets as a singer performs a witch's "rune" acapella. It's an unsettling performance that creates some much-needed atmosphere and, hopefully, gives one an inkling of what will follow. I'm not a filmmaker, but the style exhibited in these opening moments made me hope that what I was about to watch would be, at least, competent and, at most, a great lost film. MARK OF THE WITCH is not a lost classic, but it is an effectively made little horror flick, made on the cheap by people who show not a little raw talent. Some will be disappointed that it's not a train wreck of bad acting and threadbare production values, while others will rue the fact that the movie isn't packed with blood and gore. What MARK OF THE WITCH is is a movie that moves toward it's ending methodically at a pace more in keeping with early 70s TV movies than modern slashers. But that's a good thing. Just train yourself to wait for the payoff.