How sad is this?

Admirable film.

Absolutely Fantastic

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Aren't singing Mounties the first sign of the Apocalypse? This is a below average standard MGM musical, from the period when the genre was already dying.Problem is that the movie really lacks a good story. It's not until the second halve that the movie is finally starting to show some progress and some plot lines but it's then already too late to still really make something good of the movie.The love story, which is always essential in this type of movies, isn't much interesting which is due to the characters and actors that portray them. Ann Blyth is mostly irritating with her thick overdone French-Canadian accent, that by the way seems to come and go randomly. She also doesn't look convincing enough as a woman who feels at home in the wilderness. She looks far too timid and pretty for that. Also hard to imaging that she would really fall and really become happy with such a 'criminal' as Duval.The character treatment is also quite poor. Seemingly important characters just suddenly disappear out of the movie for too long and basically all characters are extreme stereotypes.You know it's one of those musicals in which the characters just suddenly burst into singing, in the middle of some dialog, to express their thoughts and feelings. This always have been quite ridicules in my book.The movie does get extra points for its environment. The Canadian natures serves as a beautiful backdrop for this movie!Not a complete waste of time but still a below average late MGM attempt.5/10http://bobafett1138.blogspot.com/

Not enough good things can be said about this beautiful musical, one of my favorites. It has the right combination of romance, conflict, suspense, tragedy, and comedy in the plot. The setting is in the colonial or exploration era of Canada, and the rivalry between English and French Canadians is evident.The story is about Rose Marie (Ann Blyth), a tomboyish girl that her guardian Mountie (Howard Keel) tries to civilize. Rose Marie is grateful to him, but she truly loves the French trader Duval (Fernando Lamas), who accepts her as she is. The unrequited love an Indian girl has for Duval adds to the conflict and leads to the tragic elements in the film. However, justice and a happy ending prevail.I commend Turner Broadcasting for keeping "Rose Marie" alive by showing it on the movie channel, but I would love to have a quality DVD version. I hope it will be on DVD soon.The film has inspired me to look for the sheet music and script from the musical, and I am very disappointed that I cannot find a "Rosemarie" songbook. If any music and script publishers are listening, they should have the score and script of this film in print.

when i saw Rose Marie i fell in love with it. it is a fantastic love story done in the mountains and with great songs, Indian Love Call is one of the best love songs i have heard. The scenery in the movie is to make you want more and want to be their. It is a fantastically done movie and the combination of Howard Keel and Ann Blyth was the best for this movie, since i saw this movie in 1955 i have never forgotten it and I have been looking for either a video or a DVD of this movie for many years. Please, please lets put this fantastic movie on DVD so that i may have a copy to join my other musicals of that era. They do not make movies like these any more. So again i beg of you please, please put with wonderfully fantastic movie on to DVD, so those of us who want it so much can have it.

Saw this on a massive CinemaScope screen during its first-run release at the Egyptian Theater in Hollywood, California. If memory serves (since I haven't caught it on a Turner Classic Movies broadcast recently) it was enjoyable and nicely mounted, although I seem to recall that a lot of it was done on some massive MGM soundstages rather than outdoors in the northern California and Canadian locations. Of course that was usually the case with musicals with outdoor settings. Technical considerations prompted the studios to go the easy route of utilizing the more easily controlled environments of, in MGM's case, their Culver City, Calif. lot and stages subbing for the great outdoors. Howard Keel and Ann Blyth (and Fernando Lamas, too) acquitted themselves quite nicely in the vocal department. And any movie that gives us Marjorie Main and Bert Lahr for some expert comic relief is to be fondly remembered. Although its popularity may not merit it, it would be nice to add a DVD version, not yet available, it appears, of this widescreen/stereo remake to one's video library.