That was an excellent one.

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Daiei Studios' Return of Daimajin is the first sequel to the movie featuring the giant stone god. In this plot, villagers defy an evil warlord's order to turn over one of their protectors, Lord Juro (Kôjirô Hongô), and end up seeing their people being brutally attacked by the warlord and his soldiers. As a result, the villagers pray upon Daimajin, the great stone god, to fight for them.The plot, I thought, was not as suspenseful and solid as the original movie, as it has more of a general "turn over your hero to us or we'll screw your village over" story line. But, there is plenty of sword-wielding and good guy vs. bad guy action to keep the film engaging, and the nastiness of the villains will make you want to root for the god to awaken and teach them a lesson they'll never forget - showing them that they shouldn't mess with the faithful.The acting was pretty good, cinematography was brilliant and special effects were neat. Also, you really can't go wrong having the great Akira Ifukube score the music soundtrack to this film, though, much of the music is reused or reworked from the scores of past Toho films.Overall, it's a rather entertaining feature that fans of Japanese sci-fi/fantasy films could enjoy.Grade B-

"Return of Giant Majin" (pronounced 'Mah-jeen') was a sequel to "Majin, the Monster of Terror," both TV staples from decades past, followed by a third that wouldn't see release in the US for nearly 40 years (all three completed in 1966). The plots are very similar, and the God Majin doesn't walk until an hour into each feature, but the spectacle of his presence beats Godzilla all to hell. This Japanese version of The Golem, who aided the Jews against their oppressors, was a creation of Daiei Studios, but produced far fewer films than their best known monster, Gamera. Despite his rubbery appearance, Majin truly lives up to his majesty, and the villains are so evil and despicable that one cannot help but cheer their defeat. Pittsburgh's Chiller Theater aired each film only once: "Majin, the Monster of Terror" on Aug 16 1969 (followed by 1957's "The Disembodied"), "Return of Giant Majin" on May 11 1974 (following 1965's "The Navy vs. the Night Monsters").

Not much different from the first film except that Majin now resides on the top of a mountain instead of the side. Great art direction, nature photography and overall excellent special effects elevated what is essentially the same story as the first film. Evil warlord enslaves and kills innocent townspeople and Majin rises up and kills all the samurai. The warlord even dies the same way as in the warlord in the first film. The middle of the film is beautifully photographed but really boring as the children travel over Majin's mountain to rescue their fathers from the warlord. Akira Ikufube's score is really good too but you can't help but notice it's almost an exact copy of his work for the Toho monster films at the same time.

Better in the first in that there is a fun adventure story included and the writers aren't afraid to make a few sacrifices along the way to give the story some extra weight. The Majin's vengeance is better thought out than it was in the first film, and He is much more of a hero to the villagers this time out.