One of the best films i have seen

The film makes a home in your brain and the only cure is to see it again.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

*************READ THIS ONLY IF YOU HAVE SEEN THE MOVIE AND WANT TO UNDERSTAND IT. IF YOU ARE SCRATCHING YOUR HEAD ABOUT THE ENDING YOU REALLY NEED TO EXAMINE YOUR OWN LIFE****************Not to be rude or condescending....so sad how people try to make sense of this film in the most nonsensical way!!! People, it doesn't matter what is in the suitcase (were you waiting to the end to see what was in it to make it complete)..... The meaning of the movie is related to leaving things behind and moving forward. (Try it sometime it will make your life better)The suitcase "symbolizes" baggage from the past that needs to be thrown in the deepest, darkest, furthest hole so then one can move on. One has to give himself/herself time to move on. It is a "journey" (Hint: SPOILER .....Road Trip.... )and in the end you have to throw everything away in order to move on. That is all! Don't look for no action or any answer about what was hiding in the suitcase. The entire movie is about that moment when Mads throws the case away. (Again rinse and repeat...try it your life will be better) Thanks for your time and feel free to comments please !

I had no idea of the concept of this movie, having just plucked it from the Mads Mikkelsen back catalogue, and I have to say I was pleasantly surprised. I liked the central character, and there was just enough information and pathos (being generated by Mads) to make him both sympathetic and intriguing. The cinematography was excellent, the pace was brisk but always unpredictable and the car chases were great. I particularly liked the Hungarian section, from the moment Mark hit the deer with his car to the moment he drove his mended car from his kind host's house, I was in heaven. My only real criticism was I would have liked a few more of those human interactions, and perhaps a bit more of a flavour of Mark's past somehow. Nice movie, crisply made, entertaining and a great ending that just left me laughing out loud with wtf appreciation - as a big fan of the existential payoff!

Road movie is a long-time genre, and there are usually 2 types of them: a) a merry company is willing to experience new people and places b) a single person is willing to find his or her inner self or something/someone missing. For this matter, Move On is different, as the leading character has a task to fulfill (rather dubious one), but unintended changes in plans bring him into novel places and novel situations. The distances are long, and thanks to Europe's not-so-large-area, we see a lot of wonderful landscapes, towns and events - as the film is project-based and contains inputs from different views.And in the center of all this - a magnificent Danish actor Mads Mikkelsen, who is most of the time alone on the screen, are there are not many actors who could fill out the course of events, so you are not feel bored and try not to notice evident flaws and gaps in the plot, uneven run of the latter. Yet, there were some twists and gripping chases, but particularly due to Mikkelsen's performance, I can give strong 7 points to this film.PS To those who saw Move On as a car commercial - it would have ridiculous to hide symbols on the cars :) For me, product placement was not conspicuous, I was focusing on other elements.

What happens when a big corporation makes a 100 minute commercial? This: We get to see many brand-new products (e.g. we see very many cars made by Volkswagen or its subsidiaries Audi and Porsche driving around all the time), great pictures of beautiful cities, an amazing woman and gorgeous landscapes, and we get to hear very atmospheric music and sounds. So if acting, cinematography, music and locations are great it's a great movie, right? Well yes, if there wasn't one thing completely missing: a viable story.------------------SPOILER AHEAD----------------------------------------------------------------All we see throughout nearly the entire movie is a somehow squinted looking Mads Mikkelsen driving (always by car - vw -, never by plane, train, bus or bike) a suitcase with unknown contents to various places in Europe for no transparent reason. So "road movie" can be taken literally, because we see very many roads for a long time.Then there is an ominous black Porsche SUV in evil black following him and a mysterious lady seemingly helping him, then making him drunk and finally stealing the suitcase, naturally after having seduced Mikkelsen.Not surprisingly, this cannot bring a story to life or even evoke any emotions in the observer which would go further than: oh, this landscape/city looks really beautiful!