Seed
Seed
NR | 03 November 2006 (USA)
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After surviving the electric chair, convicted serial killer Max Seed is buried alive. He digs himself out of the grave and goes on a killing spree. Taking revenge on the men who put him there and random unfortunates alike.

Reviews
Incannerax

What a waste of my time!!!

Jeanskynebu

the audience applauded

Animenter

There are women in the film, but none has anything you could call a personality.

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Grimossfer

Clever and entertaining enough to recommend even to members of the 1%

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Sandcooler

I've never really hated Uwe Boll for his video game adaptations, mainly because he was brutally honest about them. He clearly knew he was making garbage and was not ashamed to say he just wanted to cash in. I don't applaud that motive, but Boll was a bearable director back then. "Seed" on the other hand is from the phase where his movies actually started 'meaning' something. On the surface it's a poorly made (and extremely poorly lit!) slasher movie about yet another mute serial killer with yet another ridiculous disguise, but don't be fooled. According to Boll it's actually about all the evils man can do! Boll recorded a hilariously pretentious commentary for this movie, which is good because the movie is dreadfully boring without it. The scene he's apparently most proud of is the one where an elderly woman gets bludgeoned to death for five straight minutes, a scene which might have the worst CGI effects I've ever seen outside of the SyFy Channel. I could buy Boll as a clever businessman. I can't buy Boll as a filmmaker that actually has something to say, because it all seems so fake to me.

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ASouthernHorrorFan

2007's "Seed" is a retro-slasher from Uwe Boll, meant to lament a frustration over his cold reception into the horror world. More people seem to hate him than like him, it seems. There has only been a handful of films that Boll has directed that are in my wheelhouse as far as what I will watch. I actually liked more of those than I hated. I can't speak for him based on all his material because a lot of the films he has made aren't films I would watch regardless of the director or star. As far as "Seed" is concerned, I found the film to be a dark, graphic, and blunt expressionist nightmare. The story gives rise to a brutal, stoic killer that seems to kill for the shear pleasure of the torturous process of killing his victims. Not sure the motive, or reason for the obsession other than it appears to be his fetish, not the act of taking the life but the process by which the body finally breaks, along with the gruesome and macabre aftermath. All of which Uwe Boll forces the viewer to experience head on. "Seed" is filmed in heavy atmospheric surrealism, blended with moments of splatter gore. Set in the 70's, the backdrop is as macabre and depressing as the notion of witnessing the life leave someone you love. The killer, Seed, is a large, terrifying force of cruelty and death, shown completely and utterly without remorse or compassion. I am not even sure if he understands an actual difference between right and wrong. It wasn't really established. Normally that would be an issue, however Boll frames the whole story as if we stepped into the middle of a horror unfolding. It forces you to either check out completely or set up and figure out the situation as you go. I actually enjoyed that because it made the viewing experience slightly uncomfortable. The acting is pretty good in "Seed". Most of the film is build on tense emotional interactions with limited dialog. The soundtrack and character conflicts tell most of the story. The dialog that does happen is based in the present with now "wordy" reflections or deep philosophical speeches to justify what we are seeing. The film really does feel classic in nature. The cinematography reminded me of "Hellraiser: Inferno", with heavy noir elements. For me personally there is more that works here than goes wrong. The special effects and soundtrack combine to give "Seed" that total horror feel. The slasher side of Boll's vision is strong in the kill/death sequences. Most are practical effects that really push the comfortability level-moving into heavy splatter / gore territory. The downside is that, in a couple of the scenes, CGI spoils the overall effect of realism that is created by most of the other deaths. Uwe Boll has a habit of taking the effects one step to far into the tacky –where the CGI becomes too obvious to let the scene have a strong impact. Plus some of the sound effects, although very creepy and effect, seem like rip-offs of films that have come before "Seed". But overall, "Seed" is an entertaining, brutal piece of slasher/ horror that most fans will enjoy-I did.

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sbrazie

If there is one thing I cannot take, it is anyone who gives an opinion, review, etc. of something that involves "insulting" those of a different opinion. Take Author: zarakian_58 from United Kingdom's Review: "badly directed garbage. a mediocre nihilist sadistic gorefest ... if you are the sort of person who likes that ... see a shrink". So, I LOVED this movie, hence perhaps I should skip the shrink and move into the asylum. Stay off the review pages unless you can review objectively AND subjectively without insulting those of a different ilk.Back to the movie. While this is a horror movie, without a doubt, it is also a crime thriller involving the search for the serial killer, "Seed", the search led by the detective Matt Bishop played by the under-rated Michael Pare'. He is caught early in the movie, but after surviving two attempts in the electric chair, he is buried alive to avoid a third attempt that if survived would give him his freedom. He escapes the grave, begins a new killing rampage, exacts revenge on the prison employees who oversaw his "death" and burial, and the investigation for the "copycat killer" begins.This film is brutal, but Seed himself is no worse than a Jeffrey Dahmer, who ate his victims. Seed tortures and kills his victims over and over. These scenes are some of the goriest and most shocking I have ever seen.This is everything a horror film should be: Horrifying, shocking, scary, terrible antagonist, sympathetic protagonist, and with great special effects thrown in. Solid acting and plot for a low budget effort (Don't forget-classics like Halloween and Night of the Living Dead were also extremely low budget). Eight Stars-One of the best torture horror films I have seen in a while.Back to Michael Pare': I have always thought that Michael Pare' has never gotten the respect he deserved. Watch "Eddie and the Cruisers", "The Philadelphia Experiment" or even "Streets of Fire" (Not a good film, but great performances by a young Willem Dafoe and Diane Lane). While earlier in his career, he shows emotion, drama ability, can handle action scenes, and just has overall screen presence. Somehow he has gotten stuck in smaller supporting roles and in B movies. Another example of his B movie prowess, Pare is excellent as the detective hunting for the serial killer in this film.One last note: I recommend skipping the first few minutes of this film which show real footage of animal torture taken from PETA. While this footage helps the Director, Boll, to get his point on "human nature" across along with the rest of the film, I find it unbearable to watch.

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Seventhsin ofaseventhsinner (dragonkings01)

If at least the cruelty and drawn out deaths had a purpose to the story to justify their inclusion but the script was just unintelligible and just plain stupid.It went nowhere, the story had no legible continuity. It was just a bunch of drawn out pointless snuff scenes and a really stupid ending tacked on as if to say.. "the end *beep* you my haters and my few defenders for watching my garbage."I don't get it, a masked murderer who never had his mask removed in prison, a prison rape scene that was suppose to be the guards raping a a ugly deformed serial killer and getting killed by him and nothing else? no explanation, no punishment, a really weak main cop character that was a waste of a actor like Pare, who didn't try to off the guy who killed his cops, tortured a baby, a woman and a dog and sent them to you to watch on video.Cops who for some unknown reason all wandered off in the dark by themselves (individually) in his farm house at night like a bunch of poorly written teenage characters to be killed one at a time like a bunch of idiots, and no other cop hears them die in the darkness one after the other and just keep wandering around for no reason till each is killed in turn. A bunch of horrible real life animal snuff scenes in the beginning for no reason or explanation, was he reminiscing, was he watching it to masturbate, was it comedy for him... what was it? nope Boll just thought to throw it in to upset animal lovers.. whatever. then Pare believing the word of a psycho path to let his family go if he kills himself... a more gullible, stupider cop you never saw in a film. I dunno why I try not to totally hate his works. I try to find some reason to explain a horror writers art but this stuff... pure crap. Boll what are you doing anymore? I hope you figure it out because I know a lot of more deserving people who can't dream to get the budget you get over and over again to make their movies.If you want to see Boll actually at his best check out "Postal" it was actually okay.

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