Plot so thin, it passes unnoticed.

Just perfect...

A Brilliant Conflict

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

"Bob's Electric Theater" is somewhat a comedy, made in the year 1906. Two years later the directer, Segundo de Chomon, would go on to make his "Electric Hotel" using the same tricks. While this film certainly isn't a masterpiece, it is a good example of stop-motion techniques. Basically some bored children (one of them being Bob) set up a miniature theater on a table. Then we're treated to several acts (4 in all) performed by some miniature dolls. This really isn't that amusing, but the stop-motion works well and the film is fairly fun to watch. The 3rd act is, just so you know, badly defected but still watchable, while the rest of the print is pristine. The version I've seen was tinted pink (some of the other reviewers have mentioned seeing a faded color print of the film, which may not have the film damage). A watchable feature, bland at times but still something today's audiences might enjoy.

When "Miniature Theatre" began, I was bowled over by the look of the film. Like a few of the Pathe Brothers films, this one was hand colored---literally meaning that an assembly line of women painted each individual cel on the film to make it a color film. As far as the color goes, it tended to be mostly gold and grey--but it was very, very striking.The film begins with a couple kids setting up a miniature theater and then, using stop-motion, some dolls perform three acts. One consists of dolls sword fighting, the next they boxed and in the final act, another doll does some gymnastics. There really isn't much here as far as plot goes, but the stop-motion quality was exceptionally nice-especially in such an early film. Oddly entertaining, this is still worth seeing over a hundred years later.By the way, I have no idea why the film uses the word 'electric'--it seems to have nothing to do with the story.

Spanish director Segundo de Chomon made a number of trick colour films for Pathe in the early twentieth century. This is quite an entertaining example of stop-motion photography which, while it might look quite run of the mill today was quite advanced for its time.The film is stencil tinted with colour - as many of de Chomon's films were. It opens with three (real) children deciding to hold a theatrical show using their miniature stage. The camera closes in on the stage and the viewer is treated to a number of 'acts,' most of which involve a couple of toys fighting and wrestling each other. It's pretty simple stuff by today's standards but young kids should still be entertained.

This novelty/special effects feature is pleasant to watch, and though much of it is somewhat bland, it has some energy and is sometimes colorful as well. Though it has now faded somewhat, there are some stretches in which the hand-tinted color works particularly well.The story starts with three children setting up a miniature stage, which then hosts some miniature puppet figures that perform a variety of acts. Most of the routines by the figures are a bit bland, but just watching them in action is rather agreeable. In themselves, the special effects are about average for the time. The jerkiness of their movements is probably a deliberate style choice.The children are not on screen for very long, but they are rather lively, especially the one who introduces the show. Overall, the feature is probably just about average, mostly worth seeing for its innocent energy and the novelty camera effects.