It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

SANTO IN THE HOTEL OF DEATH is a somewhat lacklustre outing in the Mexican wrestling franchise. It's a typical crime/mystery/thriller film with good black and white photography and not-bad acting from the cast, but putting Santo in the title is a misnomer. He's hardly the star of this movie and in fact his role amounts to little more than an extended cameo.The film starts off pretty slowly and in familiar territory. Everything seems to be going well at a luxury resort with the usual music numbers to keep everybody entertained. Before long we see a body floating down the river in a well crafted chill scene and then things get more complicated. A body appears in the hotel pool and in a scene worthy of a giallo film, a bloodstained female corpse is found in a bathroom – the film's strongest moment and not something you'd expect from early '60s cinema.It turns out that some people are looking for hidden gold beneath the hotel. One of them, a mad scientist, has gone berserk and is turning people into wax dummies in a nod to MYSTERY OF THE WAX MUSEUM. Santo is eventually called in to investigate and takes down a few crooks and blackmailers. Soon afterwards he appears to be captured but it turns out to be one of his buddies in disguise. The ending sees Santo chasing the scientist through underground passages and is almost exactly the same as in a later, colour Santo film I saw called SANTO VS DOCTOR DEATH.The acting is passable but the film suffers from a dearth of action that makes it slow paced and heavy going at times. There's only a single wrestling match to break things up (Santo tackling an adversary nicknamed the Black Shadow) and about two other fight scenes, including the climax. It's interesting to watch and see how the seeds of the successful series were sown here, but for the most part, SANTO IN THE HOTEL OF DEATH is a bit of a bore.

A "lost" film for some years, this early Santo film recently surfaced on home video. Produced in 1961, it is one of several films in which the primary stars were Fernando Casanova, Ana Bertha Lepe and Beto el Boticario (playing a detective, his reporter girlfriend, and the former's amusing assistant). Santo figures in these films, but more as a plot device who's called in midway through the action, to put a stop to the evil du jour. He simply appears as needed, battles things to a conclusion, and then vanishes with no comment. His appearance in HOTEL OF DEATH is no different.Tourists visiting the Mexican pyramids, and staying at a nearby hotel, are alarmed at the first of a series of murders. A Columbian tourist's body floats past a couple enjoying the night air. A resultant search turns up no clues....or a corpse, though the woman remains missing.Fernando and his assistant are assigned to the case by their chief, as the hotel owner is a personal friend. Arriving on the scene, they find that things are clearly not normal. A bearded drifter is blackmailing a visitor, and two other tourists are found dead -- one in a bathtub and another in the hotel's pool. Worse, Fernando's annoying girlfriend is on the scene.After some snooping around, Fernando is knocked unconscious when he confronts an intruder menacing his fiancee. While he's unconscious, she uses his wristwatch/radio to summon Santo. Santo is on his way to a wrestling match, but he agrees to come to the hotel as soon as he can.Arriving some time later, Santo begins his investigation, revealing that a bearded no-good is blackmailing one of the other guests. This comes to a head in a nicely filmed sequence in which Santo stalks the gun-wielding thug through the hotel's gardens, in near-darkness.An attempt to avoid further trouble by placing all the women tourists into one bungalow backfires. The reporter is captured.We now learn that a small band of men, led by a professor (Wally Barron), are digging beneath the hotel. They hope to locate a legendary Aztec treasure.A noted expert on the ruins, the scientist has been openly conducting an investigation, while secretly tunneling into the ruins from below the hotel during the night hours. As a diversion, he's captured various tourists and feigned their deaths by use of wax dummies. Now, however, he decides everyone will have to die.Virtually everyone ends up captured at this point including, apparently, Santo. This turns out to be a trick, however (it's Fernando's assistant), and the real Santo routs the crooks. He pursues the professor through narrow tunnels until the schemer falls into the concealed chamber where the treasure had been hidden centuries before. Confronted with the fortune, the criminal goes mad.Admittedly sheer melodrama, the film has its interesting points. Santo has an energetic match with real-life wrestler Black Shadow. Quite a bit also happened within the hotel's attractive confines. The black-and-white photography also fits the mood, as does the jazz number performed by the entertainers at the party which precedes the discovery of the first "body."