Highly Overrated But Still Good

good back-story, and good acting

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Director Mamoru Oshii is best known for his 1995 sci-fi landmark piece Ghost in the Shell, and less so for his meditative 1985 arthouse piece Angel's Egg, but Mobile Police Patlabor: The Movie remains as an interesting touchstone for the development of the genius director. Based on the manga and OVA series of the same name, the film takes place in Japan in the near future, where giant robots or 'Patlabors' have revolutionised industry. In the wake of global warming and overpopulation, the Japanese government begins the 'Babylon Project,' which will reclaim thousands of acres of land from the Tokyo seafront by utilising the power of the Patlabors, which are hundreds of times more efficient than human workers. Yet, a series of worrying incidents where Patlabors go berserk and cause great destruction sets Asuma of the 'Mobile Police' - a section of the metropolitan police that utilises the Patlabors to fight crime - on the case, and the mystery he plunges into has far more dangerous consequences than he ever imagined.The rich world building and level of detail in the film that would later play a major part in the appeal of Ghost in the Shell is evident here, even in this early part of Oshii's career. Each line of dialogue is utilised efficiently to discuss geo-politics, bureaucracy and engineering in this fictional future. The level of detail put into the design of the Patlabor's themselves by Yutaka Izubuchi also helps further reinforce this realistic yet relatable tone.Although the film doesn't do a great job getting new viewers of the series up to speed, leaving several blind spots such as the sudden appearance of Kanuka Clancy in the third act, it does a good job of introducing us to the characters of Asuma and Nao, who's chemistry in turns drives the soul of the film, alongside the richly detailed fictional landscape. Asuma's work on solving the mystery is also far from perfect, sometimes overloading viewers with exposition instead of explanation, but for the most part he's an engaging point of focus for the viewer, mainly thanks to Toshio Furukawa's excellent voice work.In terms of Oshii's later career, a lot of his tendencies can be traced back to this formative work. Namely, his eye for detail and preference for dialogue instead of action. Plus, his visual direction is as excellent as you'd expect, giving us striking compositions and engaging framing. Yet, this is at the same time the least Oshii-esque film in his career, since it comes across as less of an Oshii film, like with Ghost in the Shell and Angel's Egg, and more of a Oshii-directed Patlabor film. Even so, whether you're an Oshii newbie or an Oshii expert, a Patlabor newbie or a Patlabor expert, there's definitely something for you here. And who doesn't want to see giant robots duking it out, anyway?

It's the year 1999, the world we live in has Labors(human operated robot carriers) used for construction and giving mankind an easier living style. After The suicide of a mysterious man from the massive constructing Babylon Project a computer virus was created to infect the Labors. And make them cause havoc on their own free will. Which leads to Section 2 of the Patlabor team in investigating this incident. Before the Tokyo district faces it's destruction.I first saw this movie back in 2005, and it imminently got me into the franchise. Which I had no idea it existed before. Compared to the popular TV series. This movie has all the characters we all recognized and know. Only the theme to this movie is more serious than the theme of the TV show. In other words more seriousness and less comedy.But that didn't change the plot a bit. As the movie does have some great and believable moments in it, that make you forget it's animated. Plus it's directed by Masumo Oshii who was one of the dudes who made this franchise possible. And really knows how to make it the way it should.If you like a unique Sci-Fi anime or interested in seeing something new. Patlabor the Movie has been highly recommended by various websites. It's enjoyable even if you don't know the series.

I have a small collection of anime which is growing exponentially now, thanks in part to my renewed interest in the genre after viewing this film. What separates this from many anime is its unique use of the Mecha or "Labors" in its plot, instead of just the same robot battle fair that we've all seen. The movie does not center around action but around the actual story and the characters as they work together (and sometimes against each other) to solve the big mystery in time to stop a terrible threat to Tokyo and possibly the entire world. Great film. I am going to buy the second one this week; I hear it is even better.

Here is what happens: the movie starts with 10 mins of nice action scenes; the movie ends with 30 mins of very nice fighting scenes; in between, there are 60 mins of deadly boring static uninterrupted dialogues that will make you wonder what the hell the director wanted to demonstrate with this! I usually appreciate static scenes, but this is way too much!My suggestion: see the start, then skip forward, then see the end. Or get something else.