an ambitious but ultimately ineffective debut endeavor.

By the time the dramatic fireworks start popping off, each one feels earned.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

In 1979, a rare breed of rattle snake – naturally, a more ferocious variety than the typical species – is set loose after the truck carrying it overturns. After fatally striking both the occupants of the crash, it then descends on a disused mine shaft where it breeds with regular rattlesnakes, and 20 years later the effects of this lethal concoction are awoken by a housing development. Harry Hamlin is the new fire chief whose first day on the job sees him dealing with a fatal snake bite, after a pair of juveniles frolicking in a thicket stumble on a specimen. From there, matters deteriorate as locals are overcome by a plethora of the new breed, the venom from which is more deadly than any known to man, and predictably, for which no serum currently exists. A herpetologist is enlisted but with the local economy's purse strings being controlled by greedy developer (Scalia), action is far from swift or decisive. So, inevitably, several bystanders quickly become victims until Scalia decides to take matters into his own hands, with disastrous results.Not bad for a tele-movie, with capable performances and well conceived sub plots. McCormack as the local snake enthusiast comes off best, in spite of her whacky idea to address the problem by introducing more snakes, while Scalia plays a remarkably restrained villain, whose worst trait is being unethical moreover than exhibiting any overtly sinister behaviour. The blossoming romance between Hamlin and Sturges offers gentle respite in the film's troughs, and generally speaking, the show moves along with reasonable momentum and pace. While the special effects aren't all that special, director Nosseck still manages to build the suspense and an effective balance between storyline and detail. Perhaps the only real faux pas is the film's title – unless fitted with a silencer, one would assume that rattlesnakes indeed rattle, and would therefore only be silent to the hearing impaired.A sharp eye for detail will reveal that the location is clearly not the USA in which the picture is set, but actually Queensland, Australia, as such the peripheral cast will be familiar to Australian audiences with familiar faces in bit parts and some supporting roles. Not movie of the week material, but competent within in its own limitations and definitely worth a look for those who don't suffer from snake phobia.

This is standard movie fare done extremely bad. Big rattlesnakes kill people, and the people who know how dangerous the snakes are can't get anyone to listen. The writers and director try to use every cliché to further their careers. The pity is that this usually works. We're also inundated with the all American look of every man having dark hair and every woman having blonde hair, a neo-Nazi trend used to glorify the Hitler Nazi machine by many movie makers. Again, there are so many rich neo-Nazis who insist upon this being "classic", that directors and writers who use this technique go rewarded with bigger and bigger budgets. And don't be fooled. This is a big budget movie. This is expensive work. Don't ever let someone tell you some of these movies are low budget, because they aren't. You couldn't get this much capital to make a movie, unless you are rich yourself. There just isn't anything good about this movie.

When I first saw this movie, I only caught the first half hour of it, but it was enough. I had seen enough of these formulaic, made-for-TV movies to know how it was going to end. Two months later, the curiosity of the accuracy of my predictions got the best of me, so I rented the movie and finished it this time. And I can say that with my guesstimation abilities, movie companies should hire me to write formulaic, made-for-TV movies. Everything happened that I anticipated: the progression of the plot, the introduction and killing off of characters, the role each character plays in the movie, it all was there.If you've seen one of these movies, you've seen them all. Movies like this one, Marabunta, The Fury Within, Nightscream, Burial of the Rats, they are all the same. Watch one movie, replace the aggressive animal with a different animal, and enjoy.Scott says: For a movie of silent rattlesnakes, the snakes sure broke script a lot.

I wish as we looked through the new releases that I'd known this was the bad made for tv movie that I saw on USA network (cable). Had I known this wasnt' your typical cheesy snake flick, I wouldn't have rented it. while part of the acting is fine, and the snakes are semi believable (not outragiously huge) the speed with which the victims die is too exagerated, and it is almost identical to the old movie "Rattler" that is now makign the rounds of network tv movie filler during reruns seasons.