Very very predictable, including the post credit scene !!!

Simply Perfect

I don't have all the words right now but this film is a work of art.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

There's a fair amount of fun and humor in this entertaining spy comedy/drama. Director Dick Clement has a firm grasp on his material and with the assistance of a very ingratiating cast of players, he has presented us with a most agreeable movie. I particularly liked Norman Rossiter as a cheery villain – now that's a really grand idea which I think I'll use myself in my next Michaela Morris novel. Anyway, all the double-crossing remains credible without ever becoming merely confusing. There are also some wonderful set-pieces such as the hair-breadth escapes and the comic chase with the driving instructor. The director's use of his real locations is exemplary, the pace is fast, and the movie actually revels in atmosphere and style. At times, it's edge-of-the-seat exciting! The director also maintains a very judicious balance between comedy and drama, often using one (for example, the cheery badinage with Rossiter) to augment and deepen the other. Other pluses include a zippy music score, A-1 photography and some really fascinating locations.

"Otley" could be described as a working-class British version of the classic "North By Northwest" formula - an innocent man is mistaken for a spy and hunted by "good" spies, "bad" spies, AND the police - except that Otley himself is out of work at the moment! The comedy is highly uneven, but the plot itself is good enough for "Otley" to hold your interest even as a "serious" spy movie (complete with one especially squishy death, which I won't spoil here). Romy Schneider is radiant and charming, but underused: the film could have done more with its role-reversal of her being in charge and him being the tag-along. Very hard to find today, you'll probably have to settle for a DVD-R copy if you want to see this. **1/2 out of 4.

Martin Waddell's OTLEY is about a wannabe second-hand/antiquities dealer (on the dole) who already has a line of clients and who is not particular about how he acquires what he sells. He gets in trouble for stealing an object d'art that is actually a recording device employed for espionage (for one side or the other -- I can't recall which, but it doesn't matter). He is the most reluctant of spies, though he dips and dives, toward whichever side will help him get out of trouble, over four charming, short comic novels.Tom Courtenay tries to breathe life to this character, and he is surrounded by some of Britains most individual supporting players (including Freddie Jones, Ronald Lacey and Leonard Rossiter) and the beautiful Romy Schneider. Perhaps they wanted to make a film that was both a spy movie (everyone was cranking them out) as well as a "swinging London" movie (a genre worn into the ground) but it comes off as more diverting than funny; and like most movies of the period that tried to be "modern" it looks quaintly dated. But the stars are always worth watching.

Otley contains several inspired scenes with Tom Coutenay at his most outrageous. But, the bad scenes outweigh these moments of inspiration. This is especially true whenever Freddie Jones appears on camera to take over proceedings. His first appearance inspires guffaws. But his relentless clowning grows quickly tedious.