SERIOUSLY. This is what the crap Hollywood still puts out?

In truth, there is barely enough story here to make a film.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

The seven deadly doors open off a very pretty open courtyard. Right away I was scared— probably because I could have actually paid money to see this mess. If you can figure out the plot, the physics department may have a place for you. Poverty row PRC really cut more than corners with this one. The sets are few, and dark for more reason than atmosphere. For a supposed mystery, there's about as much suspense as watching a clock tick. But then it is 1944, and wartime audiences need any kind of escape. That's probably why usual sidekick Chick Chandler gets a shot at the lead and shows why he was better as a sidekick. He seems not to be taking anything too seriously. The highpoint may well be half-dressed Rebel Randall's shimmy and shake that unfortunately doesn't come til near the end. Otherwise, there's nothing to recommend in this woeful programmer.

Any movie with Rebel Randall is a must movie (that's her on the jacket of the Alpha DVD) and in this one she not only has a really sizable part for once but even gets to do a buzz of sizzling dance steps! By contrast, the nominal heroine, June Clyde, is almost a nothing. I saw the movie only an hour ago and already I've forgotten all her scenes except the opening in which she jumps on to the running board of Chick Chandler's jalopy, (a roadster named "Genevieve", would you believe?).Mr Chick Chandler himself is hardly chic, nor would he rate on a ten thousand names list of the most charismatic guys in the movie world, but at least I can remember what he looks like.As for the rest of the players, poor old George Meeker, typecast as usual, tries his best to look nasty, but Edgar Dearing has abandoned his policeman's motorcycle for this one and looks out of place as a shopkeeper.Director Elmer Clifton, with the able assistance of his cameraman, has arranged some dark and half-spooky atmospheric effects, but his efforts are sunk — partly by his own script and partly by his shoe-string budget.

Unfortunately a boring flick, and obviously the only way to see it is the butchered bootleg Public Domain version, which is so blurry and dark that at times you have hard time making out where the screen is. The leading actors are a nuisance. The man spends most of his screen time trying to appear nonchalant, charming and sexy, forgetting totally what the film is about and that he is a murder suspect because of some dame who played him for a goose to start with. The dame herself merely walks through the flick, being dignified if she's not busy appearing cute. It's a rather badly written stuff, never interesting or witty. No good camera work, no memorable soundtrack, no glamorous actresses or atmospheric sets. It only scratches the surface of the genre, and nothing happens if you miss this totally missable flick.

As the movie starts there's a scream, a gun shot and the sound of a body falling. The film shifts locations as a man in a car is hijacked by a woman on the run. In following her directions he ends up crashing his car and the woman runs away. He tries to follow the woman into an area with a small group of stores, only to end up discovering a dead body. The man notifies the police, who then find a body then the one he reported. From there its complication after complication, most of which are a bit clever but really have nothing to do with the plot and seem to be out of another movie. The conclusion when it comes seems to be tacked on and out of left field.This a PRC programmer that is a perfect example of what a by the numbers low low budget second feature is like. The plot is set up in such away to keep you interested no matter where the plot goes. Its structured to run no more than the alloted time. It has a minimum of sets and just enough people to keep to make it look as though this might, possibly, be a real place (if you've never lived in the real world). Its also completely forgettable.The plot has the group of stores being searched and researched again and again to find what ever the latest clue has revealed. Most of the time this is done in the dark so we really can't see where we are. Everyone is a suspect until the very end when the killer is revealed by broad leap of logic. If it wasn't for some rather weird asides, a dance number, a bit about making toast, and a few others, this movie could easily have run half its length. This isn't to say its a dull or bad movie, its not. Things are pleasantly confused for at least the first 15 minutes during which time you'll desperately be trying to figure out what you're watching. By then you'll be hooked since you'll want to know where this very messy movie is going.This is a good movie, especially when viewed at 3am while curled up in bed. Its not high art nor is it something that you'll find becoming your favorite film of all time. Its an okay time passer which is what it was designed to be. What you'll take away is the odd sense that know one knew what these people were up to since some of the characters are off the wall (a body snatching embalmer who's an okay guy, for example) and some exposition that is ripe with sexual tension and implied situations the Hays office would never approve of.On its own terms 7 out of 10.