The film makes a home in your brain and the only cure is to see it again.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

An old-fashioned movie made with new-fashioned finesse.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Seeing this movie made me realize how sad Lea and Christine were being extremely fragile types weren't really involved with this world. They knew well the damage they had done and how it involved by being found out! I was surprised that they didn't even communicate with their employer and her daughter much because the pair of them were really good to them by putting the girls to work together! What really made then tick off, that will be a question throughout my lifetime because we won't ever know what really happened on that night.This movie really gave it all including Julie Walters who is the best actress out there and all the actresses that were involved in the film :)

Film is based on the infamous Papin case which rocked France in 1933. In the town of Le Mans, Monsieur Lancelin, a retired solicitor, lived with his wife and daughter. Seven years earlier, the family had hired two sisters as maids, the elder Christine and younger Lea. Madame Lancelin was strict and would wear white gloves to check for dust and there was surprisingly little personal interaction between the family and maids. One afternoon Monsieur Lancelein came home to pick up his wife and daughter for a dinner engagement and found the door bolted. After awhile police got in through a back window. They found the bodies of Madame Lancelin and her daughter; heads bludgeoned beyond recognition and legs carved like pieces of French bread. Weapons were a pewter jug, hammer and knife. Unique to this case, was the fact that their eyes had been gouged out while they were alive. The maids were found upstairs and confessed. The younger had twice blown out the house fuse and feared reprisal from the mistress of the house. The maids attacked them both when they arrived home; the younger following what the older did. The case became a cause celebre in France as an example of the cultural chasm between employer and servant. The case was also made into a play The Maids by Genet and another film - Murderous Maids. Interesting that all psychiatric testimony about the pair (incest and an extremely dysfunctional background and family) was dismissed by the small town jury but later resulted in such evidence being admitted into French trials.

I liked everything about this movie, the story, casting, acting, direction, everything. Some frames are so beautiful that they look like paintings (think Degas and one frame, Seurat). The casting was perfect and Richardson delivered one of the bravest and best performances I've ever seen. The tension between both pairs of women--it was an amazing way to build suspense. Even if you don't completely understand the relationship between the two sisters, their passion is obvious. What a great find this movie is.

It could be said that good acting is that which requires a minimum of words to convey its idea or stir up the viewer's emotions. In this way, Jodhi May has proven herself as an astounding actress. Meek, yet passionate in her role as a sweet repressed sister, she steals the show with a third the dialogue of her costars. The movie demonstrates how facile the wealthy can be in their overestimation of the subservient's tolerance for callousness and mistreatment. This is a quiet movie that seems to soak in the sound around its viewing space like air through a partially open door---a phantom moving silent through the room, but not without leaving its indelible footprints behind.