Sadomania
Sadomania
| 27 March 1981 (USA)
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Soon after newlyweds Olga and Michel set foot on the grounds of a notorious women's prison, they're arrested by topless guards and ushered behind bars where the warden quickly dismisses Michel but demands that Olga do a little time.

Reviews
Phonearl

Good start, but then it gets ruined

CommentsXp

Best movie ever!

Geraldine

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

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Scarlet

The film never slows down or bores, plunging from one harrowing sequence to the next.

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seanken

With 'Sadomania', director Jess Franco has deftly created yet another cinematic masterpiece, while at the same time he completely blows the lid off of the shadowy underworld of topless female slave camps. (Not surprisingly, this gem was completely ignored by the snooty snobs on the Oscar committee!) The film also exposes just how easy it is to assemble a bevy of attractive young 'actresses' in the middle of nowhere and convince them to degrade themselves for an entire film. A young newlywed couple is honeymooning along a desolate, rocky, section of the Spanish coastline, (why?!), when they are suddenly hijacked and taken prisoner by the sadistic warden of a local slave camp and her, topless, female armed guards. The husband is quickly released and ordered to never return, (oh, O.K.!), while his hot wife remains captive. She is placed with the other slaves and forced to crack rocks along the coast, beneath the blazing sun, and under the watchful eyes of the guards. Their uniforms consist of 'Daisy Duke' short shorts and sneakers. In fact, there is not a bra in sight for the entire film. These poor wretches aren't even provided with some basic sunscreen! Enter the 'Governor', a man who lacks any morals, nor, apparently, any blood flow to his penis. He and his warden like to kill prisoners for sport. One blond hottie soon gets in a fight with one of the guards, and the warden orders that they fight to the death to settle their differences. The fight scene which follows is of such complexity that it clearly took seconds to choreograph. Blondie finally dispatches her adversary, but her skill, and body, have caught the attention of the Governor. He has her brought to his home, where he devises a perverted plan which will finally allow him to successfully pork his smokin' hot wife. Enter 'Panzer' the Wonder Pooch, (I just made that name up). Panzer is a large German Shepard with a fondness for hot, blond, slave chicks. As the Governor and his wife watch, Panzer is set loose upon the naked and shackled slave chick. He dives into humping slave girl with gusto. (Surprisingly, Panzer chooses the missionary position over doggy style!) This sick display of bestiality is enough to finally give the Governor a stiffy, and he is able to successfully pork his wife to completion. (Panzer later won the award for 'Best Dog on Blond Chick Sex Scene' at the Cannes de Alpo awards.) Next, the Governor's wife decides to sell slave girl to another slaver, and she drives her to a local wharf to make the deal. Following the sale, the evil slaver locks slave girl in the cargo hold of his boat and sets sail for.....who knows? As expected, his own horniness soon gets the better of him, and he begins raping slave girl. She spots his gun in his belt and sees an opportunity for escape. She uses her feminine charm to convince the slaver to unshackle her, and when he does she quickly snatches the pistol from his belt. Now with the upper hand, she displays a moment of sheer stupidity. She holds the gun a mere few inches from his face and upraised hands and orders him not to move. Of course, he immediately swats the gun from her grasp, and then proceeds to continue dry humping her into submission. The viewer is treated to the sight of his hairy ass rising and falling between her thighs. At this point, my curiosity has been more than satisfied, and I decide to extricate myself from this sucking vortex of suckiness. Sorry, if you want to know how it all ends you'll have to waste an hour and a half of your own life. 5 stars given only for the wealth of gratuitous topless and full frontal nudity. Show less

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Claudio Carvalho

In Spain, a newlywed couple parks their car in a deserted land to make love and they trespass a private property. They are taken to a women's prison and the husband Michael (Ángel Caballero) is released by the warden Magda (Ajita Wilson) while his wife Olga (Uta Koepke) is arrested and forced to hard labor. Soon she befriends Kanita (Andrea Guzon) and Tara (Ursula Buchfellner) and she learns that the women in the prison are submitted to sexual abuse to satisfy the sadistic and lesbian warden and the impotent Governor Mendonza (Robert Foster) and his bisexual wife Luwa (Gina Janssen). Meanwhile her husband returns to the prison with a friend expecting to rescue Olga while Kanita and Tara are sold to a brothel."Sadomania - Hölle der Lust" is a soft-porn with a ridiculous and absurd story of sexual violence. Michael's friend is murdered and forgotten by the plot. Olga never dresses a shirt after rescued by her husband. But who cares? This sleazy and outrageous exploitation shows one of the greatest number of naked women, including the 20 year-old German Ursula Buchfellner, who was the Playmate of the Month and centerfold of October 1979. The warden is performed by the transsexual Ajita Wilson. My vote is three.Title (Brazil): "Sadomania"

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EVOL666

Though I love sleazy exploit cinema, I haven't watched too many of Jess Franco's films. Reason being, the handful that I have watched have been pretty lame. SADOMANIA is much of the same. A pretty proto-typical WIP film, with tons of full-frontal nudity and a few notably sleazy scenes - but Franco has a way of making even these elements boring.A man and his wife accidentally trespass on the property of a women's prison. The husband is let go, but the wife is detained. The typical female abuse at the hands of the female warden and guards, and even a German Shepherd in the highlight scene of the film. There's some side stuff about some of the women being sold into prostitution, but who cares? This one's all about the nekkid women...There's really very little in SADOMANIA that you haven't seen in other WIP films. The plot is just like every other entry: Girl gets imprisoned, girl gets abused, girl eventually escapes. There IS an absolute ton of full-frontal nudity, and most of the women are quite hot, so that's a plus. The aforementioned dog-scene is interesting too and is worth an extra point in my book. Problem is, these films would have really benefited from some hardcore sex and some stronger violence - elements that are noticeably lacking from most WIP entries. Die-hard exploit/WIP fans will probably want to give SADOMANIA a look, the average film viewer will either be bored or offended...6/10

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tedg

Spoilers herein.I approach Franco films as something more than sleazy exploitation. Much of my mail and even some of my colleagues are against me on this: they feel I read too much into them.I have a special place in my imagination that current Spanish-speaking filmmakers can reach and tickle. I think they are the most clever filmmakers working today, and I suspect Franco had something to do with it.Yeah, yeah, we get some breasts here, some mild (amazingly mild compared to 'Ilsa') suggestion of sexual torture and lots of huffing and puffing simulation. What we also get is an allegory of filmmaker as pimp, not quite a worn out idea in 1981. Franco himself plays the pimp. Unless I am wrong, this time he does not feature a lover as the girl, instead just hired a passel of 'models.'What makes this an extraordinary film is one character, the sadist of the title: the black mistress who is captain of the guards - a stark lesbian. This actress is in fact a transgendered man. She has an appearance and manner that are strange and disturbing. The fact that the story is obviously bogus adds to the mystery in a sort of Soviet-newspaper way. What we are told is going on is discounted as thin fiction. That leaves us to suspect that the real world is ever so more ambitiously dangerous.Ted's Evaluation -- 2 of 3: Has some interesting elements.

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