Very Cool!!!

Most undeservingly overhyped movie of all time??

Beautiful, moving film.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Very surprising that this has such a low IMDb rating. I suspect that has less to do with the quality of the film than with viewers prejudices and preconceptions.Based on Peter Nichols real life experiences it is It Ain't Half Hot Mum meets Virgin Soldiers, only much more nuanced than the one and more subversive than the other. Imagine an episode of IAHHM where Windsor Davies and Michael Knowles are running guns, Donald Hewlett has got religion, Melvyn Hayes is talented, Don Estelle has coupled up with Ken MacDonald, John Clegg is aggressively heterosexual, Stuart McGugan is a serial shagger, and Dino Shafeek is female and seduces Christopher Mitchell.The casting of Cleese as the uptight officer is problematic, and perhaps puts the tone off kilter, but he plays the role straight (other than the surreal and cathartic scene at the end where he joins the performers to launch into his silly walks).Patrick Pearson is effective as the young recruit, and Joe Melia, David Bamber, Bruce Payne and Simon Jones all hold their own (difficult to avoid double entendres with this review). Michael Elphick is also excellent as the tough sergeant while Nicola Pagett's Indian accent lapsing deliberately into Welsh resolves some of the criticism that might otherwise be levelled for playing blackface. The film though belongs to Dennis Quilley, the queen of the jungle.

I have seen this film about 4 or 5 times now and it gets better each time I see it. The acting is better than superb, and the plot line is well told. The colour and just the good fun of the film is a joy. When you think of the difficultly of what these "boys" had to do you must wonder in orr at how good they were. To say that this film is a gay film is just silly, everyone can enjoy it. You get a feel for all the people and when the action gets going (and you will know what I mean when you see the film) it is quiet a shock to the sytem. British flaking at its very best. I could watch this film many times and never get fed up with it.

Like "M*A*S*H" and "Good Morning, Vietnam", "Privates on Parade" shows soldiers making the best of their wartime service. In this case, a gay British platoon in 1940s Malaya messes with the rules while under orders to fight Communist insurgents. John Cleese plays their very heterosexual, very militaristic commander. In some ways, the whole movie seems like an excuse for a series of flamboyant skits, but you shouldn't find them boring. As it is a war movie, there are of course some rather disturbing scenes of battles, but the zany skits overshadow that. If only wars involved more of this! Oh, and since this is a John Cleese movie, prudish people (or anyone who does not wish to hear Jesus' name used "in vain") should avoid this movie at all costs.

The play - and screenplay - by Peter Nichols is primarily based on his own experiences of his life in an army entertainment troupe (Combined Services Entertainment) in Singapore and on the characters in the troupe with him.(In this troupe were also British Comedy legends-to be,Stanley Baxter and Kenneth Williams) He covers the poor conditions that the artistes had to entertain under,the poor performances given by sub-standard amateurs and how it was all led by an army man with no understanding or taste for 'theatricals'.In reading the negative reviews,the points most criticised are John Cleese's performance and the 'High Camp' element.In the original stage production,the Cleese role was played by Nigel Hawthorne and one would prefer to see him in the film as Cleese seems too close to his Basil Fawlty characterisation to really fit in with the rest of the ensemble.But he still turns in a good performance - most notably in his scenes with Elphick and Quilley.As for the 'High Camp' element,this is a story about an entertainments unit where army personnel had to don drag for their troop shows.Add to that any theatrical setting - whether it be amateur backstage dramatics or the Moulin Rouge - and the story will have by it's very nature theatrical/camp elements.These are part and parcel of the scenario and should be accepted and expected in such a storyline.The entire ensemble is perfectly cast.The performances are well observed and far from stereotypes.They are realistic and likable.When they are homesick,we feel it.When they are injured or killed,it is genuinely heartbreaking.Bruce Payne especially is tear-jerking as the handsome lad who can't wait to get home so he can finally make love to his girl but at the end is returning home in wheelchair and will never have sex again.The standout performance is unquestionably the late Denis Quilley as Terri Dennis (a character loosely based on the drag performer Barri Chatt).His performance,as the only professional 'aritiste' in the company is both funny and moving.Terri is the star of the shows and his scenes as Dietrich,Vera Lynn and Carmen Miranda are brilliantly comedic,as is most of Quilley's performance as the very camp fish out of water.But it is NOT a one-note performance and Terri's character also shows incredible depth,warmth,vulnerability,strength and perhaps the most well-rounded character as a whole.It is an award-worthy performance and a good one to be remembered for.So in a nutshell,this a comedy film that has effective dramatic moments because the acting is so flawless.It has an impressive and memorable star turn,but it still doesn't eclipse the rest of the excellent cast.It is entertaining,heart-warming and very human.And most of all,it deserves to be better known and more widely appreciated