Best movie ever!

Absolutely the worst movie.

Clever and entertaining enough to recommend even to members of the 1%

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

"Masquerade" is a crime thriller set among the wealthy inhabitants of the Hamptons, a socially exclusive part of Long Island. The main character is Olivia Lawrence, a young heiress who has been left tremendously wealthy by the recent death of her mother. (Olivia's father has died several years earlier). Olivia forms a relationship with Tim Whalen, a yacht skipper, but this causes friction with her stepfather Tony Gateworth, who suspects that Tim is only interested in Olivia for her wealth. There may be something in his suspicions, as Tim is also carrying on with attractive older woman Brooke, his employer's wife. Gateworth's objections to Tim, however, seem hypocritical, as it is obvious that he only married Olivia's mother for her money and has lost no time since her death in moving his new mistress, Anne, into the family mansion.The title is significant. "Masquerade" is the name of Olivia's yacht, but the word "masquerade", literally a masked ball, can also signify a charade or pretence, and several of the characters are pretending to be something they are not, pretences which are revealed in a series of twists. Tim and Gateworth seem to hate one another, but it is suddenly revealed that they are plotting together to murder Olivia for her money. During a confrontation between Gateworth, Tim and Olivia, however, Gateworth is killed when his pistol goes off during a struggle with Tim. Officer McGill, a local cop and former boyfriend of Olivia, is put in charge of the investigation into Gateworth's death.There are no really outstanding acting performances in this film, but Meg Tilly makes a convincingly innocent Olivia, even though at 28 she was several years older than her character. Rob Lowe does enough to show that he was more than just a Brat Pack pretty-boy, even though he shows enough flesh to keep his most ardent female fans happy. (Tim is supposed to be older than Olivia, but in reality Lowe was four years younger than Tilly). There are certain similarities between this film and "Wild Things", a thriller from 1998, which also has a plot involving yachting and differences in social class. (That film, however, was set in Florida rather than Long Island). "Masquerade", however, is by far the better of the two films, and part of the reason, I think, lies in the way in which the thriller genre developed over the intervening ten years. Although the plot of "Masquerade" contains several twists (there are a couple more after those mentioned above), it always remains perfectly comprehensible. By 1998, however, there was a tendency (one which has continued into the twenty-first century) for the scriptwriters of films like these to demonstrate their cleverness by devising excessively complicated plots; that of "Wild Things" contains so many twists that it ends up twisted out of all recognition, and almost totally incomprehensible to the average viewer, even with the assistance of a series of flashbacks interspersed with the closing credits and intended to make good all the numerous plot holes in the actual movie. Pauline Kael described "Masquerade" as a "tranquil and sophisticated thriller". "Tranquil" may seem an odd choice of adjective to describe a thriller, especially one in which several characters meet violent deaths, yet I know what she meant. "Masquerade" lacks not only the silly-cleverness that mars films like "Wild Things", it also lacks the cynical amorality that is their stock-in-trade. Towards the end I was waiting for some truly devastating silly-clever twist, like Olivia 's mother and Gateworth both coming back from the dead, or Olivia turning out to have planned the whole thing with her lesbian lover Brooke. Yet nothing like this happens. The twist is that there is no twist. There is no assumption that an obviously innocent person must be guilty; Olivia turns out to be just as sweet and naïve as she has always seemed. Moreover, Tim, whatever his original motives may have been, turns out to have genuinely fallen in love with her and selflessly sacrifices his own life while saving hers. It comes as quite a surprise to come across a thriller that does not take a completely cynical view of human nature. 7/10

The film gets its title from the name of a yacht owned by a wealthy heiress, an attractive young woman just out of school, named Olivia (Meg Tilly). Olivia is a tad starry-eyed, wistful, and overly trusting. She owns eight houses and lives in the Hamptons, on Long Island. "Masquerade" is her story, and it involves romance, betrayal, and death.Into Olivia's life comes a good-looking, but not wealthy, skipper of a racing boat, a young man named Tim (Rob Lowe). Olivia falls in love with Tim. But is Tim really in love with her, or just after her money?The film's setup is both slightly misleading and a little slow to develop. But a major plot point at the end of the first Act perks up interest. And from here, "Masquerade" becomes a generally enjoyable thriller, until near the end. The plot climax does seem contrived. A simple phone call could have achieved one character's desired result. Instead, that character takes matters into his or her own hands. The result is an unnecessarily dramatic outcome.The casting of Meg Tilly is perfect for the role of Olivia. Everyone else in the cast is at least adequate.Color cinematography in outdoor scenes is quite good, especially those scenes filmed on the open waters off the coast of Long Island. Indoor sets are okay. Background music is boringly nondescript.My only major complaint pertains to the film's dated thematic style. Many scenes in "Masquerade" show lush mansions, manicured lawns, expensive sports cars, and haughty parties where women wear expensive gowns and dance with wealthy men to the ballroom music of a live orchestra. All of which is well executed. But some of these visuals are awfully reminiscent of other 1980s productions like "Dallas" and "Dynasty", which make "Masquerade" look stuck in the 1980s.This film offers entertainment in the form of interesting characters, more than one of whom "masquerade" as something they're not, and a twisty, betrayal driven plot that leads to an outcome that the viewer probably will not be able to predict.

Masquerade is a really good Hitchcockian type of thriller, a combination of Suspicion and The Heiress in which sisters Joan Fontaine and Olivia DeHavilland brought aspects of Meg Tilly's character in their Oscar winning performances. It was shot on location in the ritzy Hamptons of Suffolk County, in fact the plot is about the haves and have nots of the area. And that's an area where the haves have PLENTY.One of those haves is Meg Tilly heir to a $300,000.000.00 fortune. She's a nice kid who properly wonders whether the men who court like her for her or bank account.She's got one leach of a stepfather in John Glover, a character you just love to hate. But by the terms of her mother's will she can't get rid of him until she's 21. And he's a guy who's used to a very high lifestyle.Tilly's also got two men in her life. Local boy Doug Savant whose father works in the shipyard on the yachts of the rich and famous who has joined the town police force. He's been crushing out on her since he was a little kid. But the Hamptons do have their own caste system.And then into her life comes Rob Lowe, the handsome and mysterious stranger who captains Brian Davies yacht and on the side kanoodles with his wife, Kim Cattrall. He puts the moves on Tilly and since its Rob Lowe, who could blame a girl.Tilly's the innocent here, that's a constant, but as the story continues and several murders take place, she doesn't know who to trust. You won't know because the plot takes several twists and the motives of the persons in the cast change over the course of the film.For those of you Rob Lowe fans of both genders you can have ample opportunity to see him in several stages of undress with Kim Cattrall and Meg Tilly. He's also got an interesting scene with Doug Savant who looks pretty good himself that takes on some homoerotic overtones. What beautiful children those two would have if possible.The title Masquerade refers both to the name of the Tilly family yacht and the fact that except for Tilly, a lot of these characters are not as they appear on the surface. Masquerade is a really good thriller of a film, don't miss it when it is shown.

This movie has it all, mystery, suspense, beautiful women, fast cars, and most especially great sailing and beautiful boats. I first saw this movie shortly before moving to New England, where I spent a year scouring the coast for a rich woman who needed a live-in yacht captain and 'kept man.' Every male my age wanted to be Rob Lowe; I specifically wanted to be Rob Lowe in this movie.This plot has more twists than a mountain highway. The more we get to know the people of this little beachfront town, the more we see the legacy of the Salem witch trials. The tension between the ultra-rich haves and the town full of have nots is portrayed as well as I have ever seen; the transient nature of the rich who come for 'the season' and then return to Manhattan versus the people who live and work in the town all their lives, watching the rich come and go with their beautiful homes, expensive cars, and meaningless parties. Mild spoiler: It's a genuine pleasure to find one tiny pearl of redemption in this movie filled with unredeemable characters.