I love this movie so much

That was an excellent one.

Memorable, crazy movie

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Every film buff knows this title because it was the only film Clark Gable (in his pre-moustache days) and Carole Lombard (billed below the title alongside Other Woman Dorothy Mackaill) made together long before they married in 1939. Otherwise it would now be totally forgotten.Neither star is really at their best, and Gable in particular looks as if he can't really believe in any of this. It begins in classic pre-Code form with Ms Mackaill wearing a low-cut dress that would never have got past the Hays Office eighteen months later; while Gable bumptiously sending librarian Carole Lombard (sorry, didn't I tell you she plays a librarian in this?) to investigate a couple of books on a high shelf so that he can admire the view from where he's standing would probably be frowned on today. (The library set is terrific by the way.)Despite the title, marriage and morality kick in disappointingly quickly, and after the amusing but facile ending the pair of them are likely to find raising a family in Depression-era America an extremely uphill struggle after turning their backs on Gable's hitherto highly lucrative and satisfying career as a card shark; which nevertheless means that he will be attempting to sell himself on the labour market as an ex-con.

Clark Gable and his great love, Carole Lombard, only made one film together - this one, "No Man of Her Own" - and they weren't even a couple. At the time of "No Man of Her Own," Lombard was married to William Powell, and Gable to a socialite named Maria Franklin. When he fell for Lombard a few years after this movie was made, it was some time before Franklin would give him a divorce.A mustacheless Gable plays a cheating card shark who, while on the lam, meets a librarian (Lombard) and marries her. He's not planning that it be permanent; along the way, they fall in love.Both stars are very good and have great chemistry. She's beautiful, and he's just one sexy devil with that smile and the way he looked at a woman. Pretty devastating, with or without the mustache. A great screen presence.Someone commented that had Lombard not died, she would have signed with MGM and been paired with Gable in more films. It would be wonderful to have them together more than once. In 1937, in fact, when Jean Harlow died during the making of "Saratoga," Gable recommended that she be replaced with Lombard. Lest anyone think that was insensitive - the situation of a star dying in the middle of a film was new to everyone, no one knew how it would be handled, and poor Gable thought he was helping. People back then didn't think in terms of leaving a legacy and last films. So we're stuck with the pre-code "No Man of Her Own." Not bad, not great, of interest because of its two stars.

I mainly got this out because I wanted to see some eye candy: Clark Gable and the wonderful Carole Lombard (plus all the wonderful '30s fashions). It's a good screwball comedy, but a little boring until Carole Lombard comes into the picture. I found some scenes unnecessary and a little boring, but there are some genuinely good scenes with Lombard in it - she really is the queen of screwball comedies. Her comic timing is wonderful. I was very much impressed. Clark is as usual very handsome and sexy. I'm not familiar with the pre Hollywood code but I guess this would be fairly risqué as Carole is shown in her underwear. A good movie, nothing special, but fun to watch.

Oh, that was fun! No screwball action here but a lovable little romantic comedy, starring a ridiculously young and baby-faced Clark Gable as card-sharp 'Babe' Stewart, and a pre-stardom Carole Lombard as Connie Randall, the girl he marries on the flip of a coin: "Heads we... do it, tails--" "Tails we get married", Connie puts in, in a cheerful pre-Code gamble of her virtue, and tails it is. Babe the lifelong gambler gracefully pays up, and the challenge is on: judging by the post-coital scene in the sleeper car, he hasn't got such a bad bargain... but how long can he keep his new wife in happy ignorance of the crooked nature of the card-parties she helps to host?The film's title bears no particular relation to its plot, and the plot itself takes a couple of abrupt and apparently arbitrary turns to attain each scheduled set-up; but any degree of implausibility can be forgiven for the sake of the resulting comic situations, in particular the library scenes, where Babe tries to get Connie into bed with him on their first meeting, the 'getting-up' scene where Connie innocently ensures her husband is up and dressed in time for the fictional day job he has invented, and the finale where he launches into a vivid description of his supposed voyage from South America... in blissful ignorance that the truth is already out! There are relatively few laugh-out-loud moments, but the film has a sweetness of tone rarely found in later screwball comedies, with equal emphasis on the humour and the romance; it's clearly fond of its characters, and there were few moments when I wasn't either grinning with affection or amusement on their behalf.Gable and Lombard may have gone on individually to greater things, but "No Man of Her Own" remains a thoroughly enjoyable piece of fluff, worth watching for more than just the one-off pairing of its stars. Forget all logic and likelihood, ignore the occasional unevenness, and just sit down and enjoy.