Pretty Good

People are voting emotionally.

brilliant actors, brilliant editing

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

This film was not as good as some reviews and not as bad as others. However, in spite of some effort at good production values, I feel that more effort could have been made in the writing and casting of the film. Many of the actors just weren't believable in their roles. It had a community theater feel to it. And the writing was puzzling at times. There was a bonding scene in the film between the uncle and the nephew concerning a story about the nephew's father (who was deceased) taking him to school in an inappropriate vehicle. At the end of the story, the uncle delivers what is supposed to be a punchline by the father and the two characters laugh and laugh but I just sat their wondering how they found it humorous. It wasn't close to being humorous. All in all these folks made an earnest effort to make an interesting film and if you have a spare 90 minutes you might want to watch it.

This movie has no redeeming qualities. The premise and the plot were almost entirely predictable, and the few surprises were neither interesting nor clever. The acting was either overly wooden or over the top - there was no subtle, believable middle ground.I can't recall anything worthwhile in the scenery, sets, props, makeup or wardrobe either.Despite the film's first 20 minutes, which were ponderous, I hung in there with the hope that I'd see something worth the rating. And even as it became increasingly obvious that my hopes would be dashed, I persisted - right to the awful end.I can't believe anyone else found this film interesting in any way.(This is my first review on IMDb and I wrote it with the hope of saving others from wasting their time.)

Ten years ago, little Lauren Daly (Anne Winters; Wicked City) was abducted while on a family trip to the beach. Devastated, the remaining family members spend the next ten years battling against alcoholism, depression, and suicide. Sand Castles depicts a tragic story of a lost childhood and the lives affected by that loss.Ten years on and Lauren's brother, Noah Daly (Jordon Hodges), is taking care of his now alcoholic mother with help from his uncle Tommy (Randy Spence). Quick flashbacks reveal why Noah's father is no longer in the picture; an event that also took its toll on their family. The household is squeaking out a type of existence although it is clear that Lauren's disappearance hit them hard. But then they get a visit from the detective who has been on the case since he was a rookie. He informs them that they have found Lauren alive and it throws their new world for a loop.Now a teenager and unwilling and/or unable to speak, Lauren tries to reintegrate into her broken family with the detective and a case worker looking over their shoulders. The case worker does her best to help Lauren, including taking her to a play based on a worn out book she carries around. But the presence of alcohol does not help. Lauren's mysterious return also re-energizes the investigation into her disappearance. Clint Howard co-stars as an eye witness who believes he saw Lauren getting dropped off where she was found; an account that leads Tommy down a dark, potentially heart breaking path.The use of flashbacks is nearly perfect in this film. They tended to be short little clips introducing characters or circumstances just when that information is most useful. For example, when the detective is introduced, they have a quick flashback to him as a rookie getting the call of a missing person (Lauren). It's not too drawn out, gets the exposition out of the way, and keeps the story flowing at a decent pace.Overall, Sand Castles is an interesting, emotional roller coaster. The characters are (mostly) likable and the actors are very respectable in their parts. The plot is depressingly believable and shows that your world can change in an instant both for the worse and for the better. I would have preferred a bit more closure regarding Lauren's kidnapping, but stick around during the credits for a bonus scene that does wrap up a few last threads of that mystery.Bradley Smith, Red Carpet Crash

Ah Goshen, Indiana. Home to the second largest county fair in the U.S., nicknamed "The Maple City," and having the distinction of being the birthplace of legendary film director Howard Hawks. It was also the main shooting location for the top featured selection in last year's River Bend Film Festival.Sand Castles is said selection and it's every bit worth the hype. I mean, it's about as personal as a movie can get. After all, star, writer, and producer Jordon Hodges grew up in Goshen and believe me, he shows us the audience, that he never forgot where he came from. Now to be honest, this is a picture that starts out slow and really sneaks up on you. After a viewing, I declared it to be Prisoners meets Mystic River meets independent film making. That's another way of saying that it's part crime drama, part vigilante escapade, and part acting showcase. In terms of location, it is Northern Indiana personified. There's an earthy and grainy look coupled with low camera angles and dreary landscapes. Basically the town depicted, becomes one of the stars as well as its source of recognition. In fact, I haven't been reminded of a small Midwestern venue feeling a lot like the movie's primary voice since Three Oaks, Michigan took over the scenery for 1989's Prancer.Set to be available for purchase on DVD in 2015 (as voiced by two of the film's producers) and showcasing flashback kidnapping scenes via my hometown of St. Joseph, Michigan (Silver Beach to be exact), Sand Castles tackles the terrifying aspect of child abduction. The film begins with a young Lauren Daly (played by Anne Winters). She is abducted and I guess, sexual assaulted by an unknown assailant. After years of her family searching for her, she manages to escape and eventually returns to them. Lauren is traumatized, doesn't speak, and is in a state of shock. Her alcoholic mother (Marie Daly played by Saxon Trainor), her older brother (Jordon Hodges as Noah Daly), and her uncle (the veritable Randy Spence as Tommy Daly) are happy that she has come back and is safe. However, they want to find out who committed this horrible act. Tommy Daly takes on the role of unannounced detective by interviewing a car mechanic (Clint Howard) and stealing the badge number of a police officer (to get information on area sex offenders). This series of events is what kicks Sand Castles into high gear. The proceedings become more involving, more absorbing, and to a fault, more catastrophic.As for the performances, I had the pleasure of chatting with one of the stars of Sand Castles being the legendary Clint Howard. A self-proclaimed character actor, he told me about how neat it was to climb out of his Hollywood environment and fly down to the Hoosier state to make quote unquote, "a small independent film." His screen time is short lived but that's what he does (as does so well). He shows up in "Castles" for a couple of scenes, makes a swift impression, and is never heard from again. That's what you get from a Howard performance and that's okay with me. Then there's the star of Sand Castles being an up and comer named Jordon Hodges. As Noah Daly, he underplays his role a bit too much but relegates a strong amount of screen presence. He reminds me of a young Casey Affleck with the swagger of Aaron Paul. His screenplay is impressive and it gives "Castles" a lot of bite. The actors get a chance to spout off some unabashed, juicy free fall dialogue. And the top recipient for the strongest dose of this dialogue, is Randy Spence bringing to life the revenge minded Tommy Daly. He plays to perfection, a drug addicted, alcohol minded bad boy who takes the law into his own hands without any sense of just or justice. His rawness, confidence, and devil-may- care attitude only add to the spice of this powerful film. Overall, Sand Castles with a small budget, a small town feel, and an anti-Hollywood approach, teeters on the edge of amateurism. Thankfully, director Clenet Verdi-Rose avoids this notion for almost 90% of the running time. He channels a little bit of Steven Soderbergh with his camera-work all the while building tension with every careful inch. The film currently doesn't have a MPAA rating but believe me, after seeing the finished product, I garner it a hard R saddled with adult themes, adult situations, rough language, and some violent images. And to truly decipher the film's heart wrenching conclusion, you have to stay through the closing credits.To put it mildly, Sand Castles only falters when it goes off into tangents with certain scenes. When it's focused and heavy handed, watch out. You've got a fairly effective, hard boiled thriller on your hands. Thumbs up!