As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

Story: It's very simple but honestly that is fine.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

An old-fashioned movie made with new-fashioned finesse.

Because I was a youngster and raised during the depression years,the movie "SLIM" has remained with me all my life. It was the first movie I had ever seen with Fonda and as far as I am concerned, every time I watch it now, it brings back all those childhood memories of the Great depression. It took me many years to finally watch it again and because I was able to make a copy of it, I now watch it quite frequently. I can only wonder why it is not presented more often or why it is never mentioned whenever his list of great films are mentioned. At this time I am 85 years young and I still consider Slim one of the real great films of Henry Fonda.

Warner Brothers did this kind of taut,tart blue collar movie better than any other studio and while Slim is not the studio at its absolute peak of performance it is a pretty good piece of lean and crisp movie making .Slim -played with conviction by Henry Fonda -is a farm boy who yearns to work as a lineman on the big electrical projects then going ahead , under the auspices of the New Deal ,The opening sequence indeed is a quasi-documentary complete with solemn and sententious narrative that is a virtual commercial for Mr Roosevelt's public works agenda and which loudly hymns the role of the electrical industry in modern life He badgers Pop Travers (J Farrell MacDonald)to give him a trial and he is taken under the wing of the most respected of the lineman ,Red(Pat O'Brien).They become friends as well as mentor and protégé ,a factor cemented when Slim comes to Red's rescue as he is being fleeced by a crooked card sharp.They become partners and Red introduces Slim to his girlfriend ,a nurse Cathy (Margaret Lindsay)who is despairing of Red's nomadic lifestyle and longs to see him settle down to domesticity..Gradually a relationship develops between Slim and Cathy .The movie builds to a climax on a job site during a major blizzard .The movie is well acted and Ray Enright brings forthright energy to its direction .Special mention to Stewrat Erwin as the garrulous Stumpy -a veteran ground worker on the sites and to Jane Wyman making an early appearance as his girlfriend This is efficient and unpretentious studio film making at very n ear its best

This film bears a lot of similarity to another Warner Brothers film made just four years later (MANPOWER). Both are about two friends who work building and repairing power lines and both emphasize what a dangerous job this is. Despite these many similarities (as well as a somewhat similar ending), MANPOWER wasn't exactly a re-make--just awfully reminiscent of SLIM.The movie begins with Henry Fonda begging the foreman of a power crew for a job working on the power lines. Why he's so intent on this job is uncertain, but once hired "Slim" makes good and becomes fast friends with "Red". Oddly, no one in this film seems to have a real name but a nickname--such as Slim, Red, Pop or Stumpy!! But no matter, as the film is reasonably entertaining and worth a look to see what happens to the guys. However, I really beg to differ with one of the reviews that refers to this film as a "masterpiece" as well as "Fonda's finest film". This just isn't true and makes no logical sense--there are probably thousands of better films and Fonda made quite a few superior films that are light years better than SLIM (such as THE OX-BOW INCIDENT, JEZEBEL, DRUMS ALONG THE MOHAWK, MR. ROBERTS, 12 ANGRY MEN and THE LADY EVE). I can only assume this other reviewer never saw any of these great films.It's still pretty good and the only serious negatives in this agreeable little film is that at times the film is a bit predictable and you wonder what makes Slim tick--he just seems amazingly stupid towards the end of the film--turning down marriage to sweet Margaret Lindsay as well as a cushy job in order to risk his life. But no matter, the film is entertaining and worth a look at a young Henry Fonda.

It's easy to see why this was one of Henry Fonda's favorite roles. I personally think there is more action and entertainment packed into this one short film than the award winning "Grapes of Wrath", filmed with Fonda just a few years later.Fine acting performances all around take the viewer into the waning years of the Great Depression with an authenticity of characters, time, and place. The cinematography and the period details are simply fantastic.Add to all of this the pure poetry of the dialog exchanges between many of the characters. It's as lyrical as anything written by Shakespeare. The character "Stumpy" for instance begins almost every sentence with either a variation on a song "Mother said to Mabel"... or his own unique way of expressing himself. "You think that old Stump boy would...".Even the often quoted phrase of Slim "That's what's the matter." rings true as heroic in every sense for our protagonist.Also, it is of great interest to see how people were treated in the workplace back in this era. Can you imagine your boss literally kicking you in your rear end when he thought you were slacking off or distracted? This was a time when men were desperate for jobs and there was no OSHA, EEOC, or sympathetic human resources director. After seeing this nostalgic view, one is almost tempted to wonder what it would like to give your contemporary office co-workers a sharp kick in the rear when they slump off during the a project or show up for work late.Accurately depicted in the movie... During the 1930's if you messed up at work because you were drunk the night before, you were simply fired. That's it, pick up your last check and hit the road! If a man was killed or injured in an industrial accident, he was simply replaced with minimal fuss and ceremony. It may sound cruel by today's standards, but it served a purpose back then.So fine is this movie that I must further elaborate on the cinematography and the set decoration. Where else do you get actual 150 foot steel electrical towers under construction filmed with racing steam engine trains in the background highballing along the right-of-way? Under the expert direction of Ray Enright, the viewer actually imagines the feeling of the bone-chilling cold depicted outside the boarding house where the linemen crew is housed. One can almost taste Stumpy's "eating potatoes" on the table. If you are old enough, you remember that there once were women who behaved exactly like the lady who plays the boarding house manager. A masterful performance.The hotwire substation at 88000 volts is the scariest set since Dr. Frankenstein's laboratory. Don't miss it. A must see!