Mr. Smith Goes to Washington
Mr. Smith Goes to Washington
NR | 19 October 1939 (USA)
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Naive and idealistic Jefferson Smith, leader of the Boy Rangers, is appointed to the United States Senate by the puppet governor of his state. He soon discovers, upon going to Washington, many shortcomings of the political process as his earnest goal of a national boys' camp leads to a conflict with the state political boss.

Reviews
SpecialsTarget

Disturbing yet enthralling

Organnall

Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,

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Forumrxes

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

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Candida

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

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851222

Greetings from Lithuania."Mr. Smith Goes to Washington" (1939) is a very solid movie that could have been great if not for a kinda cheezee ending. I liked the performances in this movie as well as great directing and a truly good (for the time) and kinda inspiring script and story. Overall, "Mr. Smith Goes to Washington" is a movie surely not to be missed one. Its a pure classic, and a very good movie overall.

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grantss

Through a series of fortunate, and unfortunate, events, an unsophisticated local hero, Jefferson Smith, is appointed a US Senator. The people pulling the strings in his party and State figure that he will be compliant and malleable and basically stay out of the way of their plans, some of which aren't entirely ethical, or legal. However, a well-intentioned deed sets off a dramatic chain of events, a series of events that will see him at odds with his colleagues, with the shadowy, bullying powerbrokers and with the entire Senate.Brilliant movie from Frank Capra. While Capra also gave us such great movies as It's A Wonderful Life, Meet John Doe and It Happened One Night, this is his greatest work. A superb indictment of politics and how democracy has been undermined and corrupted, told with the trademark Capra brand of wholesomeness and practical idealism. Considering how politics has even further degenerated since 1939, even more relevant today than when it was released in 1939.Clever, engaging plot that doesn't waiver for a second. Not an ounce of deadwood in the movie - every scene is perfect and important. Some great twists and turns and some great tension towards the end as Smith struggles to preserve his name and ideals. Wonderful themes and morals too, as you would expect from Frank Capra.Add in some excellent performances, especially from James Stewart in the lead role and Jean Arthur as Ms Saunders. Both received Oscar nominations, as did Harry Carey for playing the President of the Senate.In all, Mr Smith Goes To Washington was nominated for 11 Oscars, including Best Picture, but won only one, for best original screenplay. Unfortunately for it, the 1940 Oscars belonged to a juggernaut known as Gone With The Wind...

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Takethispunch

The governor of an unnamed western state, Hubert "Happy" Hopper (Guy Kibbee), has to pick a replacement for recently deceased U.S. Senator Sam Foley. His corrupt political boss, Jim Taylor (Edward Arnold), pressures Hopper to choose his handpicked stooge, while popular committees want a reformer, Henry Hill. The governor's children want him to select Jefferson Smith (James Stewart), the head of the Boy Rangers. Unable to make up his mind between Taylor's stooge and the reformer, Hopper decides to flip a coin. When it lands on edge – and next to a newspaper story on one of Smith's accomplishments – he chooses Smith, calculating that his wholesome image will please the people while his naïveté will make him easy to manipulate.

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Thomas Drufke

Few films succeed in being relevant a decade or two after its release, but Mr. Smith Goes to Washington is still relevant 77 years later, especially in a voting year with questionable candidates.Before Frank Capra ventured into his war propaganda films in the early-to-mid 40's, he made some of the most important and acclaimed films of all time. In back to back years he directed the 1938 sleeper hit, You Can't Take it With You, and the classic Mr. Smith Goes to Washington. Capra carried some of the same cast members over to the ladder, as Jimmy Stewart, Jean Arthur, and Edward Arnold are among the many who acted in both films. Continuing with the tradition of Capra's other works, Mr. Smith deals with a common man taking on big ideas and ideals, only to be shut down by those more powerful and privileged.This was the film that really showed the world what Stewart could do. Even though I have seen tons of his films, this one stands out as some of his finest acting and most demanding roles of his filmography. He was always great at playing an every-man and someone you can undeniably root for, and Jeff Smith is a defining role for him. Smith represents the audience in going along for this political ride and I loved the way Stewart gave the character a certain amount of innocence and vulnerability while also displaying a graceful and powerful presence as well.Having wonderful chemistry in You Can't Take it With You, it's no surprise that Stewart and Arthur's work together here is just as good, if not better. Arthur plays Clarissa Saunders, who manages to keep Smith afloat even though he's constantly swept away by Washington and all of the extra perks for being in the Senate. It's also not a forced romance, like a lot of 30's films, it takes a while for it to be developed as its handled with care. Arthur may very well be the best romantic partner Stewart ever had.1939 was a fantastic year for film, with Wizard of Oz and Gone With the Wind also being released. But perhaps no film from that year is still as relevant as Mr. Smith Goes to Washington. Capra covers the film with patriotism with beautiful shots of Washington D.C. and a patriotic song here or there, but its his step into a pessimistic style of filmmaking that's most intriguing here. The last 30 minutes with Stewart giving an Oscar worthy performance and Capra seamlessly twisting the story into unpredictable territories is truly something special.+Stewart becoming the Stewart we all love+Arthur is marvelous+Capra's balanced directing10/10

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