One Million B.C.
One Million B.C.
| 05 April 1940 (USA)
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One Million B.C. is a 1940 American fantasy film produced by Hal Roach Studios and released by United Artists. It is also known by the titles Cave Man, Man and His Mate, and Tumak. The film stars Victor Mature as protagonist Tumak, a young cave man who strives to unite the uncivilized Rock Tribe and the peaceful Shell Tribe, Carole Landis as Loana, daughter of the Shell Tribe chief and Tumak's love interest, and Lon Chaney, Jr. as Tumak's stern father and leader of the Rock Tribe.

Reviews
Unlimitedia

Sick Product of a Sick System

Livestonth

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

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Keeley Coleman

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

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Tayyab Torres

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

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classicsoncall

I see where Lon Chaney Jr. made this picture right after the Oscar nominated picture "Of Mice and Men" in 1939. Talk about a reversal of fortune.So gee, where to start. Probably the best thing this picture has to offer is the faux dinosaur battle between the tricked out alligator and the spotted lizard some way into the picture. I love the way these old flicks took ordinary animals and made it look like they were monstrous dinosaurs. Also can't forget how patching up your ordinary every day elephant with a mohair suit qualified them as woolly mammoths and mastodons.You know, those prehistoric cavemen were a hardy bunch weren't they? When Tumak (Victor Mature) went over the cliff in his battle with Akhoba (Chaney) he should have been a goner, don't you think? Instead, he just brushes himself off long enough to get sideswiped into a river by one of those mammoths. That might have been bad news if he hadn't run into Loana (Carole Landis) of the Shell People. Loana spends some time teaching Tumak the benefits of sharing food and even introduces him to the folks once she figures he might be a handy guy to have around.What struck me was how a hardy bunch like the Rock People didn't have their own spear tips fashioned from stone or how they hadn't caught on to the concept of fire, even though they lived a mere stone's throw up river from the Shell folks. Oh well, no use wondering about such things when so much other zany stuff was going on. Like Tumak wrestling a mini-triceratops or teaching the youngsters at the Shell camp how to shake apples out of a tree.The finale was pretty exciting and I couldn't believe the scene where the fleeing cave-girl got smothered by the lava pouring out of the volcano. The rock slide that killed the big lizard was thrilling too, but I did have to wonder why agile creatures like iguanas couldn't avoid falling into those crevices when the ground started separating. But for 1940 I guess this was pretty amazing stuff, so who am I to judge.

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utgard14

Usually it's not a good sign when your favorite part of a movie is the opening five minutes, because that means the movie goes downhill from there. This might be the exception to that because, despite the opening being my favorite part, the rest of the movie is entertaining as well. This movie begins with some travelers seeking shelter from a storm inside a cave. But in the cave is an archaeologist (Conrad Nagel), who is studying paintings on the cave walls left by primitive man. The travelers are interested in the paintings so Nagel tells a story based on his interpretations of them.The story is about caveman Tumak (Victor Mature) of the rock tribe, who is hurt and taken in by the shell tribe. The shell tribe are gentle, peaceful people, unlike the rock tribe which is violent. Tumak gradually becomes one of the shell tribe and falls in love with their ways and the beautiful Loana (Carole Landis). As the story progresses, the cavemen must contend with various monstrous creatures. An almost unrecognizable Lon Chaney, Jr. also appears as a bearded member of the rock tribe.Mature makes for a funny caveman but Chaney seems right at home. Landis plays the sweet innocent Loana well and looks very attractive in the skimpy cavegirl outfit. The special effects are cheap by today's standards but don't seem out of place here. They range from a guy in a dinosaur suit to animals optically enlarged by photographic trickery to a big volcanic eruption. Quaint as these effects may seem today, the film was nominated for a special effects Oscar. Stock footage from this movie would be reused over and over in the next few decades. The musical score is pretty good and was also nominated for an Oscar.It's an enjoyable movie but one that requires patience. The lack of dialogue makes the pace drag some and that's tough for what is essentially a simple adventure story. Still, it's good fun if you see it when you're in the mood for such a movie.

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dougdoepke

Considering how much worse this movie could have been, I'm a bit surprised, what with old Hollywood taking on prehistoric times with the well-scrubbed likes of hunky Victor Mature and nubile Carol Landis. Frankly, both look like they just stepped off the pages of Photoplay, even if their fashion attire is a bit dated, to say the least. But whatever the expected Hollywood nonsense, the underlying story is a good one, with lessons even for today.Apparently, the Rock people are early ancestors of our modern rugged individualists, even if their table manners leave a lot to be desired. No sir, no one here depends on anyone else. Catch dinnertime among these no-nonsense Rock people where the pecking order is strictly enforced—it's the roughest guy first, then the hunting dogs, then the rest of the guys, and finally the women, all grabbing what they can. Maybe that also accounts for why so few kids are seen among them. Anyway, everyone jealously guards his own hunk of meat since somebody else will grab it if they can. And better not get injured because if you do, you'll have to take care of yourself. No medical insurance here. But one thing about this tribe, they're tough as nails. Then there're the Shell people, probably forerunners of modern day European socialists. They all eat out of a communal vegetable pot, even passing plates of food from one to another. Just as importantly, each eats in peace knowing his neighbor can get more from the pot instead of grabbing someone else's. Then too, there's leisure activities, such as small group singing that's more like synchronized grunting, along with etching on rock walls for later archaeologists to find. So, since they all seem to get along with one another, it's not surprising a ton of kids are running around. The trouble is the tribe's terrorized into group huddles by one of those big lizards Hollywood was so fond of. What the Shell folks need is a dose of the Rock people boldness. And what the Rock folks need is a dose of Shell people civilization.Good thing for both tribes that Hollywood's got a Neolithic version of Romeo and Juliet that eventually brings the two groups together. But then what can you expect when hunky Tumac (Mature) from the Rock people meets up with the winsome Loana (Landis) from the Shell folks. Just goes to show, I guess, that no matter what, biology trumps all else, especially when all you're wearing is a bear skin. Still, I would like to know just how Tumac gets such a smooth shave—and I do mean smooth shave-- when the other Rock guys don't. But then how else could we recognize TCF's newest heart throb if he didn't. At the same time, I'm wishing I was born a lot, lot, sooner so maybe I could meet up with a prehistoric babe like Loana. I mean Las Vegas showgirls in their skimpy costumes have nothing on our great-great-great… (you get the idea) grandmothers.But then, if I were born a lot, lot sooner, I might meet up with one of those scary big lizards that seem always fighting with one another or I might get blasted by a volcano or swallowed up by an earthquake. Thanks to the screenplay, it's just one prehistoric hazard after another, and I'm thinking the special effects crew really deserved their Oscar nominations-- especially since there's no digitalized computer to fill in the blanks. All in all, I guess it's just as well that I'm knocking around in the 21st century where my biggest worry is commuter traffic at rush hour.Anyhow, skeptics have poked a lot of fun at this epic over the years, and truth be told, it's not too difficult. But despite the occasional silliness, the importance of learning from others is still more than just a prehistoric challenge.

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LeonLouisRicci

It's rather a Weak and Flaccid Film. Although the Hammer Remake with Raquel Welch/Ray Harryhausen is much Better, it is Amazing how many Non Monster Scenes are virtually Identical. Of course there are No Excuses (except maybe making it on the cheap) for the Lame and Less then Impressive live Animals made up to Look Prehistoric. Not Seven Years after "King Kong"(1933).It doesn't look bad, but it ends up a Ho-Hum, rather Banal Trip back in Time. A Good Musical Score and fairly Good Pacing keep things from Petrifying, and the Cast is Willing and Able. The Success of this Movie is probably what brought Willis O'Brien out of Retirement and gave Ray Harryhausen the Opening for Better Things to come, that New Cycle started with "Mighty Joe Young" (1949).

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