How sad is this?

Beautiful, moving film.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

This film is so real. It treats its characters with so much care and sensitivity.

This one has some historical value do to the Psycho-Rama, all that means is it's the first movie ever that tries to add subliminal messages and images to the film. It's a bit comical to watch, at times almost distracting but the movie is good nevertheless.This one has a two or three plot twists that will keep it from getting dull - pretty interesting story. The ending is not exactly what one would expect from a film like this... they didn't use the standard ending in a way that I expected anyway.Sheila Wayne and Philip Tierney have just gotten married in Switzerland where she had been living for most all of her life. She's been seeing a psychiatrist while there about her bizarre nightmares but her new husband wants to take her to Florida so they go. Driving some back roads they come to a house, she screams in terror because that is the house in her nightmares. Philip insists they go inside and they meet up with a strange caretaker of the old house and then Philip insists to the caretaker they will take the place (rent it). And then our bizarre story begins.I will say that Sheila is weird but Philip is even weirder even though he's the one that seems sorta normal yet very odd from the beginning.I would say this film is worth watching if you like the older mystery films. Again, plenty of twists that are a bit unexpected.8/10

Although the practice of using subliminal advertising--that is, flashing messages on a movie or TV screen for a fraction of a second, too quickly to register with the human brain but capable of having a subconscious effect--was banned by television stations and by the National Association of Broadcasters in 1958 (and, years later, was claimed to be ineffective), it wasn't in time to prevent the first big-screen film from using the technique. That picture, originally released under the artier and more appropriate title "My World Dies Screaming," and years later, for home viewing, as "Terror in the Haunted House" (a somewhat misleading appellation), turns out to be an interesting enough little film that hardly requires this tiresome gimmick (presented as "Psycho-Rama" here!). In it, we meet a pretty newlywed, Sheila, who has been going to a psychiatrist in Switzerland to cure her of recurring dreams involving an old house, and, most particularly, of a flight of steps in that house leading to a cobwebbed attic. And when Sheila's new husband, Philip, brings her to America to stay at that EXACT SAME HOUSE, her nightmares become a living reality, and the viewer is thrown into a state of confusion about whether Philip is trying to help his new bride or, a la "Gaslight," perhaps drive her insane....For a cheaply made "B picture," "My World Dies Screaming" is surprisingly effective, and most of the credit for the film's success must surely go to Cathy O'Donnell in the lead. O'Donnell, who most viewers might remember from the 1946 classic "The Best Years of Our Lives" as well as for appearing in the cult item "They Live By Night" and the excellent film noir "Side Street" (both from 1949 and both costarring Farley Granger), is truly excellent here, lovely and appealing, and appearing in every single scene of the film. Gerald Mohr, playing Philip, gives a nicely ambiguous portrayal (many viewers will remember him from the following year's "The Angry Red Planet"), and the film's other three performers (Barry Bernard as Sheila's shrink, John Qualen as the house's uberstrange caretaker, and Bill Ching as Philip's cousin) are all fine as well. Harold Daniels directs his picture competently, eliciting chills on a regular basis, although it must be said that the film seems a bit eerier in its first half. Still, the mystery of Sheila's nightmares, and her familiarity with a house she's never been in, is a fascinating one, and keeps the viewer involved throughout; to the film's credit, the resolution of that mystery entails a surprisingly complex backstory that does manage to tie up every loose end. As to those subliminal messages, they ARE visible, although only a frame-by-frame viewing on your DVD player will reveal their contents. Basically, they consist of demon masks with the following captions: "Scream." "Scream Bloody Murder." "Prepare To Die." And "Die Die Die." (One message, very amusingly inserted by the DVD manufacturer, exhorts us to "Buy Rhino Videos Every Day"!) As I mentioned before, these flashes of...something become hokey after a while, and the film is good enough to stand on its own without them. It's nothing great, surely, but is an engaging entertainment nevertheless. Now, if you'll excuse me, I'd like to wrap up this little review and run down to the grocery store. For some strange reason, I've just developed a sudden urge to purchase popcorn, Goobers and Raisinets....

I saw this movie years ago with a group of friends. It's been awhile but I can still remember what the basic idea of the film was. A guy we know swore on his life that this movie would scare the hell out of us because of the subliminal messages cut into the film. We realized about half way through the movie however that he may or may not have been high when he watched the film (he had a bit of a drug problem at the time). We found the movie more funny than scary due to the subliminal cuts being very noticeable and goofy looking, and the plot and overly dramatic dialogue was the standard fare for a 50's horror film. That being said though, I do remember the film being interesting as a technical ground-breaker for the genre. "My World Dies Screaming" would defiantly be worth a look to someone who was into the work of guys like Ed Wood (this film is better put together than Ed's work, but still unintentionally hilarious).

Firstly, I would like to say that this film was not banned by the US government for 26 years as was written by someone in a previous comment. I think that person was referring to the films " Psycho-Rama" gimmick because I've read that it was banned, but I'm sure that it's alleged banning was just hype anyway (The gimmick itself is awful!). This film actually used to play on local television an average of twice a year during the early to mid-seventies. I used to watch it. Now then, "Terror in the Haunted House" is an atmospheric little film about a young bride who is terrified of a house that has been tormenting her dreams. In the opening scene we are given a tour of the house as the bride approaches it (off camera) and narrates (sort of like the opening of Hitchcock's "Rebecca"). The front door opens and the camera moves through the house and up the stairs to the second floor and finally to the attic door which opens and we see to the top of the attic steps. That's all the wife can remember. She tells her psychiatrist that she knows that danger lies up there. Soon the wife is taken by her new husband to that very same house. There are nice touches that follow such as the wife discovering her and her husbands initials carved into the trunk of an old tree (which has been overgrown with vines) and as she slowly starts to remember that her childhood was indeed spent at that estate. The acting by everyone is acceptable. The house itself is a colonial plantation and is a very beautiful home to look at. My only gripes are those annoying subliminal messages ("Psycho-Rama") and the par for the course low-budget way that some of the shots that were supposed to be taking place at night-time were obviously filmed in broad daylight.