Sorry, this movie sucks

Overrated and overhyped

I gave it a 7.5 out of 10

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

Soda-jerk Lana Turner (Peggy) wins $2.50 for punctual attendance over 1,000 consecutive days and she has the privilege of spending this gift within the store that she works for. What a lucky break! She is horrified at this pointless achievement and so quits for better things. Quote right, Lana. What she does next is pretty dodgy, though. Watch and find out in this romantic comedy which also stars Robert Young (Bob) as the man pursuing her in more ways than one.This film has a good cast with Turner very good in the lead role. I wasn't too keen on Young, he's a bit drippy in this but he does get some amusing dialogue. Turner gets some clever scenes, eg, serving customers whilst blindfolded and when she is given a test to identify a treasured toy in a roomful of options. Her logic can't be faulted. She is both strong, calculatingly clever and funny in this film and she looks just like Marilyn Monroe. I wonder if Monroe copied her look? There is a convincing supporting cast although the story is based on a pretty dodgy idea! Doesn't matter, it's all fantasy. And it leaves the viewer feeling happy.

Shapely small town "soda jerk" Lana Turner (as Peggy Evans) can serve jumbo banana splits blindfolded, but gets in trouble for doing it with general manager Robert Young (as Robert "Bob" Stuart). When he sees Ms. Turner without the blindfold, Mr. Young falls in love. And, she is a very beautiful young woman. Still hurting from the reprimand, Turner considers her boring life, and decides to give herself a complete makeover. When her farewell is mistaken for a suicide note, Young is blamed for Turner's disappearance.Turner takes off for New York City, where she dyes her dark hair platinum blonde. There, a mishap lands her in the care of Eugene Palette (as Durstin), who suggests she may be a missing heiress. Turner decides to adopt one's identity ("Carol Burden"), then moves in on wealthy Walter Brennan (as Cornelius) and grandmotherly May Witty (as Baba). Although initially suspicious, Mr. Brennan accepts Turner as his daughter, after she identifies a childhood toy. But, Young needs to find Turner in order to clear his name, and make it a happily ever after ending for everyone.Veteran Wesley Ruggles contributes some fine comic direction, especially for Young. According to "Turner Classic Movies" (TCM) host Robert Osborne, Mr. Ruggles' old friend Buster Keaton directed Lana's nicely played "blindfold" sequence, early in the running time. It also looks, to this viewer, like the "concert balcony" and "coming out party" could be Ruggles / Keaton collaborations. Despite their efforts, the movie seems too long, and doesn't make too much story sense.Several actresses have tried, but it looks like Lana was one of the few who could have played the lead in a biography of Marilyn Monroe, who probably saw the 1940s Turner in the flickering darkness. MGM made "Slightly Dangerous" a well-produced "Cinderella" story for their new starlet; probably, they expected more mileage out of the picture, but Turner would prove a big pay off in due time. The "lingerie scene" shows off an obvious pair of assets. You also get to see rascally Robert Blake (as Sonny) hit Young on the foot with a hammer, and Florence Bates is always fun at the party.****** Slightly Dangerous (4/1/43) Wesley Ruggles ~ Lana Turner, Robert Young, Walter Brennan, May Witty

This movie has certainly "grown" on me. There are very few weak parts in it. Even the extras are outstanding. There is both social and moral content. Lana Turner's character grows up and my, what a thinker she is. And so is the persistent Robert Young. Everyone wins. This is what I consider a feel good movie. I also loved both the band music and the opera scene music. If you like Walter Brennan and Dame Mae Witty, you'll have to love them in this movie. Alan Mowbray has a good bit part. I love seeing Eugene Palette manage something without goofing it up. Even he sparkles. And I've become a fan of Jimmy Conlin who plays the role of the bartender.

SLIGHTLY DANGEROUS gave 21 year-old LANA TURNER her first big starring break in a film not dominated by a male star. MGM couldn't have chosen a better vehicle to show off her talent as a light comedienne with a gorgeous face and figure. And ROBERT YOUNG does nicely as her leading man in a farce that has elements of screwball comedy.It takes the mistaken identity theme (based on a false case of amnesia) and puts Lana in the clutches of rich relatives--WALTER BRENNAN (in an unusual role for him) and DAME MAY WITTY--who believe she is their long lost daughter. Young knows the real story and spends most of the movie chasing after her to prove to the folks in her hometown that he shouldn't have lost his job over her disappearance.It's all lightweight comedy and Turner never misses a chance to give the role of the scheming girl a sense of fun and innocence with a sexy twist. She goes from brunette salesgirl to blonde heiress in a series of outfits that only MGM's wardrobe department could devise. This is the kind of light escapist entertainment that weary wartime GIs were crazy about--and Lana looks sensational while giving an expert performance.ROBERT YOUNG is no slouch as her leading man. He has some scenes that reveal just what a flair he had for light comedy--and some of it very physical. The big delight is seeing so many well-known names in character roles: Ward Bond, Florence Bates, Alan Mobray, Bobby Blake (as Lana's kid brother), Ray Collins, Frank Faylen, Norma Varden and Howard Freeman, to name a few.Well worth a look--a pure delight from start to finish.