As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

One of the most extraordinary films you will see this year. Take that as you want.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Saw it in Las Vegas as part of a film festival here. Head and shoulders above all other films in the festival and it received a best picture award which was deserved. It was the best film I have seen in this festival so far (I've seen I think 30 films so far). This was a big step up in the theater and this film had the best photography I have seen in a theater in a longtime. It didn't rely on shaky cam or other tricks but instead was like a painting come to life. It reminded me of the paintings in the michael mann film manhunter. creepy and unbelievably vivid and colorful. the acting was surprising, although my expectations were low based on the other film's in the festival. Mike Pare was excellent. I usually find him dull and wooden but in this movie The guys a movie star. Clare Kramer was so gorgeous to look at that she was seductive and frightening in the same moment. Definitely up there with Antony hopkin's as hannibal the cannibal. same level of performance. she was so creepy and scary but fascinating at the same time. its was weird how violent and ruthless she was yet I found myself feeling sympathetic towards her. She has real talent. Her partner in crime was really great as well. Loved seeing the actress from Warriors again. another nice performance. believe pare, kramer and the warriors actress all won awards that night. so even though I never heard of streets of wire, the film did a good job of setting up its world and all the drama from the character's past. the amazing thing is how they used rock music all the time to tie the film and characters together. I think there's been a films in the past 10 years that tried this but this was the best rock music movie i can remember, by far. as the credits played at the end there was a lot of clapping and big smiles everywhere. i think everyone was glad they could let out a breath and it was very up feeling in the theater. hat's off to everyone who made this film. finally something entirely original and unexpected. not a moment where you could relax and nothing predictable in anyway. I would love to see it again.

I saw this Wednesday night at the Rave Movie theater in Las Vegas. It was part of a local film festival and it was a big crowd. I actually snuck into the theater early to make sure I got a seat! The stars of the movie were there and the director reminded me of a long haired crazy kid because he was so excited. As they introduced the film, I hadn't realized it was inspired by another movie which I had never heard of. But they had a sort of time machine opening which definitely set you up for the main movie. What did I think? I think the audience knew more about it because they started cheering and applauding right from the start. So the feeling was really good, like when you go see a much anticipated blockbuster at midnight Thursday. Everyone seemed really into it. That got me into it too. The movie was like an LSD acid trip (though I have never taken any). It was the most intense colors and images I have seen since Into the Void. Like that film, this movie spent a lot of time taking you into its world and its reality. Highly stylized dialogue and acting it was not like anything I've ever seen before. Its the first movie I think I've seen where you could not assume where it was going second to second. It had moments o genuine shock and it was super disturbing at times, then towards the end it really switches gears and it carries you from the shock and horror into an almost joyful place. So it ends upbeat. I won't describe what happens as I think it doesn't translate to words. But I enjoyed it and the film was awarded a lot of awards after and I think its well deserved. The two main actors I had seen before but never like this. Its a film where you leave the theater exhilarated and energized by the style and story. Is it an art film? Yes, in the best sense, because it takes you to where you've never been and never expected to go. It's demanding on your brain and stomach. Not for those who want it all predictable and easy to digest. It's waaayy out there on the margins in the best way.

The first thing that should be said is that "Road to Hell" is not a film. It's not a movie. In truth, I don't know what it is. Youtube videos of mentos and diet coke are more cinematic than anything this attempts. It isn't just bad, it's Sega CD Full Motion Video Game circa 1992 bad. It makes "Night Trap" look like "The Godfather." It's the "2 Girls 1 cup" of sequels. Most importantly, it's an insult to "Streets of Fire" and everyone who has ever watched even five minutes of it.Before the 60 + minute "dream project" proceeded to assault those not smart enough to walk out, Albert Pyun, his wife Cynthia Curnan, and a handful of others came up and explained what we would be seeing. Cynthia mentioned that it was the result of an argument that she and Albert had had about the ending of Streets of Fire. Albert had thought it was one of the most romantic endings of all time. Cynthia thought it was deeply tragic and showed that Tom Cody was doomed. She wrote "Road to Hell" to show what she thought would have happened to him.If the near-finished product is any indication, Albert handily won that argument and by default has now won all subsequent arguments for the rest of their lives.Put simply, "Road to Hell" is garbage -- cinematic fan-fiction that is essentially a pointless 60+ minutes of atrocious dialog in front of a green screen, mixed in with some black and white footage of Deborah Van Valkenburgh being interrogated and flashbacks of a poor double for Diane Lane lip-syncing and dancing along with two songs lifted from "Streets of Fire."I'm not entirely sure why everything was filmed in front of a green screen, probably to give it that "filmed in one day" look. It definitely does no favors to the performances, and the computer animated backdrops used look like screen savers circa 1994. I kept half-expecting a flying toaster to glide across the screen. Sadly, like any hope that "Road to Hell" would be redeemed, it failed to materialize.The muddled excuse for a plot centers around the idea that Tom Cody is now a deranged serial killer, waiting in the middle of nowhere in case Ellen Aim's tour bus happens to drive by.Meanwhile the two least interesting former strippers turned murderers in the world come across him.They yell and swear and swear and yell. They talk in circles. There's some blood and some kissing. It goes absolutely nowhere and just drags and drags and drags. It could have been whittled down into a five minute short, told the same "story," and it STILL would have been painful.I guess the filmmakers deluded themselves into thinking they were making something artistic and the characters we see might be in purgatory, or some other metaphysical realm. Unless the filmmakers' intent was to make the viewer feel like they were literally in hell, they failed.The only elements that are even remotely interesting at all are ripped from "Streets of Fire." It is fascinating watching Paré and Van Valkenburgh reprising their respective roles, or at least it would be if the dialog wasn't so mind numbingly awful that the characters as portrayed resemble those in "Streets of Fire" about as much as David Koresh resembled Jesus.Pyun, particularly in his Cannon years, has made some legitimately entertaining no-budget films. There is nothing entertaining here. It captures none of the spirit, energy, character, or fun of "Steets of Fire." It's an ugly, draining, pointless trifle.Do yourself a favor and stop caring about this now. It will only end in heartbreak.

Let me start by saying what I saw at the Austin Fantastic Fest was very much still unfinished and a work in progress, as it proclaims at the outset. So what was screened was extremely rough. The projected image was dim and washed out because it was a video projector instead of a film projector and a friend said it was played from a laptop. The image did freeze a few times.Okay, that stuff aside, how was the film itself? The words raw, shocking, disturbing and, like Ken Russell's or some of Oshima's films. Thought provoking and a film you watch from a distance because EVERYTHING is symbolic and stuffed with subtext and is as sexually violent as it gets. This might get an X rating I would think.The film doesn't exist in a civilized reality but in Cody's (Pare) twisted mind, in his darkest feelings for the world. It really is like we are experiencing his stream of consciousness and its so distorted and angry. I will have to admit that Road to Hell screening immediately after Streets of Fire really does create a vivid contrast in how life doesn't always turn out well for the hero. And, like in Taxi Driver, this creates an almost pure force of rage against society. The violence and brutality is really window dressing in a sense as the film's true intent is the study of disillusionment and alienation.It will be interesting to see the finished product because it is clearly ambitious in it's look and design. It's day-glo noir. What we saw was very unfinished and still needed work. Some shots were just against a green screen still with no background.Pare gives the best performance I've ever seen from him. He's sexy, dangerous and evokes deep tragedy and a real sense of loss. We feel his disappointment in humankind and in life. In his view, there's nothing worth saving anymore. The only salvation before he becomes an utter monster is to find his long lost love Ellen. His great love from a time when the world still held some hope for him. You get a sense that the film was somehow cathartic for Pare as he goes full out in giving this searing performance.As the she devil incarnate is Clare Kramer. What a performance. One moment she's the vilest creature ever to walk the earth and in the next you are rooting for her to achieve her dreams. Its an incredibly fine and brave performance by an actress I liked but now love. I won't give anything away but she becomes endearing by the end of the film. No easy task considering how vile she is throughout much of the film. She is raw and discomforting with brazen nudity included.Everything about the film is stylized. It has an odd cadence to the speech patterns and has a noir feel to the language. Hardboiled and coarse and feeling like its drama is rooted in a experimental stage drama. It culminates in theatrical and surreal horror and madness.How will people like it? I can't say until I see the film finished. But I would recommend watching Streets of Fire before watching Road to Hell to get the full view. This film may not be everyone's cup of java but it certainly not like any other film I've ever seen or felt. I might still give it a ten once I see the finished film.