Mr. & Mrs. Bridge
Mr. & Mrs. Bridge
| 23 November 1990 (USA)
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Set during World War II, an upper-class family begins to fall apart due to the conservative nature of the patriarch and the progressive values of his children.

Reviews
Redwarmin

This movie is the proof that the world is becoming a sick and dumb place

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Mjeteconer

Just perfect...

pointyfilippa

The movie runs out of plot and jokes well before the end of a two-hour running time, long for a light comedy.

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Catherina

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

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phd_travel

This is probably the least interesting of the Merchant Ivory movies. It's not based on a great novel just an average one. The strong point is Paul Newman and Joanne Woodward acting well. There are some insights into changing values and attitudes of the time but it's just not that interesting.Nothing very eventful or dramatic happens. It's just a meandering story about a family in the 30s with the main character being the mother. She has a emotionally distant husband who loves her in his own way. She is unappreciated by both him and her children who have their own struggles. She has a friend played by Blythe Danner going through some sort of breakdown. They have a little trip to Europe.In the end if feels more of a waste of time. While Merchant Ivory usually selects interesting novels or subjects to adapt I don't know why they decided on this rather boring story.It's far from a must watch.

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TheLittleSongbird

Out of the Merchant Ivory productions I have seen, Mr and Mrs Bridge is my least favourite probably. That said, it is not a bad film, far from it. The production values are superb, I loved the beautiful cinematography and the scenery and costumes are equally exquisite, while the soundtrack is well-chosen and well-incorporated. Richard Robbins' score is a nice touch too. In general, the script is thought provoking and touching and the characters are believable. The direction is also solid, and the acting particularly from Paul Newman and Joanne Woodward is excellent.However, the film is in my view overlong, and further disadvantaged by one too many scenes that drag badly. While I was touched the story and admired it, some of is episodic and could have done with more cohesion. Overall though, I did like the movie but I prefer Remains of the Day, Room with a View and Howards End over Mr and Mrs Bridge. Worth seeing for the production values and cast. 7/10 Bethany Cox

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Michael Neumann

Films produced under the Merchant/Ivory banner are, as a general rule, respectable, literate, and often more than a little bit dull. But here's an exception (to the last rule, at least): an intimate, snapshot diary of an ordinary, middle-class, mid-American couple, played by the off-screen couple of Paul Newman and Joanne Woodward. Ruth Jhabvala's sensitive adaptation of the twin novels by Evan Connell is highlighted by her customary wit and attention to detail, with Newman and Woodward improving on the title roles by adding in their performances subtle shades of character which can't be written into any script. The episodic, slice-of-life structure doesn't allow for any dramatic momentum, and there isn't much of a message beyond the observation that native mid-westerners are emotionally repressed, but under James Ivory's typically graceful direction (and with the help of a first-rate supporting cast) it's an uncommonly rich film, full of privileged moments.

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AZINDN

India and Walter Bridge (Joanne Woodward and Paul Newman) are a conservative, middle-age, upper middle class couple who live in a perfect, mid-western neighborhood with a black housemaid, Harriet, an eagle scout son (Sean Leonard), and two college-age daughters, one who wants to marry a plumber's son instead of finish college, and the other who wants to make it in arts and literature in New York (Kiera Sedgewick). Their values are solid, their views are typical of the period, and appropriate for the kind of existence that was typical American fairy tale 30s society.Learning of sex from a manual, Mrs. Bridges is uneasy to have to explain the facts of life to her son, her daughter on her wedding day, and probably, Mr. Bridge, who loves his wife but can not express his love in that old fashion stoic male way. Mr. Bridge is forthright, honorable, and would never think his actions are anything but above board. He simply never considers there is any other world than the ordered one made of his values, opinions, and standards of propriety. He would never consider his daughter would have an abortion, or even that she would engage in sex outside marriage, nor that his faithful secretary, Julia have a personal life and feelings for him after 20 years of employment.Mrs. Bridge is a housewife, not homemaker, a house wife. Her entire world revolves around the Betty Crocker inspired recipes cooked from scratch for her husband, and served when he walks through the door. She is delighted to see her spouse arrive home every night, is too cheery and inquisitive about her son's new lower class girlfriend, "Paquita," and has never given deep thought a seconds worry. She lives by rules set down for women by her husband. Even when he is trying to explain to her the value of stocks he has laid aside for her future "contingent" on his death, she is girlishly distracted with a small pocket watch that recalls their courting days sitting on the veranda, and verses he too remembers he'd recited to her then. She is grateful for all her husband has given her. He is respectful of her love and devotion.Contrasted with Mrs. Bridges is her close friend Grace (Blythe Danner), a nervous, high spirited and unconventional woman who fights with the hypocrisy of their existence and is a banker's wife. Loud, drinking too much, and setting fire to a car at a party, suicidal Grace is at odds with rigid expectations of her class and society. Slowly loosing her grip she spirals downward which mystifies India who is unable to fathom why she is so dissatisfied and tormented. To Walter, Grace was a critical woman and is condemned as unfit. Her suicide is damaging to her husband in his eyes, and thus, she is worthy of his scorn. To Walter she was unsuitable, but for India, she was beloved and a troubled best friend.A wonderful story of changing social values, and a family in transition, Mr. and Mrs. Bridge is an opportunity to showcase the fantastic performances of the senior citizen, Paul and Joanne Newman, thespians whose early years were as glamorous as Brad and Anglelina today. They are excellent in the roles of individuals likely the age of their own parents, and they present their characters as both sympathetic and tragic. Unable to comprehend the situation of her own dependency, India Bridges is trapped in her own marriage, unable to counsel her own headstrong daughter whose marriage is failing, she is shocked to learn she is seen as a failure by her children. Character, morals, and proper introductions have no place in their 40s WWII era, yet India is never aware how old fashion her ideas have become to her children's lives.

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