There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The film never slows down or bores, plunging from one harrowing sequence to the next.

I am a fan of Angelica Lee's acting. She seems so natural, no matter what role she plays. As the model for a computer game character, she seems at once perfect. The two actors that play the game's creators, Daniel Wu and Edison Chen, are also fine, but they don't have the same degree of likability. I have seen more than one film in which Ms. Lee has acted in which her looks are somewhat disparaged (If memory serves, in "Koma" she does it herself!). She has beautiful, big dark eyes and is otherwise very appealing. That appeal, along with her willingness, somewhat reluctantly at times, to go along with being the computer game model, makes the film enjoyable. Of course, there are other things going on, and they don't detract from the movie's unusual premise. You want everyone to succeed in this film. This film sometimes plays on the high definition cable channels, and it looks great in HD. Don't miss it.

Angelica Lee lifts an otherwise pedestrian story into one deserving of attention. Lee delivers a powerful performance, made even the more extraordinary because she's relatively new to this whole acting thing. Even so, she's the only reason to watch this movie, giving it heart and soul and just about anything else you'll need to fall in love with this film.Lee's 2002 film is THE EYE, another great choice.8 out of 10.

The film opens with a cool CGI cartoon of a fly, and then we see the fly in the real world. We meet Joker, a video game designer. In a bar he meets Ling, a bartender with an attitude, and she saves him in a impressive Hong Kong-style fight scene in the alley. My expectations were high.Joker uses Ling as his inspiration for a video game character, but then the film ground to a halt for me. It became a love story, which would have been fine, except it seemed to move *very* slowly, with many details that seemed completely irrelevant. Granted, I was sleepy, but I started the film very interested and it lost me.Seen on 11/5/2002 at the 2002 Hawaii International Film Festival.

Joker, a computer game designer, falls in love with Ling, the bartender on whom he's modeling Princess D, the cyber heroine in his latest digital adventure. Initially bemused by the designer's interest in her, Ling is gradually drawn towards the fantasy world created by Joker for his game as a welcome relief from the grim reality of her dysfunctional family. In portraying that grim reality, the film stands apart from traditional romances, but is careful to avoid becoming distastefully sordid. Ling sells drugs at the disco where she works, but does so only to free her younger brother from debt to a gangster. Her father is a criminal, but treats his distracted wife with sensitivity and tenderness during her visits to his prison. Her mother's distraction doesn't prevent her from unexpectedly saving her daughter from arrest.The grimness is also alleviated by flashes of whimsy and humour. When a fly is swatted, a transparent ghost fly emerges from its crushed body and buzzes away. An ICQ exchange is portrayed by superimposing the participants' messages like subtitles, and ends with a cartoon emerging from the computer screen to blow a raspberry. An infatuated girl signals her feelings by presenting the object of her affection with a navel ring.Helping to sell the unusual cocktail is an appealing cast of young and personable actors with good support from such veterans as Pat Ha (after a 10-year absence from movies) and Anthony Wong (who's never looked more trim and graceful).Visually, the film adopts whatever style best suits each scene's needs, but without ever seeming derivative. The more edgy and frenetic scenes are particularly impressive when you consider the quite traditional previous work of director Sylvia Chang and cinematographer Pin Bing Lee.The complex characters, dark back-story and whimsical touches combine to make PRINCESS D an engaging and original contribution to the romance genre.