There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

This movie feels like it was made purely to piss off people who want good shows

By the time the dramatic fireworks start popping off, each one feels earned.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

"Now You Tell One" is an American 21-minute silent black-and-white short film. These limitations should not come to anybody as a surprise as this film has its 90th anniversary this year. Charly Bowers (writer, director, lead actor) made quite a few films, but he never managed the success of Keaton or Chaplin, maybe because when he did these, silent films were almost already a thing of the past. And also he may have looked too similar to the duo and just been a weaker version. People were in the mood for changed and he clung to the old. Anyway, about this one here, I thought the first half was bearable and okay to watch, but then it gets really boring and repetitive at some point. I cannot say I enjoyed this watch. Not recommended.

Although I've been a silent comedy buff practically all my life I never heard of Charley Bowers until quite recently, but after one look at his amazing two-reel short Now You Tell One I wanted to see as much of his work as I could find. Take my word for it, once you see a Charley Bowers film you'll want to see more, and you'll want to know more about the guy, too. Unfortunately, several of his films are missing, and biographical info about the man is sparse, but as in recent years, as interest in this unusual artist has grown, all of his surviving movies have been restored and released on home video and DVD. I've managed to see several of Bowers' other comedies, but keep coming back to this one, which I feel stands as his most accomplished and surreal comedy.The premise is ideal for Bowers' off-the-wall imagination: the story concerns an organization known as the Liars' Club, whose members bestow an annual award upon the Champion Liar. The film kicks off with three brief whoppers related by club members (one of which involves impressive animation depicting a herd of elephants marching into the U.S. Capitol building), but this is merely a warm-up for the main event. Once Charley arrives on the scene and launches into his own tall tale we're truly in Never Never Land, with imagery that rivals Salvador Dali's most feverish nightmares. And make no mistake, what Bowers gives us is more dream-like than funny, in the traditional sense, although you may well laugh at the sheer craziness of it all. The imagery includes boots that lace themselves, a straw hat that sprouts on a man's head, terrorist mice firing pistols, a Christmas tree -- complete with ornaments and tinsel -- which grows before our eyes from the handle of a farmer's plow, and, most disturbing of all, a pussy willow sprig that produces actual cats. When it's all over you may feel the way you do after viewing the most outrageous Fleischer cartoons, goggle-eyed and dazed.This fascinating film was first made widely available a few years ago as part of Kino's "Slapstick Encyclopedia" video collection, where it was included in a cassette of the more offbeat or semi-forgotten comedians. Seen in this context, alongside the comparatively famous Ben Turpin and Larry Semon, Bowers' obscurity is all the more bewildering. The guy was so original, so amazingly creative, why wasn't he better known? His work jumps right out at you, but maybe that in itself was the problem -- perhaps he was just too weird for widespread, mainstream appreciation. Whatever it was, we're lucky that any of Charley Bowers' work survives at all, and movie buffs with an interest in silent comedy, animation, or screen surrealism should make it a priority to see his films and spread the word about this unsung, eccentric artiste!

I was so impressed by the sheer inventiveness and unique combination of live action and animation in this short -- from the elephants storming the Capitol to a cat's tail spawning off a pussy willow. Mr. Charles Bowers is definitely an unsung comic innovator of the silent era -- he has the crafty sight gags and deadpan persona of Buster Keaton, the impishness of Harry Langdon, coupled with the absurd imagination of an animator. This film is one of the highlights of the mostly excellent compilation, "Slapstick Encyclopedia."

Charles Bowers was first an animator, and his flair for stop-motion shows in this amazing short comedy. The excellent special effects will truly amaze even the most CGI-jaded viewer. Luckily, Bowers' creative wit matches his agility with the camera - there're some crazy and hilarious sight gags here.