Best movie ever!

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

This movie feels like it was made purely to piss off people who want good shows

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Seven Women for Satan (1976) * 1/2 (out of 4) Bizarre French film is a sequel to The Most Dangerous Game. In this film, Count Boris Zaroff (Michel Lemoine), the nephew of the psycho from the first film, has sexual fantasies dealing with him seducing women and then murdering them. Because the screenplay allows it, several women soon fall into his hands and sure enough he begins to make the fantasies real. I'll admit that this is a pretty strange film from start to finish and there are some pretty good moments scattered throughout but sadly things run out of gas around the half-way mark and things never pick up. The bizarre thing is that the film goes for a Luis Bunuel like feel where the viewer never knows if he's watching something that's really happening or if we're in some sort of strange fantasy or dream sequence. The movie has a rather nice atmosphere and we get all sorts of sleaze from countless naked women to some strange death scenes. We also get some laughable death scenes including one early on when Zaroff attacks a woman. She takes off running and he begins to chase her in his car. There are woods all around and all she would have to do is duck in them and she'd be safe but instead she just keeps running through this open field. This scene certainly made me laugh as did another one where the woman is attacked by a dog. There is one gruesome scene where a couple goes to their death in a torture chamber that is quite effective. Director Lemoine gives himself the leading role and I thought his performance wasn't decent if nothing overly good. He fits the role just fine but it's clear no one is going to mistake him for Brando. Howard Vernon plays his servant and gives his typical performance. Nothing great but it's always fun to see him. The film's biggest flaw is certainly it's screenplay as the weirdness eventually runs out and we're not left with much of anything.

Michel Lemoine's 1974 offering, "Seven Women for Satan," is easily one of the weirdest movies that I have ever rented; right up there with Jess Franco's "Venus In Furs" and Jaromil Jires' "Valerie and Her Week of Wonders." In the Lemoine film, the writer/director himself plays Count Boris Zaroff, son of the original manhunting count from the Richard Connell short story "The Most Dangerous Game" (1924), famously filmed in 1932 (never mind that Zaroff was a Russian and his son in this film is as Gallic as can be). When we first meet him, Zaroff, Jr. has just purchased an enormous château, in which his butler, Karl (played by cult Eurostar Howard Vernon), in fulfillment of a promise he made to Karl, Sr., the original count's butler, is training Boris in the ways of sadism and torture. To complicate matters, Boris seems to be haunted by the spirit of a beautiful woman who died in the year 1912. I say "seems" only because the dividing line between fantasy and reality here is a thin one at best. To add to the disorientation, Lemoine utilizes odd camera angles, fish-eye lenses, dreamy soft-focus photography and some truly bizarre discourse between the film's principals. The picture treats us to a fun torture chamber sequence and features the phoniest-looking dog attack scene ever (especially when compared to the 1932 film) and an excellent score by Guy Bonnet. It is only 84 minutes long, yet still feels padded with nudie-girl segments and assorted topless dancing and writhing (nice padding, granted!). Banned in its native France and yet the Silver Medal winner at the Sitges (near Barcelona) Film Festival, the picture, surreal and trippy as it is, should have been a midnight movie staple back when, as was "El Topo." Like the Jodorowsky film, it is a real stoner treat, and a must for the lysergically enhanced mind. A true rarity, but certainly not for all tastes....

"Les weekends malefiques du comte Zaroff" (Seven women for Satan) was billed as as sexy and trashy remake of "The most dangerous game". As the film was banned in France (as far I as I know, a liberal country when it comes to cinema), my curiosity was raised still more. But I was disappointed, the film didn't meet my expectations.Why was this film banned in France? Mystery! I would have understood if it had been banned from the UK. The British censorship is very strict and known throughout the world for its medieval standards."The most dangerous game" was a distant source of inspiration for "Seven women for Satan" (the English title is very misleading, but I will use it for briefness' sake. Where is Satan? 7 women?), but I think that Lemoine suffered a greater influence from Rollin and Benazeraf, and we should not forget to mention "Beyond Erotica" (No es nada mama, solo un juego).The story runs like this: The count Zaroff (Michel Lemoine) during the week days is apparently a normal man, sometimes a little distracted from his work, because he's constantly dreaming about chasing and torturing women. Women for him are beautiful dolls, he feels like biting them, crushing their bones... he likes them so much! When the week-end comes he goes to his castle. In the castle his butler Karl (Howard Vernon) and a big black dog called Ingmar wait for him. Karl wants to assist Count Zaroff in his evil ways like his ancestors did to Count Zaroff's ancestors. There's also a Fata Morgana apparition (Joelle Coeur) haunting Count Zaroff. She was one of his ancestors' victims. She's a beautiful long haired woman in a white gown that appears and disappears in the most unexpected places. Count Zaroff seems to be obsessed by her. And we should not forget the friendly black dog Ingmar that gets its share of beautiful women as well. One can't complain about cruelty to animals!If you've read me till now, you may think that the film tells a story. But no, this film is almost plot less - it looks like a collage, a bric-a-brac of Lemoine's varied cinematic influences and sexual dreams. The violence, for the most part, is not shown explicitly. In this department, the film is rather tame when compared to others of the genre.If you see the film in the right mood, it can be an amusing experience: The castle, count Zaroff and his sinister butler Karl, without forgetting, of course, the trendy big black dog, Ingmar. "Ingmar, elle est a toi!" Growl.... Aaaaaaaahhhhh!!..... Naked girls being chased, semi-naked girls dancing to tribal drums or pop music, ghostly girls materializing out of nothing, the "philosophical" pearls delivered mainly by Count Zaroff and his faithful butler Karl... The film is difficult to judge, some scenes, particularly the dreamy sensual ones are very stylish, but the story seems to wander aimlessly and the pace sometimes is very slow. If you see this film with a receptive mind (and in a slightly altered state), you might enjoy it better.

This is barely worth it's given rating but despite the slow pace, the nonsense story, the pretentiousness and the dialogue I liked it. I guess the well shot nudity helped but also the slightly odd angle (to call it surreal would be far too flattering) and surprising jolts of violence amid the sleepiness. The way the Count turns upon his first victim is a real shock and the couple trying out the historic torture instrument certainly get a surprise, as do we. Hard to recommend though because it is hardly quality stuff and certainly does not live up to Mr Lemoine's claims for the film. But then if you are not expecting too much and know something of the genre you could do worse. It's certainly as good as many of the below par and over rated Jess Franco movies.