It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

his box office was clearly slipping..so it was ..back to Hawaii..and recovered fame and fortune like with BLUE HAWAII and GIRLS GIRLS GIRLS. not really.except for a couple of awful songs esp. written for the movie, the soundtrack is good, although the best song ("Sand Castles") was used only on vinyl! > in fact, the soundtrack album was shockingly well produced! how did that happen? guess we can say something good did come out of this mess.nice touch that a real local celebrity, the young Donna Butterworth, got to act and sing with Elvis and they have a nice chemistry. but that should send up the proverbial red flag...this ain't gonna be a serious drama or groovy comedy with Presley but yet another, light hearted romp, where Elvis dodges aggressive chicks and finds solace in entertaining a kid.storyline is okay..Elvis has shifted from boats and cars to helicopters. but he is overweight and obviously disgusted. the noticeable gut on his short-sleeved aviation shirt and black house paint on his sprayed coiff make him look anything but cool.not worth it even for deep fans. how much money did Hal Wallis waste on this? who knows? instead of making a great drama with 3 songs, with Elvis doing karate and anything he wanted to do, it was business as usual. let's assume he *lost* fans with this.

This is yet another resistible vehicle for Elvis Presley with a silly plot (here he's an irresponsible playboy pilot who opens up his own helicopter service), tropical setting, a plethora of girls, child interest, and below-par musical numbers (his crooning to a bunch of dogs while up in the air has to be the nadir of his singing career!). Elvis had already done something similar with BLUE HAWAII (1961) – but that's one which I haven't caught up with so far.Michael Moore (no relation to the controversial documentarist of the same name) had been the assistant or second-unit director of six previous Elvis titles; considering the dire results here, it's no wonder he wasn't called upon to helm another later on! Popular Asian-American actor James Shigeta is Presley's business partner; the female cast includes Suzanna Leigh (later a British horror/Hammer starlet) and Marianna Hill (she had already appeared uncredited in the Elvis film ROUSTABOUT [1964] and would go on to feature in such heavyweight modern classics as MEDIUM COOL [1969] and THE GODFATHER PART II [1974]!). Shigeta's little girl – she even gets to duet with Elvis on a couple of songs – is played by Donna Butterworth, who had debuted in the Jerry Lewis comedy THE FAMILY JEWELS (1965); it was also nice to see Grady Sutton, a favorite W.C. Fields foil back in the day, as the enthusiastic but nervous crocodile-shoe salesman.

Elvis had clearly had one too many peanut butter and banana sandwiches before making this travelogue that must have been underwritten by the Hawaiian tourist board. The story is minimal, the songs amongst the worst of Elvis' movie career. Watch him try to land a helicopter with four dogs in the cockpit. Watch the happy natives do the hula--endlessly. Watch the cute child actress entertain the tourists. Me, I enjoyed the scenery, and Suzanna Leigh is quite attractive.

Producer Hal Wallis uses the same formula as "Blue Hawaii" to no avail. Rick Richards (Presley) enters a partnership in a charter helicopter service with his buddy played by James Shigeta. Richards is temporarily ground by the FAA for losing control of his chopper. Meanwhile Shigeta crashes on a flight with his daughter on board. Without a license, Richards to the rescue. Donna Butterworth plays the sweet little scene stealer. The grown up girls that help by just being there are Suzanne Leigh, Marianna Hill and Linda Wong. Nine songs make up a pleasant soundtrack. "This Is My Heaven" and "Stop Where You Are" are hidden among much flirtation with foolishness. Kauai is a breathe taking backdrop; but "Blue Hawaii" this is not.