Out of Singapore
Out of Singapore
| 23 September 1932 (USA)
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While a ship's captain is being slowly poisoned, a gang of thugs try to take over the ship.

Reviews
Plantiana

Yawn. Poorly Filmed Snooze Fest.

Melanie Bouvet

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

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Ella-May O'Brien

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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Phillipa

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

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JohnHowardReid

For Dorothy Burgess fans (hopefully, I'm first in line here), Out of Singapore (1932) (available on a very good Alpha DVD) is an absolute must-see. Although she makes a late entrance, Dorothy does a dance number that will knock your socks off. And Miriam Seegar is no slouch in the beauty department either. Alas, Wallace Beery plays the villain with such patent wickedness, we wonder how the "good" boys, and most particularly Miss Seegar, could possibly be taken in by him. I also thought that Jimmy Aubrey way overdid the "comic" relief, even though his actions do enable Fred "Snowflake" Toones to get his teeth into a first-class dramatic role as a particularly vicious cook. Indeed the movie is overloaded with evil characters. We haven't even mentioned Montagu Love and Leon Wong (who escapes retribution, would you believe?), but the film is directed with such a sure hand by 1920's serial king, Charles Hutchison, that these quibbles only surface after "The End" is flashed on the screen

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bkoganbing

Out Of Singapore a small independent film that sadly had some real potential. Not necessarily a major studio, but even a place like RKO could have given Out Of Singapore a few production values to make this story a classic.Some elements of Treasure Island are present here as Noah Beery like Long John Silver is signed on to a ship Out Of Singapore. Not as a cook like Silver, but a first mate. Beery has a track record of having ships sunk out from under him. That should have sent warning bells off, but they sign him any way. Of course Beery's been doing the sinking and robbing the cargoes along with Montagu Love and a band of cutthroats. But Beery makes a big mistake when he overthrows girlfriend Dorothy Burgess for his captain's daughter Miriam Seegar.A brutal before the Code sea saga that had a lot of potential wasted with a rotten production.

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earlytalkie

This film is short and sweet, and Top stars Noah Beery as a baddie. Dorothy Burgess is fiery and sensuous, and Miriam Seegar fine as the "good" girl. Typical entertaining low-budget programmer probably played small houses or the second half of double bills, but today is an painless way to spend an hour seeing some stars from the early sound era who are all but totally forgotten today. (The poverty row studios seemed to specialize in offering decent parts to players whose luster had dimmed a bit after the initial boom of the first talkies). I find more and more films from poverty row which are entertaining, even some with production values which are pretty good considering their low budgets. That so many have survived at all is amazing since these were made by companies that long ago went out of business and the films were thought to have no value beyond their initial releases. There is a satisfying ending to this film. I won't spoil it for you, but try to see this when you can't decide on anything else to watch. I think you'll like it.

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pdutram

Noah Beery once again plays the heavy, this time a sailing officer who is also a ship wrecker. And he has his eye on the captain's pretty daughter Mary played by blonde Miriam Seegar. His course is complicated by his former girlfriend, the half-caste Concha, played to the hilt by Dorothy Burgess in what may be her ripping-est role ever. The darkly beautiful Miss Burgess is mesmerizing as she determines to hold on to her man or make him pay. George Walsh is rather wooden as the hero. Jimmy Aubrey gives a great impression as the lovable drunk. The characters reflect many degrees of morality. For some, it will be fatal. The great thing about these old films is that they sometimes give us a look at things as they once were. This story rings true enough and much of what you see in characters and scenery is probably much like it was.

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