Mud and Sand
Mud and Sand
| 13 November 1922 (USA)
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Rhubarb Vaselino lives in a small village, when he and his friend, Sapo, enter a bullfighting contest, Sapo dies, but Rhubarb kills three bulls and becomes a local hero earning money. Two years later, he is living in Madrid as a national hero , when he becomes involved with Filet de Sol, and his lover finds out, he must fight the most deadliest in Spain, in the last bull fight of the season.

Reviews
Breakinger

A Brilliant Conflict

Lidia Draper

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

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Michelle Ridley

The movie is wonderful and true, an act of love in all its contradictions and complexity

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Wyatt

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

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Horst in Translation (filmreviews@web.de)

"Mud and Sand" is an American black-and-white film from almost 95 years ago that stars Stan Laurel, one of the most famous comedians from the 1920s. It is a silent film that spoofs another silent film and maybe, for me, this is what kills this 22-minute work. I do not know the film that this one here is based on and it seems absolutely essential to understand the action here and it is never good if one movie requires having watched another. Apart from that, Laurel is really not that funny here and it seems he needs Hardy to show his great skill and it is probably true the other way around too. So yeah, this film is not among the most known Laurel films from between the 2 wars and I personally can see why it is not so famous. It is a very forgettable watch and I cannot recommend it.

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TBJCSKCNRRQTreviews

This is based on the version that is 26 and a half minutes long. This was part of a 3-DVD box-set, and this disc came with Just Ramblin' Along, Oranges and Lemons, The Tree in a Test Tube and the two Three Stooges ones, Brideless Groom and Sing a Song of Six Pants; it also came with Malice in the Palace, and the features Atoll K(or Utopia) and Flying Deuces. I will review them all on their separate pages. Since I haven't watched the original that this is a parody of, I cannot really compare the two. I can, however, tell you that this is very funny. Low on plot(and what there is can best be described as simplistic), this moves to the next bit whenever it's out of the often clever gags that it can derive from the current sequence. If you enjoy slapstick(and I seldom do, but this was so good), wordplay and such, the way Laurel did them, this should entertain you. There are surprises, and it's easy to follow. It is silent and black and white, of course. The quality of the picture(the audio is fine) leads me to believe this hasn't been restored. Still, you can see what's going on, and it's not straining for the eyes. Other than the whole matador, man against bull, life or death, thing, this is inoffensive. I recommend this to anyone who can imagine laughing at it. 7/10

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tavm

Mud and Sand is one of Stan Laurel's spoofs of the popular movies at the time, this one being of Rudolph Valentino's Blood and Sand (hence Stan being Rhubarb Vaselino). While partly inconsistent on characterization (how did he defeat those bulls in the beginning is not explained), this was mostly funny from beginning to end with one of the best sequences being a dance he does with his then common-law wife, Mae Laurel. Another funny sequence concerns his reluctance with romancing a femme fatale, Filet de Sole, while his wife, Caramel, is waiting for him that shows some glimpses of his later innocent character with Oliver Hardy. Well worth seeing for anyone interested in seeing Mr. Laurel's early work before his fateful teaming that made him popular around the world.

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knsevy

One of the many silent comedies Stan Laurel featured in before he teamed with Oliver Hardy, 'Mud and Sand' is a ho-hum hokum. The story is badly disjointed - though this could be because of the modern-day edit - and the humor itself is not at all inventive.Potential plotlines are started and ignored; for instance, Stan's promise to make Fillet de Sole pay for what she's done to him never comes to fruition. Stan's character doesn't seem very centered, either, but this is a common criticism of his work before he developed 'Stanley' of Laurel & Hardy fame, so it might be that I was just expecting to see this shortcoming.I strongly believe that all the silent films should be preserved and viewed, and I'm glad this one is still available. It's just not a great film.

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