Men...
Men...
| 30 July 1986 (USA)
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A successful, womanizing middle-aged man decides to move out of the house he shares with his wife after she confesses to having an affair. He looks for a new place to live and ends up moving into his wife's lover's apartment as a roommate. The husband begins to take an interest in the artistic work of the lover and coaches him for a big job interview. Little does he know that the job he's helping the lover to get is within his own company... A story about strange circumstances and the limits of friendship.

Reviews
Dynamixor

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

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Gurlyndrobb

While it doesn't offer any answers, it both thrills and makes you think.

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Roy Hart

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

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Brenda

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Horst in Translation (filmreviews@web.de)

"Männer..." is a West German movie from over 30 years ago. It runs for 95 minutes and was the breakthrough for writer and director Doris Dörrie and lead actor Heiner Lauterbach. His co-lead Uwe Ochsenknecht was already a bit more famous at this point thanks to "Das Boot". The film is basically about two men and their interaction with each other and with the women in their lives. Occasionally, their professional life (business, creativity) also becomes part of the story. But it is really all about masculinity or lack thereof and what women really prefer. Unfortunately, I cannot say I found this film as good as awards bodies everywhere around the world did. One problem is that Lauterbach and Ochsenknecht may have good charisma and recognition value, but they do not have great range or talent in terms of acting and this is as true today as it was back then as both actors are still pretty famous here in Germany.Sadly, this movie is evidence that the 1980s really weren't the greatest decade in terms of film for Germany. It's a sad state of affairs when a film like this gets picked up to represent Germany at the Academy Awards. needless to say, it did not manage to get nominated. As for Dörrie, I have seen some of her other works and it shows that she wasn't even 30 when she made this. It is nowhere near her best in terms of story-telling or character evaluation. It is extremely showy and many fell for it, but it lacks (besides great acting) convincing subtlety and relatable characters. It is still better than Dörrie's most recent work "Grüße aus Fukushima", but this does not make "Men..." a satisfying watch. Not at all. I give it a thumbs down as this is a mix of bad and mediocre and nowhere near the filmmaker's best work, even if it is still, despite the age, among her most known. Not recommended.

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imgoingdownthepub

When a rich businessman finds out that his wife is having an affair with an artist (with a really nasty mullet, and some lovely underwear), he decides to leave his wife, and moves in with..... his wife's lover. We see some weird behaviour between the 2 as the businessman takes a deep interest his art, and eventually lands him a job. (After turning the artist into the reason why his wife left him in the first place.) Funny weird and wonderful. A very good film.

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sportell

I watched this for my German film class. It was very funny. It also showed the level of immaturity men have, compared to women in certain situations. Julius was fanatical with the idea of getting his wife back from the "other man".

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emm

Maybe I'll start to appreciate comedy movies after all! This German-made production actually makes a bit of common sense! The movie tells it all, involving two buddies who talk, fuss, and complain about the natural feminist state. It is not a romance like many of the U.S. comedies, but a dramatic and humorous account of the sexual revolution. The proven point is simple: nothing in the world can keep men from being addicted to the opposite sex! I'll admit that it also has one of the silliest, catchiest endings I have ever seen, not to mention the actual crew members showing up on the elevators in the final credits. To add greater sense to the movie is the fact that it was directed by a woman. Sounds like the battle of the sexes all over again! Highly recommended!

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