Ragini MMS
Ragini MMS
| 13 May 2011 (USA)
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Out to relax and have fun at a farmhouse, a couple experience horror at the hands of an unknown entity

Reviews
Majorthebys

Charming and brutal

Infamousta

brilliant actors, brilliant editing

Dynamixor

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

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InformationRap

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

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namashi_1

'Ragini MMS' may not be flawless, but it sure is Spooky! It has enough of spine-chilling moments to earn itself a viewing.'Ragini MMS' Synopsis: Out to relax & have fun at a farmhouse, a couple experience horror at the hands of an unknown entity.'Ragini MMS' is shot well, giving it a documentary type feeling. And while the first-hour focuses more on sleaze, its the second-hour that turns nightmarish. At a crisp 90-Minutes, this horror flick leaves much an impact.Pawan Kripalani & Vaspar Dandiwala's Screenplay has a few loose ends, particularly in its first-hour, but goes full throttle in the second-hour. Kripalani's Direction, on the other-hand, is eerie. Cinematography is good. Editing is crisp. Performance-Wise: Kainaz Motivala is brilliant as Ragini. She enacts the tormented/haunted protagonist with remarkable commitment. Rajkummar Rao is impressive, as always. On the whole, 'Ragini MMS' is a worthy horror flick.

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hombregol12

i don't mind bollywood movies based on Hollywood inspirations but this movie lifts entire scenes, not just the story lines, from paranormal activity 1 & 2 + blair witch project.... right down to the white undershirt and shorts worn by the girl in paranormal activity.and oh yea, the score is from the fifth element -- the track "koolen." i'm not sure to what extent eric serra and producers of the English films can file a lawsuit against ekta kapoor but its something definitely to consider because this is just insane. you can't have people stealing your movies and music. if India wants to join the first world club like china then they HAVE to police their most visible and influential film industry -- bollywood at the moment is out of control with plagiarism.

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Himanshu Desai

To begin with, I am a little disappointed with Ragini MMS in terms of originality. The film has a little resemblance with paranormal activity (as it was seen in movie trailer).However makers have added the Desi spices to the movie by some Indianized dialogues (or say abuses) and strong story and sub-plots.The genre of the movie is a winner itself.The combination of sex and horror (which was used indirectly in Bhatt's movies is the stream line here). Intentions of the film makers are very clear here.Just two elements horror and sex, no melodrama or Bollywood masala.Rajpal is very influential on screen.His screen presence and comic timing is bang on!Kainaz has improved a lot after her bubbly role in Wake Up Sid.Explicit scenes are done comfortably by the lead and their chemistry is extra ordinary.Story is straight without any twists and turns.Screenplay is tight and tangling.Dialouges are surprisingly fresh,witty and sultry.The dialogues (and slang) gives a good flavor to the horror movie.Background score is a mile stone for horror movies considering the fact that high pitched digital sound and scorching guitars are used for score in an Indian horror movie.Minus some originality and faulty editing, the movie is the scariest date movie of India till date.

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saish746

The Ragini B!tch MMS Project This raunchy date movie has turned the table into a voyeuristic horror genre on the likes of 'Blair Witch project' and fixed camera angle of 'Paranormal Activity'. But, Defiantly its not inspired from both of its Hollywood counterpart. Only the technique and presentation style is inspired, and Ragini MMS has its own real story and Desi flavor. The débutante director Pawan Kripalani has done justice to the digital real film camera by borrowing it from the producers of Love, Sex and Dhoka Ekta Kapoor.While Ekta has proved that if you have a good story, you don't need A rated superstars. Actors and budding artiste can do the justice with a pure dedication. Dibankar Banerjee's casting from LSD has proved it once.This spooky genre has not wasted time in explaining the story behind the haunted mansion or the love between the two quintessential Bombay lovers. The best is left for its sheer imagination and that's bang-on the target. Its creepy when your girl-friend is Pink Handcuffed, and you are about to unzip the down, you get a hair-pull so strong that your skull bleeds and you forget the hard-on and fall straight in to the paranormal world of frenzy bites and creepy voices.The senses are bound to loose. The most real shot was when you see a door open on its own you don't freeze in the demurral but run like a child screaming and shitting from the ass. That was hilariously spine chilling. The camera was loosing the resolution from time to time but the angles on which they were mounted gave a good Wide-Angle view of entire frame. By keeping the 3/4 frame empty, the viewer was forced to ignore the 1/3rd frame where intimate kisses were shared. Eyeballs were looking for something paranormal throughout. The twists and timings of Ram Gopal Varma's Bhoot were missing in this clip, nevertheless, it was a good attempt. Both the actors Raj Kumar Yadav (again borrowed from LSD) and Kainaz Motivala were amazingly truly perfect. Raj almost doing the same cast from LSD , mouthed the frustration in a very natural way. The explicit dialogues were neatly written to show him as insensitive and chauvinist. While Kainaz ruled the second half of the movie with her screams and pleads. While Bappi Lahiri did a great remix of 'You are my Chicken Fry and Fish Fry'. The other songs were in background and competent enough to get mixed with a background score. The Score was scary enough to run a sense of fear was was repeated so badly that it became evident about a paranormal presence. The screenplay and cinematography did justice to the subjectiveness of a voyeurism.

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