When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

This story has more twists and turns than a second-rate soap opera.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

this is just brilliant to me. I love the parallels that Lynch made in his past three films of placing reality directly next to fantasy pointing at the truths in fantasy. He furthered these juxtapositions by placing scenes next to scenes with minimal logical correspondence in Inland Empire creating a narrative with a unique logic and form. Now we see deleted scenes of fantastic monologues, dialogues and images edited together to make a piece with fragile, psychological emotions at the forefront and demonstrative reason in the basement. It is hard to watch without linking it with what I know from Inland Empire but I did try to watch it as a stand alone film.

I like Inland Empire. In itself, it is a great movie. But if you happen to have the Special Edition DVD like I have, I would definitely watch this "deleted scene" movie. It's long and my first experience watching Inland Empire was, since it didn't play in San Diego (why not, it is bloody close to the real Inland Empire and we have several theaters which would have loved to play it), buying and watching the two disc DVD. I liked the three hour movie so much and had so many questions, my boyfriend and I whipped out disc two and started to watch.I almost wish Inland Empire would have had all the extra footage in it. We learn more about the Phantom and his watch from it and some back story. I know people want to make a concise movie but Inland Empire is slow moving and mysterious, almost two much so. It could have benefited by the Polish story that weaves into the making of 47 and On High in Blue Tomorrows. It made some things a little clear, but still under a murky bell jar. Or maybe I long for six hour Lynch films. Who knows? I am still waiting for a six hour version of Fire Walk With Me.