not horrible nor great

Bad Acting and worse Bad Screenplay

Your blood may run cold, but you now find yourself pinioned to the story.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Sergio Leone was sort of a Tarantino from the 70's in how he made films all based on style and an exaggerated thick sense of humor. The issue is a film based on style will always by default lack in content and will always struggle hard to give meaning to itself. This is a completely cartoonish, slow Leone where if you're not absolutely in love with the humor, stylistic editing and atmosphere, you might be in for a long, long viewing. It runs just under 2hrs, so quite far from the "Once Upon a Time..." endeavor. But still. A joke may be excellent but it loses its excellence when it's repeated a million times in a row.It's just as slow as Once Upon a Time, but proportional to its run time so feels a tad less lethargic, not a difficult task by any means, and carries a tad more spontaneous rhythm. It's more on the funnier side, and is actually funny on a rare few couple of occasions and the fact it's a comedy certainly helps to make this more watchable.The constant overdubs, dodgy editing and visual/camera quality along with how grotesquely silly and self-indulgent the film is definitely give it a certain B film tone.People shoot their guns at stuff, all the time, at everything: at other people, hats, guns, glasses, billiard balls... it never gets bored with itself.It's fun for about an hour but then loses itself in completely lazy sequences that are unsubtle, and really quite vacant a lot of the time. It gets redundant and trapped into itself rather quickly. One finds himself wondering where the film went, where it's going.The moral at the end is too ordinary and clichéd and uncharacteristic for the film, feels out of place.So if you love Leone, for whatever personal reason, that's that. If you're not a fan, there's practically nothing to keep out of this, on any level really.4/10.

Jack Beauregard (Henry Fonda) is an old gunslinger who is reputed to be the fastest. Nobody (Terence Hill) follows the legendary killer and wants him to face off against a 150 men strong Wild Bunch gang singlehanded. The Wild Bunch are a gang of bandits who fight for a mastermind who wants Beauregard dead.This starts off very slowly. If this didn't have Sergio Leone's name attached to it, I might have abandoned it early on. Henry Fonda doesn't strike me as the hardened killer type. He's too much of a nice guy. Terence Hill doesn't have great individual persona. He's playing the character as a jokester, but it never actually gets to be funny. He's a strange character. Then the movie gets strange when they get to the saloon.There is the weird slap fight in the bar. I can safely say that I have never seen such a thing especially in a spaghetti western. This is a slapstick spaghetti western. It's definitely unique. Even the music is a strange concoction of weird effects with classic spaghetti western music. It's as if the movie is mocking the genre itself, but it's not good enough to be a parody.

A fun parody of Western clichés that never becomes stale and gibing Spaghetti genre. There is plenty of action in the movie , guaranteeing shootouts or stunts every few minutes. There are also many fine technicians and stunning direction and excellent production design with magnificent scenarios. It deals with a young, soft-hearted gunfighter (a cocky Terence Hill) who worships and competes with a veteran outlaw named Jack Beauregard (awesome Henry Fonda), once the greatest gunslinger of the Old West who only wants to retire but instead they band together . He arranges for Beauregard to take on the 150-man band known as The Wild Bunch . Both of them oblivious to dangers and hopeless odds endure mishaps and adventures and they attempt to right wrongs . At the end takes place a spectacular duel earning his place in history between the easygoing gunslinger and the famous retired outlaw he reveres .It's an exciting SW with breathtaking showdowns between the protagonists and their enemies full of shots , explosions , thrills and deaths . Spoofs every Western clichés with relentless comedy , parodying ordinary Spaghetti elements . The main premise results to be the confrontation between Old West represented by Henry Fonda and new West mirrored on Terence Hill character. The storyline has some embarrassment and ridiculous , silly situations but also has its agreeable moments here and there. It's a Spaghetti western with humor and develops the usual issues : invincible antiheroes, spectacular gun-down , violent taking on but united to slapstick and simple humor. It's an entertaining Italian western with overlong runtime in which there are irony, tongue-in-cheek, shootouts, numerous showdowns and is quite funny and amusing . This bemusing picture with Spaghetti all-star-cast contains an entertaining plot , action Western , shoot'em up and bits of campy and refreshing humor . It's an improbable blending of standard Western, irony and continuous duels with no sense . An enjoyable premise and interesting casting full of usual Spaghetti make this oater well worth the watching . Delightful Western satire in which two gunmen using his wits , break all the rules and kicking virtually every cliché in the pants . Amiable but sometimes lumbering Western satire goes on and on about the same premise , as a lot of minutes are superfluous ,it has fifteen minutes in excess , as it packs overblown jokes and antics and some moments turns out to be a little tiring . Fonda and Hill steal the show as two improbable heroes , they are very fine, they ravage the screen, , hit , shoot and kill .There is even a homage to ¨Orson Welles's The lady from Shangai¨ when at a Mirror Fun House takes place a duel between Hill and his enemies . Terence Hill is nice as a good guy , hilarious and likable , known only as "Nobody", idolizes Fonda and wants to see him go out in a blaze of glory. Here Hill plays a similar character to ¨They call me trinity¨ and ¨Trinity is still my name¨. Henry Fonda is first-rate as a rough, two-fisted old gunman but with good heart. There appears customary Spaghetti actors as Piero Lulli , Mario Brega , Benito Steffanelli , Antonio Molino Rojo and notorious American secondaries as Geoffrey Lewis , Steve Kanaly , Leo Gordon and R.G. Armstrong . Lively but commercial musical score by the great Ennio Morricone . Colorful cinematography plenty of barren outdoors , sunny landscapes under a glimmer sun and fine sets on the action scenes shot by excellent cameraman Giuseppe Ruzzolini , filmed in US and Spain as La Calahorra, Granada, Andalucía, (railway scenes) , Almeria ; USA : Colorado New Orleans, Louisiana, White Sands National Monument, Alamogordo, New Mogollon, Acoma Mexico, USA .The motion picture lavishly produced by Fulvio Morsella and Sergio Leone , being well directed by Tonino Valeri . Tonino 's so-so direction is well crafted, here he's mostly cynical and humorous and less inclined toward violence and too much action especially on its ending part . Valeri is an expert on Western as proved in ¨The hired gun ¨ , ¨A reason to live , a reason to die¨ with James Coburn and Telly Savalas , ¨The price of power ¨ with Giuliano Gemma and Van Heflin , ¨The day of anger ¨ with Lee van Cleef and ¨ Taste of Killing¨ with Craig Hill and George Martin .

The story goes that Sergio Leone felt like he had to top the Italian box office earnings of "They Call Me Trinity" so he came up with the idea for "My Name is Nobody." This lavish international production is a comedy about hero worship and a commentary about American westerns as much as it constitutes a comment about Spaghetti westerns. By the 1970s the Europeans had exhausted the western. According to Sir Christopher Frayling, the Spaghetti western had run its course and had slipped into self-parody, and "My Name is Nobody" exemplified the changing fortunes of the genre. If Clint Eastwood represented the serious, cynical Italian westerns as an iconic hero, then Terence Hill epitomized the low-brow, comedic Euro western hero. Indeed, Leone appropriates some of the things that made Nobody reminiscent of Trinity. Terence Hill drew his six-gun with blinding speed, and he wore his charisma on his sleeve. He was an extremely likable lad and you have to admire the lengths that his anonymous gunslinger went to so that he could immortalize his idol Jack Beauregard (Henry Fonda), a legendary gunslinger in his own right. Earlier, Fonda had played a cast-iron villain in Leone's undisputed masterpiece "Once Upon a Time in the West," but here he plays a good guy who is deadly swift on the draw. The problem is Jack is growing old and his sight is beginning to suffer. If any actor other than John Wayne represented the essence of the American western, it would have to be Henry Fonda. Fonda has starred in his share of classic oaters, among them "Fort Apache," "The Oxbow Incident," and "Warlock." When he starred in Leone's "Once Upon a Time in the West," he played a villain as he would in a James Stewart western "Firecreek." This movie is essentially the crossroads of two genres: the traditional American western crosses trails with the revisionist European western, and this distinguishes "My Name is Nobody." It should come as no surprise that parts of "Nobody," like "Once Upon a Time" were lensed in American and a large part of the cast is American. Although it is uneven and "Day of Anger" director Tonino Valerii lacks Leone's operatic staging qualities, "My Name is Nobody" still emerges as a worthwhile western. Incidentally, Sergio Corbucci had used the idea as early as 1964 about a gunfighter with ailing eyesight in in "Minnesota Clay." Anyway, Valerii worked with Leone, and he knew how to stage a scene and make it look good, but he doesn't have the gimlet eye that Leone possessed. Moreover, Leone's westerns and his crime movies are realistic, cynical, and mean-spirited. "My Name is Nobody" is more comic. For example, for sheer hilarity examine the wonderful whiskey glass shooting scene in the bar. Valerii does an exceptional job with it. The opening shoot-out in the barber shop is textbook Leone. The wide angle shot where you see Fonda shoot three men is spectacular. Reportedly, Leone is said to have staged it. Ennio Morricone provides a beautiful score, and the familiar western theme of an older man teaching a younger man is reversed here in classic style. Unlike the Henry Fonda/Tony Perkins' western "The Tin Star," where the older man saved the younger man, Nobody saves Jack Beauregard. Most Spaghetti western spoofs, like the "Trinity" movies were essentially hillbilly westerns with good jokes, "My Name is Nobody" is a comedy, but it has something serious to say. The dialogue is occasionally distinctive: "Two things go straight to a man's heart: bullets and gold." Leone and Vallerii scare up some veteran American character actors, including R.G. Armstrong, Leo Gordon, and Geoffrey Lewis. Sometimes, a scene or two will wear out its welcome, but considering the epic nature and the cinematic referencing, "My Name is Nobody" is a must-see for Spaghetti western fans and western movie fans in general.