Very best movie i ever watch

Awesome Movie

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

The film never slows down or bores, plunging from one harrowing sequence to the next.

For the most part I find Jerry Lewis insufferable. Here the plot takes over and he manages quite well. Through a series of circumstances he ends up taking care of a set of triplet girls. Much of the comedy comes, of course, from Lewis's pratfalls and lack of understanding about raising children. It is a good vehicle for his brand of humor and he is charming and humbled by his circumstances. Of course, to the outside observers, he is incompetent and potentially dangerous. A woman decides to go to court to have the girls taken from him, and we get the classic treatment of a man who knows love in his heart. There always seems to be a villain out there ready to swoop in. Anyway, a lightweight, uneven presentation.

While there is plenty of comedy to keep your funny bone out of joint, the film overall depends on a bunch of idiots to create its plot. Surprisingly, Jerry Lewis's simpleton is not one of them; His character (if not himself) comes with a lot of heart, taking in three adorable babies which may or may not be his. The usually likable Connie Stevens is truly annoying as the impish girl who seems obsessed with getting his attention, which ultimately causes him to always be in trouble as the result of her obnoxious distractions. Then, there is her older sister (Marilyn Maxwell), a movie star who insinuates that Lewis is the father and leaves the babies with her so she can continue her career. Stevens and Maxwell's father misinterprets the situation and idiotically fluctuates between emotions that are extremely inconsistent from one moment until the next. This musical variation of 1944's "The Miracle of Morgan's Creek" keeps the viewer guessing as to who & why the identity of the kiddy's daddy is never revealed until the end.Comically, the film is extremely funny, especially the opening scene involving a fire hose that destroys an entire neighborhood. Isobel Elsom is the Billie Burke like society matron who goes after custody of the children for herself after Lewis (thanks to Steven's interference) accidentally fills her living room with chimney soot. The adorable Ida Moore is very funny as Lewis's commercial loving landlady who tries pretty much every product she sees on TV. Such vets as James Gleason, Hans Conried and Hope Emerson are wasted in minor roles, but Reginald Gardiner is given some good material as Maxwell's droll manager. The songs are actually above average, although an Egyptian themed production number is truly silly. Although Salvatore Baccaloni's papa is the real dumbbell of the story, he does get a nice duet with Lewis called "Dormi-Dormi-Dormi (Sleep-Sleep-Sleep)". Lewis's young son appears as his character in a flashback which is a nice touch, and the courtroom scene at the end has some clever dubbing utilized for comic effect.

Before I review this Jerry Lewis movie, let me just mention a couple of players from previous films he made with Dean Martin: Hans Conried plays his boss, Mr. Wright, and Mary Treen plays a nurse. Okay, with that out of the way, I'll just say this was quite a change of pace for Lewis since for one thing, there's no role that would have been played by Martin since Jer is truly the whole show here. Also, with him having to take care of babies that happen to be sired by former girlfriend Carla Naples (Marilyn Maxwell), his shtick is not-so-frantic when he's on screen with them. Helping him is Carla's father (Salvatore Baccaloni) and her sister Sandy (Connie Stevens) who has a crush on Clayton Poole (Jer's character). Oh, and Carla's a movie star so there's also an agent (Reginald Gardiner) on hand. And one more thing: Jerry sings some good songs, including a duet with Mr. Baccaloni, in his own normal voice and he's as good as Dean would have been if he warbled them. He also sings with his son Gary, who's underage here and years from his fame with the Playboys, in a sequence mixing present with flashback as Gary plays his father when his age. Reportedly, Jerry's father Danny also appears though I didn't recognize anyone with the family resemblance. No matter as for the most part, I really enjoyed this movie except whenever Lewis did a couple of Asian gibberish that fell in the stereotypical trap. Oh, and Connie was also lovely when she sang. Okay, I've said enough so on that note, I highly recommend Rock-a-Bye Baby. Kudos to writer/director Frank Tashlin too. One more thing, you'll be amazed when you see the picture of the bullfighter Carla was married to when she had her triplets!

Giving a Jerry Lewis movie, any Jerry Lewis movie, a vote of ten is in some people's minds tantamount to movie heresy. That is, however, the vote I gave to Rock-A-Bye-Baby, and I stick by it. Believe it or not, before he became the king of overindulgent egomania in many of his later films, Lewis did manage to put a few good films on celluloid. These films were not only funny, but gave us charming, sympathetic characters, a good script, and good supporting casts. Of his early solo efforts, Rock-A-Bye Baby is the one that has stuck with me the longest, so it is the Lewis film I have chosen to talk about here.Lewis plays Clayton Poole, a television repairman, who has gone through life carrying a torch for the beautiful Carla Naples (Marilyn Maxwell). Because of advice that Clayton gave Carla, she left town to become an actress, and ends up becoming a big film star. Carla's father, Gigi Naples (Salvatore Baccaloni) blames Clayton for his daughter going away. Then there is Carla's younger sister, Sandra (Connie Stevens), who is carrying the torch for Clayton. It turns out that Carla, had been married for a short time to a bullfighter who was killed in the bull ring. Later, just when she finds out she is to star in a film called (believe it or not) White Virgin of the Nile, she also finds out she is pregnant. Believing that she will not be able to do the movie if people find out she has had a baby (not to mention the way morality was looked at back then, see what happened to Ingrid Berman), Carla contacts Clayton to see if he will temporarily take care of the baby till the film is finished. Feeling that this is the one thing he can do for Carla, he agrees. What Carla doesn't tell Clayton is that there is not one baby, but three as she has had triplets.What happens after that, well I set it up for you it's up to you to find the movie and watch it. Jerry as Clayton is funny throughout, without resorting too much to mugging while keeping the slapstick toned down to where it fits well into the picture. Marilyn Maxwell plays Carla, and though in todays climate it would hard to understand her motives, in this movie we are reasonably able to understand her motives, and despite the fact that she is using Clayton, we are sure she wouldn't if she had another way out. The rest of the cast is also good. Connie Stevens as Sandra, is sweet and funny, especially when she gets frustrated at Clayton for refusing her advances. Salvatore Baccaloni as Papa Naples, shows a rough mean exterior, yet we know inside he is a loving, carring, father. Reginald Gardner is witty and debonair as Carla's agent. Hans Conried who plays Claytons boss, could have been on note but it is not, as he also cares about Clayton despite Clayton's on the job foul-ups. There is an early scene in this movie, where Clayton sings a song with himself as a child, played by Lewis's own son Gary. It sets the tone for the rest of the movie and from then on we are hooked. How does it all end? I'll not tell that, as it is one of the funniest endings of not only a Jerry Lewis movie, but of any movie. This movie is for everyone. It has heart, it has soul, it has comedic genius. I only wish Jerry had made more films like this one. Then, not only in France, but in the USA, we just might be calling him "genius". Till Next Time, Next Class Please