Just perfect...

Crappy film

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

This is a really nice cartoon featuring an assortment of Mother Goose and/or storybook characters, from Humpty Dumpty to the Three Blind Mice and from Bo-Peep to Goldilocks, performing a song and dance for Old King Cole. It's nice how the storybook characters come together like this in one big bash and its clever to see them literally coming out of their respective storybooks. Very imaginative.Grade B

As I have said many times, I have a lot of fondness for the Disney Silly Symphonies. Old King Cole I'm afraid doesn't really do all that much for me. It is more tolerable than El Terrible Toreador, The Merry Dwarfs and Cannibal Capers, but if I want a masterpiece status Silly Symphonies I prefer The Old Mill, The Ugly Duckling(1939), The Skeleton Dance, Flowers and Trees, The Goddess of Spring and The Band Concert. I do like the vivid colours and colourful backgrounds, the music although simpler than most cartoons is still full of energy, the nursery rhymes are nice to hear and the dancing is niftily choreographed. And there are some nice parts to the cartoon such as Peter the Pumpkin Eater and his wife and Hickory, Dick and Dock jumping out of Pandora's Box to sound the midnight bells. However, while spotting the characters are a delight most of them are not very appealing to me. They are of the cute but bland kind. And I didn't care for some of the character designs, Old King Cole's features are very over-exaggerated and some of the side characters like the mice and the Pied Piper look like stick figures. There isn't much story to speak of either, it is over-simplistic and is more an excuse for short snippets of nursery rhymes to come to life and in a less charming way than it had potential to. All in all, not much memorable apart from the spotting of the nursery characters and rhymes. 6/10 Bethany Cox

1933 really marked the beginning of Walt Disney's cartoon kingdom and a ten-year period during which all of the elements that went into the making of his great feature-length cartoons could be seen in transition as the artists developed their talent for bringing instantly recognizable characters to life, with music and art.OLD KING COLE is a merry old start for Disney. A storybook opens as trumpeters announce the arrival of The Pied Piper, Little Boy Blue, Mother Hubbard, The Old Lady Who Lived in a Shoe, all on their way to King Cole's Happy New Year celebration at the castle. The figures all appear as pop-ups in a storybook, a device used so many other times by Disney and other cartoon makers.Jack Pratt, Peter Peter, Pumpkin Eater, Humpty Dumpty, Three Blind Mice, Ten Little Indians, all are part of the party celebrations, dancing in style to some nimble tunes and all sorts of party celebrants. The frenzied finale has the merry Cole joining The Ten Little Indians in a wild dance and then joining the other revelers for more of the same.Enjoyable look at how the early animators began their training ground and what the Silly Symphonies were all about.

A Walt Disney SILLY SYMPHONY Cartoon Short.An invitation is sent by OLD KING COLE to a party at his royal castle. The storybooks open and soon the denizens from many a Nursery Rhyme & Fairy Tale are hurrying to attend. The Three Little Kittens, Humpty Dumpty, & Goosey Gander are among those that entertain the crowd, but when the Ten Little Indian Boys start to dance things really get raucous. Joined first by the King, and then by the audience, wild reveling extends right up to midnight, when all of the guests scurry home.This is a pleasant little film, which allows the quick-eyed viewer the chance to play 'Name That Character'.The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.