One of my all time favorites.

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

A Brilliant Conflict

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

WARNING: SPOILERS. Junio Valverde is excellent as always as the 17-year-old protagonist Santi in this flick, although the "horror" genre here calls for the kind of over-the-top acting that can't bring out the best in any actor. Although there are a few mild surprises, Valverde is really the only bright spot and the only factor that led me to actually finish the movie, aside from some neat cinematographic touches and some brief but salutary film time by Blanca Suárez as the girlfriend and Mar Sodupe as his mother. Santi's "photophobia" (actually a physical reaction to sunlight), so prominently featured at the beginning, never leads anywhere, and his growing canines are a puzzlingly naked and unresolved red herring.Nevertheless, there is a good deal of beauty in the portrayal of the shadowy rural Spanish village among the hills which anyone can enjoy.

Mystery-drama to be exact. This combination will obviously not appeal to everyone. But then again the success of Twilight might suggest otherwise. Though I haven't watched Twilight yet, I think I can tell, that those movies steer in the same vain. The American movie being glossier of course. I can't say though, if "Shiver" is based on any novel or something like that.What I can say, is that the mystery horror works quite well. I was quite impressed by the acting chops the kids showed/displayed. They were cast perfectly. There are quite a few things that did bother me (pacing issues, some plot problems and the usual cliché here and there). Still worth a watch, if there is nothing else to do and you like those kind(s) of movies

Imagine a horror movie for 12 year old girls, not very exciting right? now imagine this 12 year old girlie horror made in Spain and produced by a TV channel...what you get? a cheesy romantic horror sort-of-vampire movie sci-fi channel style but with an abyssal budget.Spanish actors are poor as always, dialogs are non existent, the film is boring, very boring, overlong, badly executed and with no final twist as redemption.Not much more to say, with a screenplay sub par with Buffy vampire slayer, Supernatural or Charmed with unnecessary touches of Evil Dead or An American werewolf in London, all mixed up in the worst imaginable way.Don't waste your time, nor your money.

Santi is a young lad with a strange disease. Bright sunlight has him running for cover. Not surprisingly, he's a hoodie with sunglasses. Mum is a translator. She works from home. Parents are separated but on good terms. Santi also gets bullied a lot (he's very bully-able – you could want to cosset or kick him).Doctor persuades Mum to take Santi to remote village. Less sunlight, you see. But kids pick on him there too. They don't understand his disease and treat him as a wimp. Shortly afterwards, locals turn on him. Especially when sheep are eviscerated. And a bully murdered. And we know there's something Nasty In The Woods. A waiting game is to see whether Shiver implodes in orgiastic excess of CGI, vampires, werewolves, radiation mutants, CIA viruses, supernatural gore or other well-worn concoctions. Remarkably, it doesn't. Even when the attacker is revealed, momentum keeps going and we can enjoy a mix of terror with fairly down-to-earth explanations.Like many other genres, horror can be more about minor deviation on clichés than whole new formulae. But although the Shiver 'monster' avoids paths too well-trodden, the backdrop of the film is highly derivative. A flitting in the trees reminds me of Predator. Farmer and policeman are stereotypes. Santi discovers truth and, guess what – his parents don't want to know. Santi susses things out on Google – the current answer for every geek-on-a-mission. And the night vision camera thing is all a bit too Blair Witch.Low-budget interactions and nice scenery are mixed with occasional fast editing, unnerving sounds, jolting cameras, and horrific dream sequences. Director Isidro Ortiz says he wanted, "to build a monster thriller where the monsters are the heroes, and where you must flee from the light to take refuge in the darkness. A back-to-front tale." This sophisticated theoretical foundation is almost more interesting than the movie itself. "I wanted the film to have two kinds of monsters," he continues determinedly, "those which are such because they're 'different' and cannot adapt to what society defines as 'normal', and those which are real monsters and hide their dark side while they look like a model of social behaviour." Wow! Is this film really deep? Or is the depth flown in afterwards as P.R.-flavoured gibberish? It sounds sensible enough, but out of place when referring to such a low-brainer.To Ortiz' credit, he trimmed down his original plan to avoid relying on American budgets, but the end result, while enjoyable enough, falls slightly short of the grand concepts he envisages. It does keep you guessing for a bit but, although decently acted, characterisation and dialogue do not have the profundity to redeem such aspirations.On the plus side, this is a broad appeal 'horror' film. It isn't offensively gory, and has an almost warm cozy feel to it. But in other words, it's a bit of a girly horror. A nice little movie with some atmospheric tension, and maybe not quite enough to satisfy late-night fans.